The Bride Wore Blue: Soprano Meade on her special day (Photo: Facebook) |
Sunday, May 31, 2015
Soprano Angela Meade Married By Justice Ruth Bader-Ginsburg
Rolando Villazón "Traviata" Is Circus Clowns And A Willy Decker Clock
Time Stands Still For No One: La Traviata in Baden-Baden (Photo: Andrea Kremper) |
Saturday, May 30, 2015
French Opera Singer Ève Brenner's Son Is Making It Big In Hollywood
Gilles Paquet-Brenner directs actress Charlize Theron in Dark Places (2014). |
Angela Gheorghiu Discusses Falling In Love And Being A Diva
Angela Gheorghiu photographed by Gabi Hirit with styling by Domnica Margescu and Maurice Munteanu. |
Labels:
Angela Gheorghiu,
Diva,
Dolce & Gabbana,
Elle,
Fashion
Thursday, May 28, 2015
Anna Netrebko Ushers Out John Copley "La Bohème" At ROH
Living on Love: Rodolfo (Joseph Calleja) and Mimì (Anna Netrebko) struggle to make ends meet, but they still have each other until death do them part at Covent Garden. |
Herr Direktor: Read more about John Copley by clicking here. |
Andris Nelsons Innaugural Concert With Kaufmann & Opolais To Air
"Andris Nelsons’s first season as music director of the Boston Symphony Orchestra has come and gone — but in case you missed it entirely, you wanted more, or you just wondered what all the buzz was about, you can now catch a glimpse of the new partnership from the comfort of your living room. On Friday at 9 p.m., PBS will broadcast the young Latvian conductor’s inaugural concert with the orchestra, recorded live in Symphony Hall last September....Among the highlights on the night itself were the contributions of the two star vocal soloists, especially tenor Jonas Kaufmann’s outstanding performance of 'In Fernem Land' from Act III of Lohengrin, an account whose intensity and poetry is conveyed here. The Latvian soprano Kristine Opolais, Nelsons’s wife, sings a vivid 'Un Bel Di' from Madama Butterfly as well as a smoldering duet with Kaufmann: 'Tu, Tu, amore? Tu?' from Puccini’s Manon Lescaut, a work this pair is slated to perform together next season in a new Met production directed by Richard Eyre. For an additional opening night souvenir, the two singers also offered as an encore a melting, sweet-toned account of 'O Soave Fanciulla' from the Act I finale of La Bohème." [Source]
(Photo: Chris Lee)
Renée Fleming Honored By Daughter's Alma Mater Harvard
Talented Offspring: Amelia Ross, daughter of Renée Fleming, is a Harvard University alumni and singer as well. |
Wednesday, May 27, 2015
Alumni Deborah Voigt Returns To California State University - Fullerton
CSUF Star Alumni: The School of Music turned opera stars like Deborah Voigt, Rodney Gilfrey, Charles Castranovo, and most recently Renée Tatum. |
Maria Callas Vocals Appear In "The Cleveland Show" On TBS
Season 2, episode 22, of The Cleveland Show is titled "Hot Cocoa Bang Bang." The plot summary is as follows: "Cleveland takes the entire family to a comic convention in an attempt to sell his comic book, Waderman. While there, Donna is horrified to find out that Robert Rodriguez is screening a Blaxploitation film that she starred in when she was younger, and Cleveland Jr., tired of Comic-Con being a playground for Hollywood to peddle their projects, gathers a band of geeks together to take the Con back to its true origins." [Source] During one of the scenes the aria "La mamma morta," from Giordano's opera Andrea Chénier (sung by soprano Maria Callas), can be heard in the background. Listen to the remastered version of the aria sung by the soprano, after the jump. Watch the full episode here.
Tuesday, May 26, 2015
Bryan Hymel On Family, Santa Fe Opera, High Notes, "Les Troyens"
Shaken, Not Stirred: Bryan Hymel brings cool to opera with his heroic high notes. (Photo: Dario Acosta) |
Richard Margison's Daughter Lauren Manages Classical And Crossover
Filmmaker Casey Neistat Vlog Gets Operatic Opening From Soprano
Thanks to a diva neighbor, Casey Neistat captures some soaring high notes flying around his Tribeca neighborhood office for the opening of his most recent vlog posting on YouTube. Think you can identify the soprano? Watch the video (titled "The Day I Almost Died"), and see a couple of the most famous commercials (Nike, Mercedes Benz, J Crew) Mr. Neistat has directed, after the jump. Keep up with the rest of his vlog videos by clicking here.
