Gheorghiu And Kaufmann At European Culture Awards In Dresden

Award-Winning Smiles: Gheorghiu and Kaufmann

"Thirteen individuals and organizations have been honored with the European Culture Award in Dresden. Awardees include former German Foreign Minister Hans-Dietrich Genscher and former VW supervisory chief Ferdinand Piech. The prizes were awarded at Dresden's Frauenkirche (Church of our Lady) on Friday, with 25 years of Germany's reunification as its central theme. The ceremony looked back at special achievements before and after the historical event. The European Culture Award is given out to individuals and organizations who have contributed towards the idea of a unified Europe. Tenor Jonas Kaufmann and Romanian soprano singer Angela Gheorghiu were the two soloists honored this year. The organizers also recognized the contributions of actress Kathrin Sass, the British violinist Daniel Hope and a civil society intiative for the reconstruction of the Frauenkirche in Dresden. Former VW supervisory chief Ferdinand Piech and former Spanish Prime Minister Felipe Gonzalez , who worked towards Germany's reunification, won the prize of honor at Friday's event. The Baltic Sea Youth Philharmonic, led by Kristjan Järvi and cellist Maximilian Hornung were honored in the emerging talents category. 22-year-old Iva Kovic, a Lebanese artist of Slovenian origin, was the inaugural winner of the new visual arts category. The European Culture Prizes were awarded for the first time in 1993 and carry no monetary compensation. Its organizers include the European Cultural Foundation and the Frauenkirche in Dresden." [Source]

Watch Anja Harteros Record "O Patria Mia" For Warner Classics

"This magnificent recording of Aida, made in Rome, rises to all the musical and dramatic challenges presented by Verdi’s richly-coloured Egyptian epic. Antonio Pappano, once again proving his mastery of Italian opera, moves between sumptuous grandeur and touching intimacy. The responses of the Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia are both immediate and vibrant, while the singers – Anja Harteros, Jonas Kaufmann, Ekaterina Semenchuk, Ludovic Tézier and Erwin Schrott – do justice to every facet of their roles." [Source] Watch Anja Harteros sing "O Patria Mia" from Aida, as well as more excerpts from the recording session along with interviews with the artists, after the jump.

World's Best Tenors Captured On Film By Johannes Ifkovits

High C: The cover and back inlay for the book World's Best Tenors captures the artists 
singing the infamous note. (Photo: Johannes Ifkovit)

Opera Rifko Verlag, the publisher that designed the book Die Oper Kocht featuring opera singers in the kitchen cooking, releases a new book dedicated to the greatest kings of the high-C's living today: Die weltbesten Tenöre (World's Best Tenors). The duo team of photographer Johannes Ifkovits and stylist Evelyn Rillé created an essay that highlights 44 opera tenors from around the globe that had time or willingness to participate in the project. The Festival Castell de Peralada featured an exhibition of the book with large images surrounding the grounds of Palau Robert in Barcelona, Spain. Inside the book, portraits of legendary tenors like Plácido Domingo, Vladimir Atlantov, René Kollo stand alongside their hot young counterparts like Pavol Breslik, Giuseppe Filianoti, and Michael Fabiano. The book will soon be available for pre-order here. More photos after the jump. 

(Click to enlarge image)

Strumming His Guitar: Juan Diego Flórez captured by photographer Johannes Ifkovits

Rubber Ducky You're The One: Funny guy Rolando Villazón relaxes in the tub for his portrait by Johannes Ifkovits

Watch Full Munich Concert With Netrebko, Kaufmann, Hampson

Netrebko, Kaufmann, Hampson: Meeting of the stars on medici.tv.

Thomas Hampson To Replace Hvorostovsky At "Summit of the Stars"

