Tuesday, March 1, 2011

Happy Birthday: Lucine Amara

"Qual fiamma...Strido lassù"
I Pagliacci (Leoncavallo)
Born Lucine Armaganian on March 1, 1924 in Hartford, Connecticut, the soprano of Armenian descent was raised in San Francisco, Calfornia. After learning to play the violin she switched over to singing and studied at the San Francisco Community Music School under Stella Eisner-Eyn and sang in the chorus of the San Francisco Opera, 1945-46. She began as a contralto but as the years went on her voice naturally ascended to soprano. In 1946, Amara made her concert debut at the War Memorial Opera House. Continuing her studies at the Music Academy of the West with Richard Bonelli in 1947, she won a contest to appear at the Hollywood Bowl in 1948. She continued as a student at the University of Southern California and as a soloist for the San Francisco Symphony for the following two years. She appeared in the title role of Ariadne auf Naxos and

"Parle-moi de ma mère!"Carmen (Bizet)
with Mario del Monaco
as Lady Billows in Britten's Albert Herring in 1949. She made her Metropolitan Opera debut as the Celesital Voice in Verdi's Don Carlos, the opening night of Sir Rudolf Bing's inaugural season as general manager, on November 6, 1950. She continued at the MET over the course of 41 seasons until 1991, singing 56 roles in 882 appearances, nearly 60 of which were broadcast on radio and television. Appearing regularly as Micaëla in Carmen, Cio-Cio-San in Madama Butterfly and Tatiana in Eugene Onegin, Antonia in Les contes d'Hoffmann, Donna Elvira in Don Giovanni, Nedda in Pagliacci, Mimi in La bohème, her repertoire also included Leonora in Il Trovatore and Aida. In the mid-1970s, she was given only a cover contract and was scheduled for fewer and fewer performances. In
1976 at the age of 51, she successfully sued the MET for age discrimination, but sang only sporadically with the company after that, and was absent from the roster from 1977 until 1981. In the last years of her

Act II finale La Boheme (Puccini)
with Jussi Björling & Victoria de los Angeles
conducted by Sir Thomas Beecham
Met career, she sang only one or two performances a season (one performance each in 1985, 1986, 1988, 1989 and 1991, and two in 1987; the 1985 performance took place at the Kennedy Center where the MET was on tour; the 1986 performance was presented by the MET in Brooklyn's Prospect Park). Amara did not appear with the company at it's Lincoln Center home between 1983 and 1987. She also performed in Europe, Asia, and South America, including at Glyndebourne (1954–55, 1957–58), the Edinburgh Festival (1954), the Vienna State Opera (1961), Russia (1965), and China (1983.) She also appeared in a television performance of Carmen (1952) as Frasquita and in the film The Great Caruso (1951). Amara made a few recordings, notably as Musetta in La bohème, opposite Victoria de los Ángeles, Jussi Björling and Robert Merrill under Thomas Beecham, as Elsa in Lohengrin, opposite Sandor Konya, Rita Gorr, Jerome Hines, under Erich Leinsdorf, she also recorded the role of Nedda in Pagliacci twice, opposite Richard Tucker in 1951, and opposite Franco Corelli in 1960. Amara was the soprano soloist on the 1964-65 recording of Verdi's Messa da Requiem that also featured Maureen Forrester (mezzo-soprano), Richard Tucker (tenor), George London (bass) and the

Final duet Eugene Onegin (Tchaikovsky)
with George London
Philadelphia Orchestra conducted by Eugene Ormandy. After retiring, she became the artistic director of the New Jersey Association of Verismo and taught master classes in the United States, Canada and Mexico. On January 23, 2005, she performed as a special guest artist with the Musica Bella Orchestra. The Times called Amara "the greatest lyric soprano of our time." Time Magazine wrote that "she brought to the stage the kind of dazzling vocal splendor that made the Met famous." In 1989 she was inducted into the Academy of Vocal Arts Hall of Fame. [Source, Source]

Lucine as Donna Elvira in Don Giovanni at the Metropolitan Opera in 1964

No comments:

Post a Comment