Sapphic European Opera Soprano Gets Lobotomy In "Ratched"

Harriet Sansom Harris plays the chain-smoking diva.

Ryan Murphy's latest exploration for Netflix is Ratched. Described as "an American psychological thriller drama web television series about the character of the same name from Ken Kesey's 1962 novel One Flew Over the Cuckoo's Nest. Created by Evan Romansky and developed by Ryan Murphy, the series stars Sarah Paulson in the title role and serves as a prequel to the novel. It premiered on Netflix on September 18, 2020." Netflix adds: "Ratched is a suspenseful drama series that tells the origin story of asylum nurse Mildred Ratched. In 1947, Mildred arrives in Northern California to seek employment at a leading psychiatric hospital where new and unsettling experiments have begun on the human mind. On a clandestine mission, Mildred presents herself as the perfect image of what a dedicated nurse should be, but the wheels are always turning and as she begins

Barbaric Practice: If opera didn't do Ingrid in, this surgery might!

to infiltrate the mental health care system and those within it, Mildred's stylish exterior belies a growing darkness that has long been smoldering within, revealing that true monsters are made, not born." One character, a faded opera singer named Ingrid, appears in two episodes. She is equal parts Zinka Milanov and Eva Marton. When describing her repertoire, she says "I sang all the major dramatic roles from Brünnhilde to Turandot." Finding herself lost now that her career is over, she has arrived at the asylum for  new revolutionary procedure, which turns out to be a lobotomy. Things get a bit more complicated when it's revealed she is also a lesbian, something the hospital is trying to "cure" as well. In the second appearance of Ingrid, the scene opens with Puccini's aria "Tu che di gel sei cinta" from Turandot. Although Ingrid herself would have sung the title role of the opera, this from the character of Liù resonates with several themes within the show. The rest of the Ratched cast includes Sharon Stone, Sarah Paulsen, Judy Davis, Cynthia Nixon, Finn Wittrock, Jon Jon Briones, and Charlie Carver. See more stills of Ingrid from Ratched, and see videos of the above aria as well as others that Ingrid would have performed, after the jump. [Source, Source]

Naughty Nurse: Sarah Paulsen plays Mildred Ratched.

Christopher Macchio Slaughters Puccini In Political Propaganda Night

Opera suffered a major blow in the America's capital. Donald Trump ended the fourth evening of the Republican National Convention on the lawn of the White House in Washington, D.C., with singer Christopher Macchio attempting to interpret Puccini's well-known "Nessun Dorma" from the portico balcony. Struggling through music that is beyond his faculties, even with a microphone, he followed the aria with Leonard Cohen's "Hallelujah," Schubert's "Ave Maria," Irving Berlin's "God Bless America," and ended with Katharine Lee Bates's "America the Beautiful." The entire spectacle was reminiscent of autocratic regimes in the world that flaunt crowds and wealth as political power. Remember in the context of the opera Turandot, from which the aria derives, the title character has threatened "This night, none shall sleep in Peking! The penalty for all will be death if the Prince's name is not discovered by morning." It's not clear whether the administration knew this in advance or perhaps that is why is was selected. 

According to various biographies, the entertainer attended the Manhattan School of Music in New York. Macchio came to the attention of Donald Trump after he performed at a New Year's Eve Party thrown at Mar-a-Lago in Palm Beach, Florida. Read more about his achievements here. "His exploits can be followed online though his website, www.christphermacchio.com, through social media, and experienced on his debut album, DocliMomenti, which showcases a stylistic range that can delicately draw an audience in, and
then build to a virtuoso climax that leaves
goosebumps on the arms and tears in the eyes."

Reviews have been less than favorable of the performance. Watch it here. A professional version of the famous aria can be found after the jump.

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Opera Through Excited Young Eyes: Iain Reviews Turandot

First Listen: Christine Goerke As Turandot At The Metropolitan Opera

Christine Goerke as Turandot with Marcelo Álvarez as Calaf in the Franco Zeffirelli production of Turandot.

