Click the image to see a larger version. Read more about the young singers here.
Thursday, May 31, 2012
Resident Artists of Opera San Jose Strike a Glamorous Pose
Click the image to see a larger version. Read more about the young singers here.
This Isn't Bach's "Magnificat" By Any Stretch of the Imagination
"After a difficult day, Paolo rushed from the American offices in Torino, climbing up the hills to Montgenevre just over the French border. Phone dead, car stopping and starting, navigating road construction, he was going to be late for their anniversary dinner at their Palazzo." What is being sold? John Saint-Denis candles. The music is "Magnificat" by Mina (and if you're looking for that Bach, watch "Et exultavit" from the Magnificat here). The star of the commercial is Peter Calandra. This isn't the first time he has sold household necessities. Check out his ad for Johnathon Abrielle sheets after the jump.
Labels:
Bach,
Commercials,
Magnificat,
Pop culture
Wednesday, May 30, 2012
Justin Bieber Performs on Top of the Opera House in Oslo, Norway
"The pop star responded to the mass chaos in Oslo, requesting that his fans 'please listen' to law enforcement officers. Bieber fever has reached epic proportions in Norway. Oslo police reportedly are on the verge of declaring a state of emergency after tens of thousands of Justin Bieber fans turned out for the singer’s appearance at the city’s famed opera house. Bieber is scheduled to perform four new songs during the show, which is being filmed as part of his Around the World TV special. TMZ reports that police have lost control of the massive crowd and have asked the pop star to take the stage early in an attempt to control the chaos. Bieber is said to be currently waiting in a secret location before he is helicoptered to the stage. Bieber pleaded with his fans on Twitter, writing, 'NORWAY – please listen to the police. I don’t want anyone getting hurt. I want everything to go to plan but your safety must come first.'" [Source] Watch a video clip after the jump.
Sunday, May 27, 2012
Buried (MP3) Treasure: Anita Cerquetti
As record labels explore the cost effectiveness of the MP3 format, many are digging deep into their archives to find recorded material to re-issue from previous CD incarnations or in some cases for the first time since their original LP release. Click on the Amazon widget to hear MP3 audio samples.
Saturday, May 26, 2012
Santa Fe Opera Makes Vogue Magazine's "30 Days of Summer"
"On the desert’s most enchanting stage, the Santa Fe Opera’s 2012 season kicks off with Puccini’s Tosca, which hasn’t been performed in the open-air theater–against the backdrop of the Jemez and Sangre de Cristo Mountains—in eighteen years." [Source]
Labels:
Pop culture,
Santa Fe Opera,
Vogue
Friday, May 25, 2012
Early Summer Release to Include Renée Fleming's Greatest Hits
The Art of Renée Fleming
Bellini: Casta Diva (from Norma)
Bernstein: Somewhere (from West Side Story) with Placido Domingo (tenor)
Catalani: Ebben? Ne andrò lontana (from La Wally)
Cilea: Io son l'umile ancella (from Adriana Lecouvreur)
Dvorak: Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)
Gershwin: Summertime (from Porgy and Bess)
Gounod: Ah! Je veux vivre dans ce rêve (from Roméo et Juliette)
Gounod: Ave Maria
Handel: Ombra mai fu (from Serse)
Korngold: Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt)
Puccini: Vissi d'arte (from Tosca)
Puccini: Un bel di vedremo (from Madama Butterfly)
Puccini: O mio babbino caro (from Gianni Schicchi)
Schubert: Ave Maria, D839
Bonus tracks:
15. Wheels of a Dream [with Bryn Terfel]
16. Amazing Grace
17. Rodgers - Carousel / You’ll Never Walk Alone
18. Hallelujah – [new cut]
Release dates: USA - June 12 / UK - June 4 / Japan - June 20
Bellini: Casta Diva (from Norma)
Bernstein: Somewhere (from West Side Story) with Placido Domingo (tenor)
Catalani: Ebben? Ne andrò lontana (from La Wally)
Cilea: Io son l'umile ancella (from Adriana Lecouvreur)
Dvorak: Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)
Gershwin: Summertime (from Porgy and Bess)
Gounod: Ah! Je veux vivre dans ce rêve (from Roméo et Juliette)
Gounod: Ave Maria
Handel: Ombra mai fu (from Serse)
Korngold: Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt)
Puccini: Vissi d'arte (from Tosca)
Puccini: Un bel di vedremo (from Madama Butterfly)
Puccini: O mio babbino caro (from Gianni Schicchi)
Schubert: Ave Maria, D839
Bonus tracks:
15. Wheels of a Dream [with Bryn Terfel]
16. Amazing Grace
17. Rodgers - Carousel / You’ll Never Walk Alone
18. Hallelujah – [new cut]
Release dates: USA - June 12 / UK - June 4 / Japan - June 20
Sunday, May 20, 2012
Buried (MP3) Treasure: Cristina Deutekom
As record labels explore the cost effectiveness of the MP3 format, many are digging deep into their archives to find recorded material to re-issue from previous CD incarnations or in some cases for the first time since their original LP release. Click on the Amazon widget to hear MP3 audio samples.