In light of yesterday's tragic news of Dmitri Hvorostovsky falling ill, Thomas Hampson will replace him on the June 27 "Gipfeltreffen der Stars" concert in Munich with Jonas Kaufmann and Anna Netrebko. "Es nennt sich 'Gipfeltreffen der Stars,' und die Veranstalter haben wohl auch recht: Mit Anna Netrebko (43) und Jonas Kaufmann (45) treten am 27. Juni zwei der größten Stars der Klassik-Szene bei einem Open-Air-Konzert auf dem Münchner Königsplatz auf. Ohne Probe funktioniert das aber auch bei den beiden Mega-Stars nicht. 'Kein Konzert ohne Probe! Selbst wenn man auf einer Tournee an zehn Abenden hintereinander dasselbe Programm singt, muss man vor jedem Konzert proben, schon weil jeder Raum eine andere Akustik hat,' sagte Kaufmann im Interview der Deutschen Presse-Agentur. 'Und bei einem technisch aufwendigen Freiluft-Konzert vor rund 15 000 Zuschauern wäre es schierer Wahnsinn, ohne Probe auf die Bühne zu gehen.' Mit Netrebko und Kaufmann zusammen tritt der Bariton Thomas Hampson auf, der den erkrankten Dmitri Chworostowski kurzfristig ersetzt." The concert will include opera highlights by Verdi, Puccini, and Rossini. Special guests include Elena Zhidkova and Ildar Abdrazakov. Click here for more information on how to watch the concert. [Source, Source]

Andris Nelsons Innaugural Concert With Kaufmann & Opolais To Air

"Andris Nelsons’s first season as music director of the Boston Symphony Orchestra has come and gone — but in case you missed it entirely, you wanted more, or you just wondered what all the buzz was about, you can now catch a glimpse of the new partnership from the comfort of your living room. On Friday at 9 p.m., PBS will broadcast the young Latvian conductor’s inaugural concert with the orchestra, recorded live in Symphony Hall last September....Among the highlights on the night itself were the contributions of the two star vocal soloists, especially tenor Jonas Kaufmann’s outstanding performance of 'In Fernem Land' from Act III of Lohengrin, an account whose intensity and poetry is conveyed here. The Latvian soprano Kristine Opolais, Nelsons’s wife, sings a vivid 'Un Bel Di' from Madama Butterfly as well as a smoldering duet with Kaufmann: 'Tu, Tu, amore? Tu?' from Puccini’s Manon Lescaut, a work this pair is slated to perform together next season in a new Met production directed by Richard Eyre. For an additional opening night souvenir, the two singers also offered as an encore a melting, sweet-toned account of 'O Soave Fanciulla' from the Act I finale of La Bohème." [Source]

(Photo: Chris Lee)

Surprising Debut Discs Herald New Releases For Summer 2015

"Aida" With Kaufmann And Harteros Gets 8-Month Lead Time Hype

Australian magazine Limelight discusses the most recent recording of Verdi's Aida for Warner Classics, featuring Jonas Kaufmann, Anja Harteros, Ekaterina Semenchuk, and Erwin Schrott under the baton of Antonio Pappano, due in October 2015. Those lucky enough to be in Rome can attend a concert on February 27 of the opera with the cast. Tickets available here. "Over the past two decades the number of studio recordings produced by the world’s biggest record labels of grand operas has dwindled. However a new studio recording of Verdi’s epic masterpiece Aida being produced by Warner Classics and featuring an all star cast proves that the tradition of recording large scale operatic works in the studio is still alive. What’s more, the new recording, due for release in October this year, will boast an authentically Italian provenance with conductor Sir Antonio Pappano at the helm. Pappano, who since 2005 has been Music Director of the Orchestra and Chorus of the Accademia Nazionale di Santa Cecilia, featured on this new recording, is a seasoned hand with Verdi repertoire. This will be the conductor’s second studio recording of a Verdi opera, after his 2002 release of Il Trovatore. His Warner Classics catalogue also contains an award-winning Santa Cecilia version of Verdi’s monumental Requiem. Pappano has assembled an extraordinary cast of similarly experienced Verdi performers, although two notable leads will be making their Aida debuts. In the title role, German soprano and former Cardiff Singer of the World champion

Anja Harteros has firmly established her Verdi credentials having appeared in productions of La traviata, Il trovatore, Simon Boccanegra, La forza del destino, Don Carlo and Otello. This will however be her first time performing the role of the Ethopian princess. Starring opposite Harteros will be superstar tenor Jonas Kaufmann, who is no stranger to Verdi’s heroic leads himself, although this too will be the tenor’s Aida debut in the role of the Egyptian warrior Radamès." [Source] Read the full article here. See an interview with Maestro Pappano, and a video of the recording session, after the jump.

What Is Missing From The 57th Annual GRAMMY Nominee List?

