Thursday, August 11, 2011

Reflections on a Career: Isola Jones

Isola Jones was born December 27, 1949. The mezzo-soprano of American Indian and African American descent started singing at 4-years old. By age 11, while attending a Roman Catholic grade school, she saw a performance of Leontyne Price on television and begged her mother to buy a recording of the soprano. It was at this moment that she determined she wanted to be an opera singer as a career. She attended Northwestern University in Evanston, Illinois, to receive her undergraduate degree. After school she became a member of the Chicago Symphony Chorus. She made her professional debut in 1975 as the mezzo-soprano soloist in Verdi's Requiem with the Chicago Symphony as a last-minute replacement
for Yvonne Minton, who had taken ill. The conductor was Sir Georg Solti and the soprano soloist was none other than her idol Leontyne Price. The subsequent year she was engaged to sing in Wagner's Der Fliegende Holländer in Chicago with Solti and Gershwin's Porgy and Bess with Loren Maazel and the Cleveland Orchestra. Within two years of her professional debut, she was headed to New York City for one of the greatest professional relationships of her operatic career: The Metropolitan Opera. Ms. Jones made her MET debut on October 15, 1977, as Olga in Tchaikovsky's Eugene Onegin with fellow castmates Nicolai Gedda, Sherrill Milnes, Teresa Zylis-Gara and conductor James Levine in the company's first performance of the opera in Russian. "During the intermission between the first and second acts, I remember going back to the dressing room and looking in the mirror, and I was visibly shaking. I thought, 'I cannot have a career, this is just too nerve-wracking!'
But I know that I was there for a reason. I needed to be at the Met to get what I needed for my singing. It is a fabulous place to learn, because you are working with the best people in the world. You are hearing, up close, in your face and personal, great singing, and there is no substitute for that." She was also featured in many "Live from Lincoln Center" performances including Francesca da Rimini, La forza del destino, Manon Lescaut, Cavalleria Rusticana and Rigoletto at the MET. She sang over 500 performances at the MET including major
comprimario roles in such operas as ThaïsDie Frau Ohne SchattenDie ZauberflöteDer Fliegende HolländerParsifalCarmenRise and Fall of the City of MahagonnyWozzeck,  L'Enfant et les SortilègesI Vespri SicilianiLes Contes d'HoffmannAdriana LecouvreurPorgy and Bess and Ariadne auf Naxos.
While she was singing Francesca da Rimini at the MET, she was offered a contract at La Scala to sing her first Carmen. "I was advised not to do my Carmen at La Scala first. But I don't know who would have conducted it, who else was in the cast. I figure that maybe I was saved from an unpleasant experience." She went on to sing Carmen with Maestro Levine at the MET for the first time on April 2, 1986, with Plácido Domingo as Don José and Catherine Malfitano as Micaëla. Her last performance with the company was on February 23, 1991, as Federica in Luisa Miller alongside Luciano Pavarotti, Paul Plishka, Kallen Esperian and Nello Santi conducting the orchestra. Throughout her career she has sung with the Arizona Opera, Baltimore Opera, Calgary Opera, Chicago Lyric Opera, Cincinnati Opera, Dallas Opera, Denver Opera, Greensboro Opera, Hungarian Opera, Metropolitan Opera, Palm Beach Opera, Seattle Opera, Spoletto Festival, and at the Kennedy Center with the Washington Opera. In addition to the roles she sang at the MET, she also took on
such lead parts as Ulrica in Un Ballo in Maschera, Amneris in Aida, Suzuki in Madama Butterfly and Dalila in Samson and Dalila. Ms. Jones has appeared on opera and concert recordings such as Wagner's Der Fliegende Holländer, Mahler’s Symphony No. 8 and Stravinsky’s Les Noces, with the Chicago Symphony Orchestra, Sir Georg Solti and James Levine conducting, respectively; Gershwin’s Porgy and Bess with LorinMaazel conducting; Mascagni’s Cavalleria Rusticana, James Levine, conducting; and a solo recording entitled Music of Bach, Handel and Purcell. In 2002, she appeared on a recording titled Vivaldi a Due Voce with Eileen Mager. The singer has been the recipient of many honors and accolades marking the achievement of her career. In 1984 Ms. Jones was presented with the Merit Award from her alma mater, Northwestern University in Evanston, Illinois. She has been inducted as an honored member of the United Who's Who of Executives and Professionals. She is also listed in Faces of Arizona, an art book of
Arizona’s famous artists and patrons created and photographed by Michel Sarda. Ms. Jones was recently honored with the Living History Award for Excellence and Extraordinary Service in the Performing Arts by the Phoenix Chapter of the Links Inc., Jack and Jill of America Inc., and Gamma Mu Boule' Fraternity. She was awarded an Honorary Doctorate of Musical Arts from Providence College in Rhode Island. As a member of Desert Life Church, Ms. Jones serves as Treasurer on the Board of Directors for the Love Images Ministry Inc. in Phoenix, Arizona. During the 2005-06 season of the Arizona Opera, she sang the title role of Carmen and in April 2006 she was heard as the mezzo-soprano soloist in the Mahler Symphony No. 2 performed at ASU in Gammage Auditorium under the baton of Dr. Timothy Russell. In January 2007, Ms. Jones was a celebrity dancer for The Arizona Kidney Foundation's first annual "Dancing with the Stars" fund raiser.
Other celebrity dancers included Tony Dovolani from the popular reality series, "Dancing with the Stars," which airs weekly on the ABC broadcast network. She was honored to participate in the world premiere of James DeMars's The Blessingway Songs along with Native American flutist, R. Carlos Nakai. In addition to concerts and recitals in Phoenix and Chicago during the 2009 and 2010 seasons, Ms Jones has collaborated with ASU professor and composer James DeMars on the opera: Guadalupe, Our Lady of the Roses available on Canyon Records at This recording was nominated in four categories for the 2010 Grammy Awards. In April 2010, the mezzo-soprano performed at the 24th Annual International Conference of the Seven Ray Institute and the University of the Seven Rays in a program titled "Songs from the Ageless Wisdom." In November 2011, she will sing with The Metro Chamber Orchestra in New York as part of an all-Mahler program commemorating the 100th anniversary of the composer's death. On the program will be his Rückert Lieder and Symphony #4.

Isola Jones as Carmen in a portrait
titled The Diva by Greig Steiner.
Click here to purchase the artwork.
Ms. Jones received a Master's Degree of Science in Education from Capella University in Minneapolis, Minnesota, and is currently teaching voice as an adjunct faculty member at South Mountain Community College in Phoenix, Arizona.

[Source, Source, Source, Source, Source, Source, Source, Source, Source]

1) Linda White Wolf interviews Isola for Arizona Native News.
2) Quartet from Verdi's Rigoletto at the MET with Joan Sutherland, Luciano Pavarotti, Leo Nucci and Isola Jones.
3)"Píntadnos los tiempos venideros" from Guadalupe, Our Lady of the Roses in 2009.
4) "Fior di giaggiolo" from Cavalleria Rusticana in concert with Plácido Domingo and Tatiana Troyanos.

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