Showing posts with label Beethoven. Show all posts
Showing posts with label Beethoven. Show all posts

Sunday, August 16, 2020

Polish Film "The Hater" Uses Bach, Beethoven, Fauré, and Purcell

Dido's Lament: Ewa Majcherczyk is accompanied by string quartet in this 17th-century masterpiece
A new Polish film on Netflix directed by Jan Komasa, The Hater (Sala samobójców. Hejter), features classical music throughout. Selected pieces include  "Ach bleibe dich, mein liebstes Leben" from Ascension Oratorio (Bach); "Ode to Joy" from Symphony #9 (Beethoven); "Les berceaux" Fauré; and "When I Am Laid in Earth" from Dido and Aeneas (Purcell). This last selection is performed by soprano Ewa Majcherczyk in a scene that intersperses shots of the
Family Affair: Szymon Komasa
protagonist inside the theater against him working in the office. The significance of the music isn't lost on audiences as the characters in the opera mirror those in the movie with themes like betrayal, envy, jealousy, rejection, and abandonment. This is a sequel to Komasa's 2011 film Suicide Room (Sala samobójców) which also made use of classical music including works of Chopin, Gluck, Mozart, and Schubert. During the closing credits we also hear the director's brother, bass-baritone Szymon Komasa, singing "Lament Hansa" composed by Paweł Mykietyn. The track is featured on the singer's recording Polish Love Story. "An important movie, which exams Scio/Psychopathic behaviour in youth along with sides effects of social media presence in backdrops of political unrest in the world. This seems a lot to handle in one film, but Jan Komasa masterfully handled these subject matters. The film never felt overburden by the issues it tries to examine. Starring: Maciej Musiałowski, Agata Kulesza, Danuta Stenka, Vanessa Aleksander, Maciej Stuhr, Jacek Koman, Adam Gradowski, Piotr Biedroń, Martynika Kosnica"
Silent Obsession: Tomasz (Musiałowski) tries to seduce Gabi (Aleksander) at the disco
Read about the film, watch a video clip of Ewa Majcherczyk singing the Purcell piece, and view the trailer for The Hater after the jump.

Wednesday, June 24, 2015

Netflix Series "Sense8" Shoots At Harpa Hall In Reykjavík, Iceland

Tuppence Middleton  (right) as Riley Blue [née Gunnarsdóttir], stands with her father Gunar (second from left)
 getting high in front of Harpa concert hall in Iceland before the big concert.
In April 2015, Opera Fresh did a feature on architect Olafur Eliasson and his work with opera houses. Now one of his projects is featured in the newest Netflix hit series Sense8. The 12-episode series was released in its entirety on June 5. The show is shot on location in Chicago, San Francisco, London, Berlin, Seoul, Reykjavík, Mexico City, Nairobi and Mumbai. The science fiction drama web television series created, written and executive-produced by Andy and Lana Wachowski (The Matrix, Bound, Jupiter Ascending) and J. Michael Straczynski (World War Z, Changeling, They Marched into Sunlight).
Episode 10, "What is Human," features a climactic scene where Riley's father Gunar is giving a performance of the "Allegro" movement from Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 ("The Emperor") and all the sensates present recall the moment of their births. This intoxicating musical moment also triggers something in Riley and blood begins running down her face as she faints at the end of the episode. She will soon be sent to a hospital and discovered by Mr. Whispers. 
"Despite its use of simple chords, including a second theme constructed almost entirely out of tonic and dominant notes and chords, the first movement is full of complex thematic transformations. When the piano enters with the first theme, the expository material is repeated with variations, virtuoso figurations, and modified harmonies. The second theme enters in the unusual key of B minor before moving to B major and at last to the expected key of B-flat major several bars later. Following the opening flourish, the movement follows Beethoven's trademark three-theme sonata structure for a concerto. The orchestral exposition is a typical two-theme sonata exposition, but the second exposition with the piano has a triumphant virtuoso third theme at the end that belongs solely to the solo instrument. Beethoven does this in many of his concertos. The coda at the end of the movement is quite long, and, again typical of Beethoven, uses the open-ended first theme and gives it closure to create a satisfying conclusion." [Source]
More about Sense8, the actor who plays the piano-playing character of Gunar, a complete performance of Beethoven's Piano Concerto No. 5 in E-flat major (Op. 73) by Krystian Zimerman, and another operatic connection to Sense8, after the jump.

