Pretty Yende Does Splashy Fashion Essay In Essence Magazine

"She's come a long way from the small South African town of Piet Retief, where—after first singing in church and at family sing-alongs—she discovered opera as a teenager in a British Airways commercial featuring 'The Flower Duet' from Léo Delibes's Lakmé. 'I heard the music, and somehow my soul knew what it was, but my mind didn't know,' says Yende, sipping her caffe latte at Manhattan's Empire Hotel. 'The following day I asked my high school teacher what it was, and he told me it's called opera. I said, 'Is it humanly possible?' and he said, 'Of course.' I said, 'Well, you need to teach me that.'' Soon her career goal had switched from accountant to opera star—something she couldn't have imagined before the fall of apartheid in South Africa. 'Black people were not allowed to study opera in schools before,' says Yende, who now embraces being a trailblazer in opera circles. 'I had to learn to accept that it will be something I will carry with me all the time, because I can't change the color of

my skin. Seeing that minority inspired me more, because I love a challenge. I hardly enjoy comfort zones because I must find out what's the best in me.' Yende—whose offstage style is much more comfortable than the corsets she sometimes wears in costume—will have to keep on hitting those high notes. 'I'm booked until 2020,' she says, 'so no babies until then!'" [Source] See more of the glamorous photos by Hao Zeng by clicking here.

Regardez Tout Le Gala Du Tricentenaire De l'Opéra Comique

Watch the entire gala celebrating 300 years of the l'Opéra Comique with opera stars Anna Caterina Antonacci, Sabine Devieilhe, Patricia Petibon, Julie Fuchs, Stéphane Degout, and more. "Carmen, Lakmé, Pelléas et Mélisande, La Fille du régiment... Autant de chefs d'oeuvre de l'art lyrique nés sur les planches de l'Opéra Comique. Depuis sa création en 1715, cette prestigieuse maison fait rayonner l'opéra à la française, accueille des artistes de renom, programme des oeuvres de tous les répertoires. Un lieu chargé d'histoires que cette soirée de gala ambitionne de résumer. A grand renfort d'images d'archives, d'interventions et bien évidemment de chants, apprêtez-vous à voir défiler trois siècles de création artistique. En maître de cérémonie, Michel Fau. Avec son impertinence habituelle, l'homme de spectacle redonnera vie aux petits et grands moments de la célèbre institution. A ses côtés, chanteront Anna Caterina Antonacci, Sabine Devieilhe, Julie Fuchs, Patricia Petibon, Frédéric Antoun, Stéphane Degout et Vincent Le Texier. Des chanteurs d'envergure internationale, familiers de la Salle Favart, qui interprèteront les airs qui ont marqué l'Opéra Comique et l'art lyrique en général. Ils seront accompagnés dans ce voyage dans le temps par Jérôme Deschamps, des chanteurs de l'Académie de l'Opéra Comique, le choeur Accentus et l'orchestre Les Siècles dirigé par François-Xavier Roth. « Si l’Opéra Comique m’était conté », une soirée exceptionnelle pour un lieu qui l'est tout autant. Le 28 décembre, Arte diffusera une version enrichie de ce Gala du tricentenaire. Sujets documentaires et témoignages viendront s'ajouter à la captation du 13 novembre. La soirée sera également diffusée en direct sur France Musique." [Source] More photos and the video are after the jump.

"Penny Dreadful" Makes Dorian Gray A Sex-Craved Opera Lover

Nothing comes between a man of eternal youth and his needle: Reeve Carney as Dorian Gray.

"Some of literature's most terrifying characters, including Dr. Frankenstein, Dorian Gray, and iconic figures from the novel Dracula are lurking in the darkest corners of Victorian London. Penny Dreadful is a frightening psychological thriller that weaves together these classic horror origin stories into a new adult drama." [Source] Showtime's latest original series, Penny Dreadful, features some of the best writing, acting, and scenography, in recent television. Creators, John Logan and Sam Mendes, have truly designed a turn-of-the-century atmosphere that encapsulates the British mentality moving away from rationalism into mysticism. One unique trait of the Dorian Gray character is his love of all things sensual, including opera. The audience is treated to several risqué scenes at his mansion where there is generally In flagrante delicto with opera playing for ambience. In one scene, it actually acts as a catalyst for a tête-à-tête with fellow actor Josh Hartnett. Listen to sound clips of the music sampled in the show, read more about the television series, and see some (NSFW) pictures of Dorian Gray's escapades, after the jump.

Natalie Dessay Exits Opera Stage With A Bitter Vibe

The Examiner reports on the French soprano's plans to retire. She sounds in the article a bit put off by what has been an auspicious career. Read some highlights:

"In September, Natalie will be in Toulouse to sing Massenet’s Manon. It may be her last appearance on the operatic stage. 'Yes, I think so. I did my real 'debut' in Toulouse, in the chorus. I had started off as an acting student. That was my real passion. That is my real passion. It’s just a detour of thirty-three years—to finally get back to my first goal. There’s nothing left for me to sing. I’ve done most of the roles I could do. I don’t want to play Juliette. At my age? Please! Or Lucia or Adina or anything else like that. That’s why I’m quitting. You have to love your repertoire. For a while I thought it was fun, but no. On to something else.'

'Along the way,” I asked, 'who were the coloratura sopranos that inspired you?'
'There was no coloratura, because I hate that kind of voice. I never had any problem with the repertoire. My idol is, was, and will be Maria Callas. That’s not very original, but that’s it. Also Renata Scotto. I worked with her. She’s fantastic as a teacher. I like the actresses. I don’t care about the voice. A beautiful voice in a body that doesn’t act does not interest me more than five minutes. So, I’m not a good audience member for opera.' [Source]


A performance from 1995 of the soprano singing Lakme's "Où va la jeune Hindoue?" demonstrates that there was much to admire in her singing whether she loved it or not.