Nominations for the 57th Annual Grammy Awards came out today and there were some albums, artists, and labels, conspicuously missing from the classical opera, choral, and vocal, recital lists. Eligibility rules state that for the 57th Annual GRAMMY Awards albums must be released between October 1, 2013 and September 30, 2014. For whatever reason, here is a sampling of those not making the list: Elīna Garanča - Meditation (DG); Verdi: Giovanna d Arco- Anna Netrebko, Plácido Domingo (DG); Juan Diego Flórez - L'Amour (Decca); Jonas Kaufmann - You Mean the World to Me (Sony); Jonas Kaufmann - Die Winterreise (Sony); Max Emanuel Cencic - Rokoko: Hasse Opera Arias (Decca); Ildar Abrazakov - Power Players: Russian Arias for Bass (Delos); Rolando Villazón - Mozart Concert Arias (DG); Sabine Devieilhe - Rameau: Le Grand Theatre de l'amour (Erato); Marina Rebeka - Mozart Arias (Warner Classics); Iestyn Davies - Arise, My Muse (Wigmore Hall Live); Javier Camarena - Tenor Recitales (Urtext); Karina Gauvin - Mozart: Concert & Opera Arias (ATMA Classique); Anna Prohaska - Behind the Lines (DG); Thomas Hampson - Notturno: The Strauss Recital (DG); Madgalena Kozená - Prayer: Voice & Organ (DG); Poulenc: Stabat Mater, Gloria, Litanies à la Vierge noire - Patricia Petibon (DG); Verdi: Simon Boccanegra - Hampson, Opolais, Calleja, Pisaroni; Zanetti (Decca); Joseph Calleja - Amore (Decca); Muhly: Two Boys - Coote, Appleby, K. Miller; Robertson (Nonesuch); Vittorio Grigòlo - Ave Maria (Sony Classical); Sacred Verdi - Maria Agresta; Nagano (Warner Classics); Olga Peretyatko - Arabesque (Sony). Ever wonder how your favorite recordings get nominated each year? Find the answer out after the jump, which is where the complete list for year's best opera, choral and solo vocal recordings can be found as well.

Top Singers Commemorate The Fall Of Berlin Wall 25th Anniversary

UPDATE 11/10/2014: Jonas Kaufmann was replaced by heldentenor Klaus Florian Vogt as seen in the photo below. Watch the finale of the performance from Sunday evening by clicking here.

==================================================================

The Brandenburg Gate Quadriga

On November 9, 2014, conductor Daniel Barenboim will step onto the podium in front of the Brandenburg Gate to conduct the Staatskapelle Berlin in Beethoven's Symphony No. 9 to commemorate the 25th Anniversary of the Berlin Wall falling. Soloists will include Renée Fleming, Elīna Garanča, Jonas Kaufmann, and René Pape. "The performance is part of a three-day, city-wide celebration of the Fall of the Berlin Wall, which includes a 15 kilometer Lightgrenze, or Light Frontier, from the Wall Memorial to the Brandenburg Gate. The Lightgrenze, by artist Christopher Bauder and filmmaker Marc Bauder, comprises 8,000 illuminated white balloons, each with its own story and patron. The installation also includes large-screen projections of historical film collages, along with guided tours and public exhibits. Barenboim and the Staatskapelle Berlin’s performance will coincide with the release of the 8,000 balloons as they sail above the German capital. The performance will be broadcast on ARD and rbb beginning at 6.50 p.m. CET. Tell the world about your experiences of witnessing the fall of the Berlin Wall and what the Peaceful Revolution of 1989 means to you today. Use the hashtags #fallofthewall25 or #fotw25 on Facebook, Instagram and Twitter, and your message will appear in the virtual web portal here." [Source] As we look back to that historic moment in 1989, let's remember the concert that marked the original event: "On December 25, 1989, Leonard Bernstein gave a concert in Berlin celebrating the end of the Wall, including Beethoven's 9th symphony ('Ode to Joy') with the word 'Joy' (Freude) changed to 'Freedom' (Freiheit) in the lyrics sung." The quartet of soloists were comprised of singers from around the world: soprano June Anderson, mezzo-soprano Sarah Walker, tenor Klaus König, and bass Jan-Hendrik Rootering. Conductor Leonard Bernstein led a chorus and orchestra was comprised of members from the Chor des Bayerischen Rundfunks, Rundfunkchor Berlin, Symphonieorchester des Bayerischen Rundfunks & Members of the

American soprano June Anderson and British mezzo-soprano
Sarah Walker singing at the historic event in 1989.

