The TRY Channel on YouTube feature comedians from Ireland, well, trying things. In this most recent holiday edition, they plow through advent calendar drink boxes (beer, gin, whisky) and there is one funny moment at the 18:25 mark if you need a laugh. Watch more of their videos here: https://www.youtube.com/c/TheTRYChannel/videos.
Opera Fresh
Tuesday, December 29, 2020
Monday, December 28, 2020
Bulgari "Never Too Much" With the Help of Verdi Force
WW84 Confusingly Uses Mozart For Emotional Affect
Remember coloratura soprano Christine Johnston? Well, she's resurfaced in the second full-length feature Wonder Woman film titled WW84. Unfortunately it's not flattering for anyone. For some reason the producers decided to use the aria "Voi che sapete" from Mozart's Le Nozze di Figaro in what is supposed to be a fantastical scene of discovery as Steve Trevor (Chris Pine) sees the technology in the world of 1984 that he's been thrust into after being resurrected from 1918. Much of this film reads as a cheesy B-movie from the '80s, but this was a real lost opportunity. In the context of the opera, the character of Cherubino is Count Almaviva's page and a teenage boy who is girl-crazy. In opera this is known as "pants role" and sung often times in modern day by a mezzo-soprano. For this aria, we find out that the Count is tired of Cherubino's philandering with women so he's sending him off to army duty in Seville. Cherubino sings to Countess Almaviva and the servant Susanna about how much love he has to give. Hijinks ensue as any good as any plans that Beaumarchais created in his play La Folle Journée, ou Le Mariage de Figaro on which Da Ponte based his libretto. The opera premiered in 1786, so maybe there is supposed to be some cleverness about the '80s? The film score was hammered out by Hollywood veteran Hans Zimmer so maybe this was his idea? At any rate, the audience has to endure a pedantically sung piece that has no place in this movie. You can watch the film on HBOMax: https://www.hbomax.com/wonder-woman-1984. After the jump is a performance of "Voi che sapete" by Frederica von Stade.
Rapper Drake Installs MET Chandelier in $100 Million Mansion
Tuesday, October 20, 2020
Opera Singing Countertenor John Holiday Rocks "The Voice"
High-soaring vocals ripped through the air of NBC's The Voice competition when countertenor John Holiday performed the Ella Fitzgerald hit "Misty." Pop star John Legend was the first to turn his chair within a few measures of the tune. Before COVID-19 cancellations, the young singer was to make his Metropolitan Opera debut this season and perform with Dallas Opera, Opera Theatre of Saint Louis, Utah Opera, and the San Francisco Symphony. To learn more about this Texas native, click here.
Wednesday, September 23, 2020
Amazon Prime's "Utopia" Lifts From Bizet's "Carmen" For New Ad
Monday, September 21, 2020
Sapphic European Opera Soprano Gets Lobotomy In "Ratched"
Harriet Sansom Harris plays the chain-smoking diva. |
Barbaric Practice: If opera didn't do Ingrid in, this surgery might! |
Friday, August 28, 2020
Christopher Macchio Slaughters Puccini In Political Propaganda Night
Opera suffered a major blow in the America's capital. Donald Trump ended the fourth evening of the Republican National Convention on the lawn of the White House in Washington, D.C., with singer Christopher Macchio attempting to interpret Puccini's well-known "Nessun Dorma" from the portico balcony. Struggling through music that is beyond his faculties, even with a microphone, he followed the aria with Leonard Cohen's "Hallelujah," Schubert's "Ave Maria," Irving Berlin's "God Bless America," and ended with Katharine Lee Bates's "America the Beautiful." The entire spectacle was reminiscent of autocratic regimes in the world that flaunt crowds and wealth as political power. Remember in the context of the opera Turandot, from which the aria derives, the title character has threatened "This night, none shall sleep in Peking! The penalty for all will be death if the Prince's name is not discovered by morning." It's not clear whether the administration knew this in advance or perhaps that is why is was selected.
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Tuesday, August 25, 2020
Marina Abramović Is About to Birth "7 Deaths of Callas" In Munich
Friday, August 21, 2020
MET Opera Home Audiences Finally Get The Big Picture With Demo
Easy as 1-2-3: The new tutorial to stream opera onto your television posted on Instagram has over 12K views |
Home Theater: Enjoying the opera greats in the comfort of your living room |
Free Trial: How many operas could you watch in seven days? |
Thursday, August 20, 2020
Ex-wife of Andrew Lloyd Webber to Receive Star in Hollywood
Happy Duo: Sarah and Andrew |
Music Makers: Talking music drew the couple together |
Mezzo-Soprano J'Nai Bridges Gives Her Great Big Story To CNN
Tuesday, August 18, 2020
100 Years Later: All The American (Operatic) Ties To Susan B. Anthony
The original "Iron Lady": Susan B. Anthony |
A Century Ago: Parade for Voting Rights |
Sunday, August 16, 2020
In Conversation: Lawrence Brownlee Interviews Denyce Graves
As part of his online interview series, Sit Down With LB, tenor Lawrence Brownlee has a Facebook LIVE conversation with the legendary mezzo-soprano Denyce Graves. From their homes in Florida and New York, the discussion covers the gamut from hearing Leontyne Price the first time and knowing she wanted to become an opera singer to when she gave Samuel Ramey his wake-up call as a clerk working at the Omni Parker House! We also get to hear about her experience singing with Zubin Mehta and Riccardo Muti; learning to become a better cook; being friends with Ruth Bader-Ginsburg; admiring singers like Kathleen Battle and Elly Ameling; coping during quarantine life with a family; nurturing her life outside opera by spending time on the farm with horses, dogs and alpacas; and how teaching young singers has brought her a renewed sense of appreciation for the art form. You can see the full interview here. Watch Denyce Graves sing the "L'amour est un oiseau rebelle" (Carmen) and "Mon cœur s'ouvre à ta voix" (Samson et Dalila) after the jump.
Polish Film "The Hater" Uses Bach, Beethoven, Fauré, and Purcell
Dido's Lament: Ewa Majcherczyk is accompanied by string quartet in this 17th-century masterpiece |
Family Affair: Szymon Komasa |