Saturday, November 8, 2014

Top Singers Commemorate The Fall Of Berlin Wall 25th Anniversary

UPDATE 11/10/2014: Jonas Kaufmann was replaced by heldentenor Klaus Florian Vogt as seen in the photo below. Watch the finale of the performance from Sunday evening by clicking here.
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The Brandenburg Gate Quadriga
On November 9, 2014, conductor Daniel Barenboim will step onto the podium in front of the Brandenburg Gate to conduct the Staatskapelle Berlin in Beethoven's Symphony No. 9 to commemorate the 25th Anniversary of the Berlin Wall falling. Soloists will include Renée Fleming, Elīna Garanča, Jonas Kaufmann, and René Pape. "The performance is part of a three-day, city-wide celebration of the Fall of the Berlin Wall, which includes a 15 kilometer Lightgrenze, or Light Frontier, from the Wall Memorial to the Brandenburg Gate. The Lightgrenze, by artist Christopher Bauder and filmmaker Marc Bauder, comprises 8,000 illuminated white balloons, each with its own story and patron. The installation also includes large-screen projections of historical film collages, along with guided tours and public exhibits. Barenboim and the Staatskapelle Berlin’s performance will coincide with the release of the 8,000 balloons as they sail above the German capital. The performance will be broadcast on ARD and rbb beginning at 6.50 p.m. CET. Tell the world about your experiences of witnessing the fall of the Berlin Wall and what the Peaceful Revolution of 1989 means to you today. Use the hashtags #fallofthewall25 or #fotw25 on Facebook, Instagram and Twitter, and your message will appear in the virtual web portal here." [Source]
As we look back to that historic moment in 1989, let's remember the concert that marked the original event: "On December 25, 1989, Leonard Bernstein gave a concert in Berlin celebrating the end of the Wall, including Beethoven's 9th symphony ('Ode to Joy') with the word 'Joy' (Freude) changed to 'Freedom' (Freiheit) in the lyrics sung." The quartet of soloists were comprised of singers from around the world: soprano June Anderson, mezzo-soprano Sarah Walker, tenor Klaus König, and bass Jan-Hendrik Rootering. Conductor Leonard Bernstein led a chorus and orchestra was comprised of members from the Chor des Bayerischen Rundfunks, Rundfunkchor Berlin, Symphonieorchester des Bayerischen Rundfunks & Members of the
American soprano June Anderson and British mezzo-soprano
Sarah Walker singing at the historic event in 1989.
Staatskapelle Dresden, Orchestra of the Kirov Theatre, London Symphony Orchestra, New York Philharmonic, Orchestre de Paris. "The fall of the Berlin Wall on November 1989 unleashed a wave of democratisation in Central and Eastern Europe that radically transformed the world order. In a typically grandiose yet eloquent gesture, Leonard Bernstein spontaneously accepted an invitation to conduct a performance of Beethoven’s Ninth Symphony to celebrate this freedom....In a typically grandiose yet eloquent gesture, Bernstein spontaneously accepted an invitation to conduct a performance of Beethoven’s Ninth Symphony to celebrate this freedom. It was only fitting that East Germany’s new-found freedom should be celebrated with Beethoven’s Ninth Symphony. The monumental works, perhaps the world’s most famous Symphony, was inspired by Schiller's poem “Ode to Joy”, a passionate paean to freedom. Adding to the symbolism of the event, Bernstein conducted an orchestra and chorus formed of musicians from both East and West Germany (Bavarian Radio Symphony Orchestra, Staatskapelle Dresden), as well as the United States (New York Philharmonic), Great Britain (London Symphony), France (Orchestre de Paris) and the Soviet Union (Orchestra of the Kirov
Polish-born and German raised tenor Klaus König and
German-born of Dutch ancestry bass Jan-Hendrik
Rootering sing Beethoven for Bernstein.
Theater). Recorded at the Schauspielhaus, Berlin, December 25, 1989, the German label Deutsche Grammophon would commemorate the event by issuing multiple CD versions with different title and one limited edition copy that contained a piece of the Berlin Wall for collectors. "The Berlin Wall (German: Berliner Mauer) was a barrier that existed between 1961 and 1990, constructed by the German Democratic Republic (GDR, East Germany) starting on August 13, 1961, that completely cut off (by land) West Berlin from surrounding East Germany and from East Berlin until it was opened in 1989. The barrier included guard towers placed along large concrete walls, which circumscribed a wide area (later known as the 'death strip') that contained anti-vehicle trenches, 'fakir beds' and other defenses. The Eastern Bloc claimed that the wall was erected to protect its population from fascist elements conspiring to prevent the 'will of the people' in building a socialist state in East Germany. In practice, the Wall served to prevent the massive emigration and defection that marked East Germany and the communist Eastern Bloc during the post-World War II period....In 1989, a series of radical political changes occurred in the Eastern Bloc, associated with the liberalization of the Eastern Bloc's authoritarian systems
Lucky collectors were able to get a recording of the
event with a piece of the Berlin Wall inside
and the erosion of political power in the pro-Soviet governments in nearby Poland and Hungary. After several weeks of civil unrest, the East German government announced on November 9, 1989, that all GDR citizens could visit West Germany and West Berlin. Crowds of East Germans crossed and climbed onto the wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, euphoric public and souvenir hunters chipped away parts of the wall; the governments later used industrial equipment to remove most of what was left. Contrary to popular belief the wall's actual demolition did not begin until Summer 1990 and was not completed until 1992. The fall of the Berlin Wall paved the way for German reunification, which was formally concluded on October 3, 1990." [Source, Source] Watch the finale of that historic concert from 25 years ago, and see the different packaging for the DG recordings, after the jump.

