"Io son l'umile ancella" Adriana Lecouvreur (Cilea) |
Looking back at a dozen African-American sopranos over the last three decades that have been in Ms. Johnson's position and were hailed as the new great singer to take up the mantle of the lyric, spinto or dramatic repertoire, somehow they have lacked staying power to reach the heights that Marian Anderson forged the groundwork for 56 years ago and that Leontyne Price cemented as the standard for performance. Ms. Johnson will have to work hard in order to have a career that lasts more than a debut at the Metropolitan Opera and remain a household name. [Source, Source, Source]
Wilhelmenia Fernandez "Ebben? ne andrò lontana" La Wally (Catalani) | Carmen Balthrop "Che sento? Oh Dio!" Giulio Cesare (Händel) | Indra Thomas "Pace, pace mio Dio" La Forza del Destino (Verdi) |
Marvis Martin "Glück das mir verblieb" Die tote Stadt (Korngold)* | Cynthia Haymon "Signore, ascolta" Turandot (Puccini) | Angela Brown "Ecco l'orrido campo" Un Ballo in Maschera (Verdi) |
Michele Crider "Vissi d'arte, vissi d'amore" Tosca (Puccini) | Cynthia Clarey "My Man's Gone Now" Porgy & Bess (Gershwin) | Leona Mitchell "Ernani, involami" Ernani (Verdi) |
Faye Robinson "Quel guardo il cavaliere" Don Pasquale (Donizetti) | Jonita Lattimore "Canción de amor" (Villa-Lobos) | Measha Brueggergosman "D'Oreste, d'Ajace" Idomeneo (Mozart) |