Staatskapelle Dresden, Orchestra of the Kirov Theatre, London Symphony Orchestra, New York Philharmonic, Orchestre de Paris. "The fall of the Berlin Wall on November 1989 unleashed a wave of democratisation in Central and Eastern Europe that radically transformed the world order. In a typically grandiose yet eloquent gesture, Leonard Bernstein spontaneously accepted an invitation to conduct a performance of Beethoven’s Ninth Symphony to celebrate this freedom....In a typically grandiose yet eloquent gesture, Bernstein spontaneously accepted an invitation to conduct a performance of Beethoven’s Ninth Symphony to celebrate this freedom. It was only fitting that East Germany’s new-found freedom should be celebrated with Beethoven’s Ninth Symphony. The monumental works, perhaps the world’s most famous Symphony, was inspired by Schiller's poem “Ode to Joy”, a passionate paean to freedom. Adding to the symbolism of the event, Bernstein conducted an orchestra and chorus formed of musicians from both East and West Germany (Bavarian Radio Symphony Orchestra, Staatskapelle Dresden), as well as the United States (New York Philharmonic), Great Britain (London Symphony), France (Orchestre de Paris) and the Soviet Union (Orchestra of the Kirov

Polish-born and German raised tenor Klaus König and
German-born of Dutch ancestry bass Jan-Hendrik
Rootering sing Beethoven for Bernstein.

Theater). Recorded at the Schauspielhaus, Berlin, December 25, 1989, the German label Deutsche Grammophon would commemorate the event by issuing multiple CD versions with different title and one limited edition copy that contained a piece of the Berlin Wall for collectors. "The Berlin Wall (German: Berliner Mauer) was a barrier that existed between 1961 and 1990, constructed by the German Democratic Republic (GDR, East Germany) starting on August 13, 1961, that completely cut off (by land) West Berlin from surrounding East Germany and from East Berlin until it was opened in 1989. The barrier included guard towers placed along large concrete walls, which circumscribed a wide area (later known as the 'death strip') that contained anti-vehicle trenches, 'fakir beds' and other defenses. The Eastern Bloc claimed that the wall was erected to protect its population from fascist elements conspiring to prevent the 'will of the people' in building a socialist state in East Germany. In practice, the Wall served to prevent the massive emigration and defection that marked East Germany and the communist Eastern Bloc during the post-World War II period....In 1989, a series of radical political changes occurred in the Eastern Bloc, associated with the liberalization of the Eastern Bloc's authoritarian systems

Lucky collectors were able to get a recording of the
event with a piece of the Berlin Wall inside

and the erosion of political power in the pro-Soviet governments in nearby Poland and Hungary. After several weeks of civil unrest, the East German government announced on November 9, 1989, that all GDR citizens could visit West Germany and West Berlin. Crowds of East Germans crossed and climbed onto the wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, euphoric public and souvenir hunters chipped away parts of the wall; the governments later used industrial equipment to remove most of what was left. Contrary to popular belief the wall's actual demolition did not begin until Summer 1990 and was not completed until 1992. The fall of the Berlin Wall paved the way for German reunification, which was formally concluded on October 3, 1990." [Source, Source] Watch the finale of that historic concert from 25 years ago, and see the different packaging for the DG recordings, after the jump.

New CDs: DiDonato In Stars; Garanča Meditates; Kaufmann Goes Light

CLICK ON INDIVIDUAL COVER ART TO PRE-ORDER.

Kristīne Opolais And Jonas Kaufmann Not Exactly Headed For Sand

Kristīne Opolais and Jonas Kaufmann in rehearsal
for Manon Lescaut which opens June 24 in London.
(Photo: Bill Coooper/Royal Opera House)

"Louisiana, early 18th century. A few kilometres outside New Orleans: Manon and her lover, Des Grieux, have escaped the city on foot, hoping to reach an English settlement. What lies ahead of them seems insurmountable: plains so vast and mountains so high they would daunt the roughest and hardiest of men and women. As night falls, Manon can walk no further and succumbs to the unavoidable. She collapses from thirst and weariness, and dies in the ‘the depths of the desert’. The inhospitable land the two lovers describe in the last act of Puccini’s Manon Lescaut has more than puzzled contemporary audiences and directors alike. The original poster of the opera’s 1893 premiere showed sun-baked arid hills and what appears to be like an agave plant (more commonly found 2,000km away in the accurately arid desert of Arizona, not in Louisiana). To put it mildly, the setting is a largely inaccurate description of the outskirts of New Orleans, even some three centuries ago. Devastating hurricanes aside, the southern city is used to a healthy amount of rainfall. And water also abounds in lakes, streams and other watercourses that dissect this meandering delta region of the Mississippi River. It's an area alive with mammals, birds and reptiles. In fact, rather than thirst, it's likely that hungry coyotes or alligators would have led to Puccini heroine's untimely demise. So why did the composer and his librettists get it so apparently wrong?

