Showing posts with label Pretty Yende. Show all posts
Showing posts with label Pretty Yende. Show all posts

Thursday, October 8, 2015

Plácido Domingo Surrounded By Yoncheva, Peretyatko, Yende At MET

Tenor Plácido Domingo backstage at the Metropolitan Opera following a performance of Verdi's Otello, a role he has sung over 225 times, with sopranos (left to right) Sonya Yoncheva, Olga Peretyatko and Pretty Yende.

Saturday, January 31, 2015

Pretty Yende Does Splashy Fashion Essay In Essence Magazine


"She's come a long way from the small South African town of Piet Retief, where—after first singing in church and at family sing-alongs—she discovered opera as a teenager in a British Airways commercial featuring 'The Flower Duet' from Léo Delibes's Lakmé. 'I heard the music, and somehow my soul knew what it was, but my mind didn't know,' says Yende, sipping her caffe latte at Manhattan's Empire Hotel. 'The following day I asked my high school teacher what it was, and he told me it's called opera. I said, 'Is it humanly possible?' and he said, 'Of course.' I said, 'Well, you need to teach me that.'' Soon her career goal had switched from accountant to opera star—something she couldn't have imagined before the fall of apartheid in South Africa. 'Black people were not allowed to study opera in schools before,' says Yende, who now embraces being a trailblazer in opera circles. 'I had to learn to accept that it will be something I will carry with me all the time, because I can't change the color of
my skin. Seeing that minority inspired me more, because I love a challenge. I hardly enjoy comfort zones because I must find out what's the best in me.' Yende—whose offstage style is much more comfortable than the corsets she sometimes wears in costume—will have to keep on hitting those high notes. 'I'm booked until 2020,' she says, 'so no babies until then!'" [Source] See more of the glamorous photos by Hao Zeng by clicking here.

Saturday, May 17, 2014

Yanni CD Features Fleming, Domingo, Villazón, Yende, And Grigólo

"Yanni's greatest music performed by the world's most extraordinary voices. 'This album is about all the loves in my life! Never losing faith in humanity & our incredible ability to overcome just about anything we are challenged with. Its also about imagination, creativity, love, kindness, compassion, integrity, parents, country, peace, unity & belief & faith in our future. It is all possible. With all my love, Yanni'" [Source] "The haunting instrumental melodies of internationally renowned composer Yanni have garnered him over 40 platinum and gold albums including the double-platinum Tribute album, which sold more than a million albums within six weeks of its release and Live At The Acropolis, which has sold over 5 million copies in North America alone. For his new album, Inspirato, Yanni, in partnership with the legendary Plácido Domingo, has enlisted the talents of some of Opera s biggest stars to give voice to his music. His timeless hits have been transformed by the addition of lyrics, most of them written by Plácido Domingo, Jr." [Source] Click here to purchase a copy of the CD. Listen to an excerpt of Renée Fleming singing "I Genitori" below and find the complete track listing, as well as another audio sample, after the jump:

Friday, May 16, 2014

Pretty Yende Answers Ten Questions Posed By Arts Desk

"Everyone who heard it must have been charmed by South African soprano Pretty Yende’s Radio 4 chat in which she recounted what hooked her on opera. It was a coup de foudre, watching a British Airways ad on telly at home in Piet Retief, and the sound of those two female voices entwined in the Flower Duet from Delibes’ Lakmé. Quite a catchy tunesmith, that Delibes: for those of an older generation, like myself, it was Lakmé's Bell Song which parents remembered from old films, occasioning in my case a trip to Sutton Record Library to find it on The World of Joan Sutherland. I became infatuated with opera on the spot, but I didn’t become a soprano. Yende did, and from a careful training in Cape Town and a key role as 'Summertime' Clara in Porgy and Bess, she blossomed at La Scala’s Young Artists’ Training Programme under superstar eyes and stepped in with a month’s notice to sing opposite Juan Diego Flórez at the Met. She hasn’t looked back, and to go with a beautiful voice that’s much richer than she or others first thought, a lyric soprano that can also cope with Sutherland-style coloratura, is a personality that’s both absolutely self-assured and totally adorable with it. Yes, she has the star quality, the professionalism and the staying power, you can be sure of that. Catch her at her second London recital in the Cadogan Hall tomorrow tomorrow....next stop, the Royal Opera (though she can’t as yet reveal in what). When I met her – she was on a flying visit from Milan – I had to start at the usual place." Read the full interview here. [Source] One more gorgeous photo of Ms. Yende is after the jump.

Friday, September 16, 2011

Opera Singers Join Andrea Bocelli in Central Park Concert

South African soprano Pretty Yende is a
frequent concert guest of Mr. Bocelli.
"Ordinarily it is difficult for officials to estimate the crowd size for a concert in Central Park. But every attendee at Thursday night’s free performance there by the superstar crossover tenor Andrea Bocelli had to have a ticket, obtained in advance. And 60,000 were given out....Mr. Bocelli’s fans seemed thrilled, rain or no rain. There remains a considerable divide between the passions of the audience he has reached (his recordings have sold more than 65 million, according to his Web site) and the assessment of most music critics....The soprano Ana María Martínez joined Mr. Bocelli for the impassioned
Puerto Rican soprano
Ana María Martínez
duet 'Vicino a te,' from Giordano’s Andrea Chénier. And the soprano Pretty Yende was his partner in the 'O soave fanciulla' duet from Puccini’s Bohème. But once again, other than the announcement of her name, there was no introduction of Ms. Yende, a young artist from South Africa who was a co-winner of Plácido Domingo’s Operalia competition this summer." [Source] The New York Philharmonic was the back-up band for the evening with Music Director Alan Gilbert conducting the whole affair.