Labels:
Casey Neistat,
Commercials,
J Crew,
Mercedes Benz,
Nike,
Soprano,
Vlog,
YouTube
Monday, May 25, 2015
Friday, May 22, 2015
Sumi Jo Sings In "Youth" Film Competing For Palme D'Or Prize
Soprano Sumi Jo performing in the film Youth. |
Monday, May 18, 2015
Christian Grey Uses Music South Of The Border To Seduce Ana Steele
Billionaire Christian Steele invites college student Anastasia to his penthouse apartment to find that she is a virgin and quickly rectifies that by making love to her. As she wanders the lavish home, there is the soft sounds of string in pizzicato and a soprano voice floats over the top. The piece is from a larger work called Bachianas Brasileiras composed by Heitor Villa-Lobos. The particular selection is known as "No. 5 Ária (Cantilena)". A translation of the text is as follows:
"Fifty Shades of Grey is a 2015 British-American erotic romantic drama film directed by Sam Taylor-Johnson with a screenplay by Kelly Marcel, based on the 2011 novel of the same name by British author E. L. James. It stars Dakota Johnson as Anastasia Steele, a college graduate who begins a sadomasochistic relationship with young business magnate Christian Grey (Jamie Dornan). The film premiered at the 65th Berlin International Film Festival on February 11, 2015, and had a wide theatrical release on February 13, 2015, by Universal Pictures. Despite mixed reviews, it was an immediate box office success, breaking numerous box office records and earning over $569 million worldwide. It is currently the third-highest-grossing film of 2015. Its sequels, Fifty Shades Darker and Fifty Shades Freed, are scheduled to be released on February 10, 2017, and February 9, 2018 respectively."
Purchase the 50 Shades of Grey: The Classical Album by clicking here. Watch Kathleen Battle sing Bachianas Brasileiras No. 5, plus more plot info and a few more stills of the famous penthouse, after the jump.
Eventide, a rosy cloud, slow and transparent
over the spot, dreamlike and beautiful!
The moon gently appearing beyond the horizon,
embellishing the eventide, like a sweet maid
preparing herself till she's dreamily gorgeous,
with her soul avid to become beautiful
yelling to heaven and earth, to all of Nature!
Silent are the birds to her sad laments
and reflected on the sea all of Her richness...
Soft the light of the moon awakes already
a fierce desire that laughs and cries.
Eventide, a rosy cloud, slow and transparent
"The Bachianas Brasileiras (Portuguese pronunciation: [bakiˈɐ̃nɐz bɾaziˈlejɾɐs]) are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent not so much a fusion of Brazilian folk and popular music on the one hand, and the style of Johann Sebastian Bach on the other, as an attempt freely to adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music (Béhague 1994, 106; Béhague 2001). Most of the movements in each suite have two titles: one 'Bachian' (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.)." [Source]
"Fifty Shades of Grey is a 2015 British-American erotic romantic drama film directed by Sam Taylor-Johnson with a screenplay by Kelly Marcel, based on the 2011 novel of the same name by British author E. L. James. It stars Dakota Johnson as Anastasia Steele, a college graduate who begins a sadomasochistic relationship with young business magnate Christian Grey (Jamie Dornan). The film premiered at the 65th Berlin International Film Festival on February 11, 2015, and had a wide theatrical release on February 13, 2015, by Universal Pictures. Despite mixed reviews, it was an immediate box office success, breaking numerous box office records and earning over $569 million worldwide. It is currently the third-highest-grossing film of 2015. Its sequels, Fifty Shades Darker and Fifty Shades Freed, are scheduled to be released on February 10, 2017, and February 9, 2018 respectively."
Renée Fleming Sings For Bill Clinton And Rahm Emanuel In Chicago
Soprano Renée Fleming, whose lucrative Creative Consultant position at the Lyric Opera of Chicago was recently renewed to 2017, performed this morning for the inauguration of Mayor Rahm Emanuel. She sang "America the Beautiful." Also in attendance was President Bill Clinton. More photos, and a video, after the jump.
Sunday, May 17, 2015
Life Ball Stars: Opolais, Netrebko, Eyvazov, Beczala, Flórez, Quasthoff, Pape
More photos after the jump of Anna Netrebko, Juan Diego Flórez, Kristīne Opolais, Piotr Beczała, René Pape, Thomas Quasthoff, and Yusif Eyvazov.