Saturday, May 19, 2012
Whoopi Goldberg "GLEE" Role Mixes Master Class and Leontyne Price
The original turban diva: Ms. Price |
Leontyne Price with Oscar de la Renta |
Tuesday, May 15, 2012
Daphne Guinness Discusses Her Love (and Hate) of Opera
PETER BRANT II: I’m musically challenged. I love music, but I can’t play . . . When I was little, I wanted to be a child prodigy, but I was awful at the piano.
DAPHNE GUINNESS: I had an accident with my right hand, so I stopped playing. It had to do with a lawn mower. Can you imagine? I’ve still got scars. I’m almost ambidextrous as well. So I’ve always had this kind of left hand-right hand problem anyway, but my writing on this hand is almost calligraphical now. I don’t know why, because I didn’t ever learn it. My hands kind of work separately. But singing was always very, very, very easy for me. I know in the last few months it doesn’t look like I’m afraid of putting myself out there, but I also have terrible nerves. I don’t think I’m going to be performing any time soon, but I might join a choir.
PETER BRANT II: Really?
DAPHNE GUINNESS: Yeah. It would be kind of fun. I always wanted to join the choir up in Harlem. They really know how to sing! That’s really great. I like certain operas. I’m not very keen on Puccini. If I have to see another La Bohème, I’m going to shoot myself. I mean, really. There are certain ones I love like the Ring [cycle], and I love Tristan und Isolde. I love Parsifal. I love Il Trovatore. I love all the Mozart operas. The Magic Flute bothers me because I just don’t like it when there’s no recitative. They start talking in the middle. I don’t like musicals for the same reason. Because when someone suddenly bursts into song in the middle of a sentence, you just think, That’s weird. But I like it when the whole thing is sung.
PETER BRANT II: I love The Marriage of Figaro.
DAPHNE GUINNESS: I can sing that from beginning to end And the Overture . . .
After the jump, an excerpt of Ms. Guinness singing "L'ho perduta, me meschina" from Mozart's Le nozze di Figaro. [Source]
DAPHNE GUINNESS: I had an accident with my right hand, so I stopped playing. It had to do with a lawn mower. Can you imagine? I’ve still got scars. I’m almost ambidextrous as well. So I’ve always had this kind of left hand-right hand problem anyway, but my writing on this hand is almost calligraphical now. I don’t know why, because I didn’t ever learn it. My hands kind of work separately. But singing was always very, very, very easy for me. I know in the last few months it doesn’t look like I’m afraid of putting myself out there, but I also have terrible nerves. I don’t think I’m going to be performing any time soon, but I might join a choir.
PETER BRANT II: Really?
DAPHNE GUINNESS: Yeah. It would be kind of fun. I always wanted to join the choir up in Harlem. They really know how to sing! That’s really great. I like certain operas. I’m not very keen on Puccini. If I have to see another La Bohème, I’m going to shoot myself. I mean, really. There are certain ones I love like the Ring [cycle], and I love Tristan und Isolde. I love Parsifal. I love Il Trovatore. I love all the Mozart operas. The Magic Flute bothers me because I just don’t like it when there’s no recitative. They start talking in the middle. I don’t like musicals for the same reason. Because when someone suddenly bursts into song in the middle of a sentence, you just think, That’s weird. But I like it when the whole thing is sung.
PETER BRANT II: I love The Marriage of Figaro.
DAPHNE GUINNESS: I can sing that from beginning to end And the Overture . . .
After the jump, an excerpt of Ms. Guinness singing "L'ho perduta, me meschina" from Mozart's Le nozze di Figaro. [Source]
Sunday, May 13, 2012
Buried (MP3) Treasure: Suze van Grootel
As record labels explore the cost effectiveness of the MP3 format, many are digging deep into their archives to find recorded material to re-issue from previous CD incarnations or in some cases for the first time since their original LP release. Click on the Amazon widget to hear MP3 audio samples.
Friday, May 11, 2012
Christine Brewer to Sing at Classical Action Fundraiser in NYC
Michael Palm was a most generous and enthusiastic supporter of Classical Action. He was also, more than anyone, the person who spearheaded the concept of private benefit house concerts, hosting several of them himself at his penthouse apartment 37 floors above Lincoln Center. A supporter of a wide range of performing arts and HIV/AIDS organizations, Michael died in 1998, but his memory will thrive in the spirit and name of The Michael Palm Series, to benefit Classical Action.
