"She's come a long way from the small South African town of Piet Retief, where—after first singing in church and at family sing-alongs—she discovered opera as a teenager in a British Airways commercial featuring 'The Flower Duet' from Léo Delibes's Lakmé. 'I heard the music, and somehow my soul knew what it was, but my mind didn't know,' says Yende, sipping her caffe latte at Manhattan's Empire Hotel. 'The following day I asked my high school teacher what it was, and he told me it's called opera. I said, 'Is it humanly possible?' and he said, 'Of course.' I said, 'Well, you need to teach me that.'' Soon her career goal had switched from accountant to opera star—something she couldn't have imagined before the fall of apartheid in South Africa. 'Black people were not allowed to study opera in schools before,' says Yende, who now embraces being a trailblazer in opera circles. 'I had to learn to accept that it will be something I will carry with me all the time, because I can't change the color of
my skin. Seeing that minority inspired me more, because I love a challenge. I hardly enjoy comfort zones because I must find out what's the best in me.' Yende—whose offstage style is much more comfortable than the corsets she sometimes wears in costume—will have to keep on hitting those high notes. 'I'm booked until 2020,' she says, 'so no babies until then!'" [Source] See more of the glamorous photos by Hao Zeng by clicking here.
"Everyone who heard it must have been charmed by South African soprano Pretty Yende’s Radio 4 chat in which she recounted what hooked her on opera. It was a coup de foudre, watching a British Airways ad on telly at home in Piet Retief, and the sound of those two female voices entwined in the Flower Duet from Delibes’ Lakmé. Quite a catchy tunesmith, that Delibes: for those of an older generation, like myself, it was Lakmé's Bell Song which parents remembered from old films, occasioning in my case a trip to Sutton Record Library to find it on The World of Joan Sutherland. I became infatuated with opera on the spot, but I didn’t become a soprano. Yende did, and from a careful training in Cape Town and a key role as 'Summertime' Clara in Porgy and Bess, she blossomed at La Scala’s Young Artists’ Training Programme under superstar eyes and stepped in with a month’s notice to sing opposite Juan Diego Flórez at the Met. She hasn’t looked back, and to go with a beautiful voice that’s much richer than she or others first thought, a lyric soprano that can also cope with Sutherland-style coloratura, is a personality that’s both absolutely self-assured and totally adorable with it. Yes, she has the star quality, the professionalism and the staying power, you can be sure of that. Catch her at her second London recital in the Cadogan Hall tomorrow tomorrow....next stop, the Royal Opera (though she can’t as yet reveal in what). When I met her – she was on a flying visit from Milan – I had to start at the usual place." Read the full interview here. [Source] One more gorgeous photo of Ms. Yende is after the jump.