Drowning in a flood from some hurricane might
have been more realistic than a desert death.

The original source of the opera and later adaptations offer a few possible clues. In his 1731 novel L’Histoire du chevalier des Grieux et de Manon Lescaut, French writer Abbé Prévost gives some details about what was then predominantly uncharted territory to European colonizers. Apart from a mention of ‘barren and uninhabited plains’, the author describes Manon’s resting ground only briefly: ‘We sat down in the middle of a vast plain, unable to find a single tree to give us shelter.’ One of the last scenes of the 1830 ballet-pantomime Manon, by dramatist Eugène Scribe, is also set in the ‘vast desert of New Orleans.’ But his 1856 opera Manon Lescaut, with music by Daniel François Esprit Auber, takes place in the ‘plains, and forests of North America.’ Both Prévost and Scribe seemed to have portrayed a settlers’ misconception about much of America west of the Appalachian Mountains." [Source] Read the entire article by Mattia Cabitza by clicking here. See the original poster for Manon Lescaut and a photo of Kiri Te Kanawa with Plácido Domingo in the 1983 production at the ROH, after the jump.

Let's Hear It For The Boys: New Kaufmann, Abdrazakov, Cencic

Free Online Opera Courtesy of Bayerische Staatsoper in 2012

"Anfang 2012 startet die Bayerische Oper mit zwei Opern ein Pilotprojekt: Zuschauer aus der ganzen Welt können einen kompletten Opernabend auf der Bühne des Nationaltheaters im Internet live über einen Video-Stream mitverfolgen. Die Clou: die Übertragung ist für alle Nutzer kostenfrei...Einzige Voraussetzung ist eine Breitband-Internetverbindung wie zum Beispiel DSL. Das Video wird mit 600 und 1000 Kilobite in zwei Übertragungsqualitäten angeboten, die sich automatisch an die individuelle Datenverbindung des Internetnutzers anpassen. Für die Nutzung des Live-Streams fallen für den Zuschauer keinerlei Kosten an." [Source]

The first live streams from the opera house will be:

January 7, 2012
L'elisir d'Amore (Donizetti)
Adina: Adriana Kučerová
Nemorino: Pavol Breslik
Belcore: Levente Molnár
Dulcamara: Ambrogio Maestri
Giannetta: Tara Erraught

Musikalische Leitung: Dan Ettinger
Inszenierung: David Bösch

January 22, 2012
Don Carlo (Verdi)
Philipp II, König von Spanien: René Pape
Don Carlos, Infant von Spanien: Jonas Kaufmann
Rodrigo, Marquis de Posa: Mariusz Kwiecien
Der Großinquistor: Eric Halfvarson
Ein Mönch: Diogenes Randes
Elisabeth von Valois: Anja Harteros
Die Prinzessin Eboli: Anna Smirnova
Tebaldo, Page Elisabeths: Laura Tatulescu
Der Graf von Lerma: Francesco Petrozzi
Stimme vom Himmel: Evgeniya Sotnikova

Musikalische Leitung: Asher Fisch
Inszenierung, Bühne, Kostüme und Lichtkonzept: Jürgen Rose

Everyone Can Wear Jeans to the Opera, Except the Ticket Takers

Dolce & Gabbana could have a whole new market with jean wearers at the opera.