Tuesday, September 9, 2014

Operatic Connections Run Deep For "The Strain" On FX Networks

More menacing than Vincent Price: Jonathan Hyde
as Stoneheart Group CEO Eldritch Palmer. But
where did this character get his name?
"The Strain is an American vampire horror–drama television series that premiered on FX on July 13, 2014. It was created by Guillermo del Toro and Chuck Hogan, based on their novel trilogy of the same name. Del Toro and Hogan wrote the pilot episode, 'Night Zero,' which del Toro directed. A thirteen-episode first season was ordered on November 19, 2013. The pilot episode premiered at the ATX Television Festival in Austin, Texas, in early June 2014....On August 6, 2014, FX renewed The Strain for a 13-episode second season, with production set to begin in November 2014." [Source] The only way to make a television series about vampires and the holocaust more dramatic, is to score it with hints of opera and classical music. The show has thrown brief sound clips into scenes specific to two characters: Eldritch Palmer and Thomas Eichorst.
One German-composer-loving Nazi vampire:
Richard Sammel as Thomas Eichorst
The composers approved by the Nazi regime during WWII (a theme used heavily in the show) were Ludwig van Beethoven, Richard Wagner, and Anton Bruckner. So far, we've gotten some Beethoven and Viennese composer Mozart in the first nine episodes. It will come as no surprise if the other Germanic composers make an appearance later in the series. Beyond the music clips, there are many other real-life opera connections to the lead actor in the show and his character's name as well. 
Read all about the opera connections surrounding the series, and listen to music presented in the show, after the jump.  The Strain airs Sunday nights at 10:00 PM ET/PT, only on FX. Watch the full episodes of The Strain by clicking here. [Source, Source]

Saturday, October 1, 2011

Stars of Utah Opera's Production of "Fidelio" Discuss Beethoven

Brenda Harris and Corey Bix in Utah.
"Beethoven’s music can be split into three periods. His early period music exemplified the classical period of music, being very similar to the works of contemporaries like Mozart. The late period moved toward romanticism. It was during his middle or heroic period at the beginning of the 19th century that Beethoven wrote Fidelio. His works at the time mirrored his personal struggles with his increasing deafness. The music of Beethoven’s middle period, including this opera, relies heavily on themes of suffering and heroism. 'It has the orchestral genius of Beethoven in it, which is pretty spectacular,' said tenor Corey Bix, who plays Florestan in the opera. 'There’s lots of textural detail.' Bix conversed back and forth with his co-star, Brenda Harris, who plays Leonore, about the musical score of the opera. 'It’s really pivotal,' Harris said. 'It bridges a gap,' Bix added. 'Yeah,' Harris agreed, 'you listen to it, and it’s just a giant bridge to the whole musical world of the later years. They went on to discuss how they easily hear elements of romantic composer Franz Schubert’s style in the score, evidencing Beethoven’s major role in the transition from the classical period of music to the romantic. Baritone Mark Schnaible, who plays the villainous Don Pizarro, believes that the opera is pivotal not only in the entire musical world, but also for the composer’s works specifically. He said that it is interesting to listen to this opera and then compare the symphonies that came before and after it. I think for music lovers it will be fascinating (to attend),' he said." [Source]