Michael Palm Series 2011-2012
Thursday, May 17, 2012
Christine Brewer, soprano
Craig Rutenberg, Piano
New York City
The events begin with wine and hors d'oeuvres at 6:30pm. Concerts begin at 7:30pm.
Michael Palm Series 2011-2012
Thursday, May 17, 2012
Christine Brewer, soprano
Craig Rutenberg, Piano
New York City
The events begin with wine and hors d'oeuvres at 6:30pm. Concerts begin at 7:30pm.
Wednesday, May 9, 2012
Get a Taste of Damon Albarn's English Opera "Dr. Dee"
Labels:
Damon Albarn,
Dr Dee,
New Opera,
YouTube
Maestri Barenboim and Muti to Perform For Concerts With Pope
Was Bianca Jagger Flashing at Barbican "Einstein on the Beach"?
Bianca, seen here at the Théâtre de France, in a March 1974 photo shoot for Vogue UK. |
Future Warning to All Critics Who Want to Become Composers
"Composer Michael Nyman, who wrote the music for Jane Campion’s 1993 film The Piano and is a long-term collaborator with Peter Greenaway, is furious that the Royal Opera House has rebuffed his approaches to stage a work in Covent Garden — and he has threatened to withdraw his tax in protest. Writing about himself in the third person on Facebook, he comments: 'Michael Nyman has just been informed that the Royal Opera, Covent Garden, will never commission an opera and will therefore spend whatever remains of his creative life without a single note of any of his operas, written or unwritten, represented on the stage of any opera house in the UK, ever. Maybe I should withdraw my tax.' Nyman, whose operas include The Man Who Mistook his Wife for a Hat, now lives in Mexico City. He laments: 'They are continuing to pay for new work, but not my work. Maybe they remember when I was a music critic in 1971, there was a laughable production of Rigoletto, which my companion and I laughed at throughout, and John Higgins, arts editor of the Financial Times, complained about ‘two badly behaved people in the Spectator seats’. Enough to kill a career as a composer, I guess.' Over to the Royal Opera House: 'Michael Nyman came to ROH with the proposition for a major operatic piece. Having given serious thought to his suggestion, and listened again to his operatic music in depth, we have decided that for us his musical language is not what we want to pursue in our next commissions. This is not a dismissal of Michael Nyman as a composer in general, nor a statement about the quality of his music, as such things can, of course, not be discussed objectively. In the end, it is a question of taste.'" [Source]
Tuesday, May 8, 2012
Lyric Opera of Chicago Young Artists Leave Crowd Wanting More
Joseph Lim, Tracy Cantin and Kiri Deonarine in Act 2 from Mozart's Le Nozze di Figaro" (Photo: Todd Rosenberg) |
Sierra Casady, of CocoRosie, Has a Classical Background in Opera
"CocoRosie is a musical group formed in 2003 by sisters Bianca 'Coco' and Sierra 'Rosie' Casady. The sisters were born and raised in the United States, but formed the band in Paris after meeting for the first time in years. Their music has been called "freak folk", and incorporates elements of pop, blues, opera, electronica, and hip hop. CocoRosie began as a duo, with Sierra singing, playing the guitar, piano and harp, and Bianca singing and manipulating various children's toys, electronic and percussion instruments, as well as other exotic noisemakers. They subsequently added various backing musicians, usually a bassist, keyboardist, and beatboxer. They have been a very active touring group, playing across Europe, the United States, and elsewhere. They have released four full-length albums: La maison de mon rêve (2004), Noah's Ark (2005), The Adventures of Ghosthorse and Stillborn (2007), and Grey Oceans (2010). Sierra Casady was born in Iowa, and Bianca was born in Hawaii. When Sierra was about 5 years old and Bianca 3, their parents separated. The girls lived with their mother, Christina Chalmers, an artist and singer of American Indian and Syrian ancestry who grew up in Iowa. They moved to new towns almost every year, living in Hawaii, California, New Mexico, and Arizona. Because their mother believed that the girls would learn more doing art in the 'real world' than in school, neither sister finished high school. Chalmers nicknamed her daughters 'Rosie' (Sierra) and 'Coco' (Bianca), from which the musical act takes its name. The Casady sisters are now estranged from their father, an Iowa farmer who became interested in American Indian religion. As children, the sisters spent summers with him, while he visited Indian reservations and took part in vision quests. The girls did not enjoy these experiences at the time, but later came to appreciate some of the things that interested him. In 1998, at about age 18, Sierra moved to New York City. Two years later, she moved into a tiny apartment in the Montmartre district in Paris, France, to pursue a career as an opera singer, studying at the Conservatoire de Paris." [Source]
Buried (MP3) Treasure: Margherita Carosio
As record labels explore the cost effectiveness of the MP3 format, many are digging deep into their archives to find recorded material to re-issue from previous CD incarnations or in some cases for the first time since their original LP release. Click on the Amazon widget to hear MP3 audio samples.
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