"Instead of just showing the latest Hollywood blockbusters, multiplexes equipped with digital projection increasingly are providing patrons with a night at the ballet or the fights. And jeans-wearing opera lovers can enjoy a show at the same place they'd see a romantic comedy or an action movie. Struggling theaters are on the prowl for additional revenue. The number of tickets sold, according to Rentrak's media measurement service, has dropped nearly 15% to 1.34 billion from 1.57 billion in 2002. Potential moviegoers, with high-definition, big-screen TVs at home and Netflix accounts are proving tough to pry off their couches. Total box office sales for the year are on pace to be only slightly behind last year's $10.6 billion, thanks to rising ticket prices: averaging $7.96 per ticket in 2010, vs. $7.50 in 2009, according to Box Office Mojo. To coax people into their seats, theaters are getting creative, by showcasing everything from New York City Ballet performances of The Nutcracker to Ultimate Fighting Championship matches in 3-D. Alternative programming can create opportunities for people who want the experience of going out but can't attend events, due to location or cost, says A. Dale 'Bud' Mayo, chairman and CEO of Digiplex Destinations, which has three New York-area theaters. Digiplex Destinations' business is built around providing alternative programming, Mayo

Even the devil has the good sense to be
fashionable. Tenor Jonas Kaufmann will star
in the title role of the MET's Faust.

said. Theater owners usually don't hold out much hope for moviegoers to pack theaters Monday through Thursday, but this 'off-peak' period presents opportunities to run programming that targets specific audiences, Mayo said. On Nov. 21, his theaters will showcase a Lady Gaga special documenting her Monster Ball Tour for $13.50 a ticket. The average price to see the eccentric performer in person is about $100, according to concert industry trade publication Pollstar. Tickets for the theater version are selling fast even though the show is on a Monday. 'We love that,' Mayo said. 'That's heaven for a movie theater operator. When you can draw people in at times they wouldn't usually come, everyone wins.' Showings of the Metropolitan Opera sell out months in advance, he said. To create a more authentic experience, Digiplex Destinations' ticket takers dress in costume, and the theaters sell concessions found at New York City performances." [Source]

Faust by the Metropolitan Opera "Live in HD" will be on December 10. Tickets are about $24 (www.fathomevents.com).

Jonas Kaufmann MET Recital to Air Live on Sirius XM Radio

It was just announced that the Jonas Kaufmann recital to be held at the Metropolitan Opera on Sunday, October 30 at 4 PM EST will be broadcast live over Sirius XM Radio.

"The star tenor, last seen at the Met as Siegmund in Die Walküre, makes his New York recital debut with a program of songs by Liszt, Mahler, Duparc, and Strauss." For ticket information click here and to watch a video of excerpts from a previous recital click here.

Jonas Kaufmann To Honor Post-Surgery MET "Faust" Dates

"Jonas Kaufmann, a major international tenor who has become an increasingly important presence at the Metropolitan Opera, plans to go ahead with an Oct. 30 recital at the house just two months after undergoing chest surgery, the Met said on Monday. He also remains committed to a run as the title character in a new production of Gounod’s Faust, which opens on Nov. 29, and to appearances in the Ring cycle in the spring, the Met said. 'Jonas Kaufmann has assured the Met through his management that he plans to sing all of his scheduled performances here this season,' according to a company statement. Mr. Kaufmann said on his Web site that he needed to have an operation to remove a node from his chest. 'I do not wish anyone to become alarmed reading this, but my physicians have ordered me to have the surgery done as soon as possible, and it will take place after my appearance in Stockholm on Sept. 2,' he said. He is scheduled to sing in the Jussi Björling gala that day at the Royal Opera. Mr. Kaufmann’s Web site lists five other performances in October, starting on Oct. 10." [Source]

"Summit of the Stars": Netrebko, Schrott and Kaufmann in Munich

They came, they sang, they conquered. The opera trio performed to a crowd of 15,000 who were willing to pay ticket prices up to $500 for tickets. There was beer and champagne, as well as pretzels and steak. The open-air concert managed to avoid the rains as well. Read a summation here: "Opernstars aus Russland, Uruguay und Bayern, dazu ein tschechisches Orchester mit italienischem Dirigenten: Es geht international zu beim "Gipfeltreffen der Stars.' Bunt gemischt ist auch das Programm, das Sopranistin Anna Netrebko, Bassbariton Erwin Schrott und Tenor Jonas Kaufmann am Freitagabend in München bei ihrem ersten gemeinsamen Auftritt präsentieren: Opern- und Operettenmelodien aus drei Jahrhunderten - von Mozart über Verdi und Gounod bis hin zu Gershwin und Tauber. Obwohl die vor den klassizistischen Propyläen aufgebaute Bühne 38 mal 16 Meter misst, ist sie dicht gefüllt. Mehr als 100 Musiker bevölkern das Podium: Die drei Opernstars