Monday, May 11, 2015
Renée Fleming Gives Revealing Gotham Interview To Vera Wang
RF: You know what’s interesting for me—I don’t know if you feel this way—but I have this need to keep things fresh. My inspiration, in a way, is Joni Mitchell, because she would do these albums that were different; she went to jazz, to rock, and she would completely reinvent herself. I loved it. I know she would complain that she lost audience who only wanted the same thing, but I’m an artistic person, and I recognized her search. You have to do that every time you do a show. When I see your shows, I always wonder how you keep coming up with new ideas.
VW: Well, it’s very difficult; I can’t say it isn’t. Some seasons are better than others, but it’s an excruciating process! Bringing up some insane audiences that you have sung for—you have performed at Buckingham Palace for the Queen’s Diamond Jubilee in 2012 and also for President Obama’s inauguration in 2009. I just wonder: Do you feel extra pressure at these events?
RF: I really love doing these events because it is so exciting to be a part of history. In a way, it’s much more satisfying than having to sing in front of a core opera audience that is super critical—I find that much harder. In our field, we are criticized in the paper every time we perform, but there is also the blogger world now….
VW: Same thing in fashion today. Anyone can write anything they want about you, whether they are qualified or not.
RF: I think there is a tremendous misogyny towards women, especially with those of us who have public lives. One year, I saw two weeks of tabloid articles about Madonna’s hands. I just thought, What is this world we are living in?
VW: Well, it’s very difficult; I can’t say it isn’t. Some seasons are better than others, but it’s an excruciating process! Bringing up some insane audiences that you have sung for—you have performed at Buckingham Palace for the Queen’s Diamond Jubilee in 2012 and also for President Obama’s inauguration in 2009. I just wonder: Do you feel extra pressure at these events?
RF: I really love doing these events because it is so exciting to be a part of history. In a way, it’s much more satisfying than having to sing in front of a core opera audience that is super critical—I find that much harder. In our field, we are criticized in the paper every time we perform, but there is also the blogger world now….
VW: Same thing in fashion today. Anyone can write anything they want about you, whether they are qualified or not.
RF: I think there is a tremendous misogyny towards women, especially with those of us who have public lives. One year, I saw two weeks of tabloid articles about Madonna’s hands. I just thought, What is this world we are living in?
VW: Do you run into a lot of good and bad things about being high-profile in New York?
RF: New York is no problem for me, unless I’m around Lincoln Center; people are so respectful and wonderful about what I do. You probably have a lot, though.
VW: I had dinner with you once at Sant Ambroeus, and I remember a very big patron of The Met came over and bowed in front of you at the table [Laughs]. I believe it was Bruce Wasserstein, and he wasn’t a man to bow in front of anyone. So I was very impressed that night.
RF: That’s not an every-evening event, I have to say. Maybe I should pay someone to follow me into restaurants and bow. That’s something Raquel, my character [in the play], would do.
VW: With all the accolades you have received, does it ever get old?
RF: Accolades never get old [Laughs]. It’s never enough, because those of us who are hugely self-critical, and I know you are as well, are always thinking things are not good enough and that you have to be better. It’s part of our nature to always be searching for something better, and no accolade from outside can change that. [Source]
Read the full interview by clicking here. Watch a video of the photo shoot, complete with narration from Renée Fleming, after the jump.RF: New York is no problem for me, unless I’m around Lincoln Center; people are so respectful and wonderful about what I do. You probably have a lot, though.
VW: I had dinner with you once at Sant Ambroeus, and I remember a very big patron of The Met came over and bowed in front of you at the table [Laughs]. I believe it was Bruce Wasserstein, and he wasn’t a man to bow in front of anyone. So I was very impressed that night.
RF: That’s not an every-evening event, I have to say. Maybe I should pay someone to follow me into restaurants and bow. That’s something Raquel, my character [in the play], would do.
VW: With all the accolades you have received, does it ever get old?
RF: Accolades never get old [Laughs]. It’s never enough, because those of us who are hugely self-critical, and I know you are as well, are always thinking things are not good enough and that you have to be better. It’s part of our nature to always be searching for something better, and no accolade from outside can change that. [Source]
Tuesday, May 5, 2015
The Santa Fe Opera Announces 2016 Anniversary Season
The Santa Fe Opera has announced the 60th Anniversary Season for the summer of 2016! Operas will include La Fanciulla del West, Don Giovanni, Roméo et Juliette, Capriccio, and Vanessa. See the press release after the jump. (Photo: Paul Horpedahl)
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