Puccini's Turandot opens this evening with soprano Christine Goerke making her role debut at the Metropolitan Opera. Watch a video of her singing an excerpt from "In questa reggia," after the jump.

"Mission: Impossible" Gets The (Vienna State) Opera Treatment

Soprano Lise Lindstrom has sung the title role of Puccini's Turandot at the Metropolitan Opera, Teatro alla Scala, Royal Opera House Covent Garden, Les Choregies d'Orange, and many other opera companies around the world. (Photo: Lisa-Marie Mazzucco)

Critic Alex Ross brilliantly covers the classical music-infused sequences of the new Tom Cruise thriller Mission: Impossible - Rogue Nation. From opening scenes featuring Mozart's Le Nozze di Figaro overture to extended excerpts of Puccini's Turandot. Although actors portray the opera roles of Turandot (America Olivo) and Caláf (Jesus Alvarez), the parts are sung here by Lise Lindstrom and Gregory Kunde under conductor Philippe Auguin (played by Nicholas Lupu in the film). Most of the action takes place at the Vienna State Opera. There's even a splash of Beethoven's Eroica Symphony thrown in for classical good measure. And it is probably no coincidence that the femme fatale of the film, played by Rebecca Ferguson, is named Ilsa Faust. Hélas, no Gounod is found in the film. Read the entire review by clicking here. Watch a clip of Lise Lindstrom singing the role of Turandot, after the jump.

Tom Cruise as the indestructible Ethan Hunt in Mission: Impossible - Rogue Nation.

Ronald Genato Presents Short Film "Nessun Dorma" For Contest

"Tired of chasing Ken, Paul meets him one last time before leaving on a journey to Europe in search for a better place to dream and love. The film explores the love and relationship struggles of Asian gay men caused by social constraints. It describes their aspirations for Europe, where there is a culture of acceptance and open-mindedness, as well as support from governments in the form of legal same-sex partnerships. Nessun Dorma is a famous aria from Puccini's opera Turandot that depicts an unknown prince's unrequited love to a beautiful but cold princess. In the film, the aria is used to mirror Paul's wailing for a love that cannot be fulfilled. This short film is submitted by Ronald Genato." Learn more about the Asia-Europe Foundation contest by clicking here. Watch the video after the jump. [Source]

San Francisco Opera Gala Opening Night Event One Week Away

Iréne Theorin will portray
Puccini's icy princess.

"It’s not too late to part-take in of the most prominent events in the San Francisco musical and social scene. On September 9th, join Encore!, the San Francisco Opera’s club for opera aficionados, as they host the opening night gala at City Hall. As the second largest opera company in North America, the San Francisco Opera has been host to opera’s jewels like conductor Sir Georg Solti, director Francis Ford Coppola and lirico-spinto soprano Renata Tebali. The 2011/12 season will feature John Adams’ Nixon in China, a long sought after program. This magical evening will begin with cocktails at 5PM, followed by an elegant seated dinner at 6PM in City Hall and then attendees will head to the War Memorial Opera house and enjoy a performance of Puccini’s Turandot. The festivities continue back at City Hall at around 11PM after the performance with dessert and dancing into the wee hours of the night. One must first join Encore! and then purchase tickets for the gala which at this point start at $425 for Dress Circle Rear placement. A table for 10 Patron tickets is $6,000 (call (415) 621-4403 for orders and use this form) and if you can only make the performance, tickets are still available starting at $129." [Source]

Check out an image from the Hockney production and watch a clip of Iréne Theorin singing the "Riddle Scene" from Turandot at Covent Garden after the jump.

Taking a Second Look at American Soprano Jennifer Ann Wilson

"Dich teure halle"
Tannhäuser (Wagner)

"It was as recently as 2002 that Jennifer Wilson made her professional debut as Turandot with the Connecticut Opera but she has in the short intervening period already successfully established herself as one of the world’s leading dramatic sopranos. Following on the heels of her Connecticut success, Jennifer Wilson went on to debut with the Lyric Opera of Chicago as Helmwige/Die Walküre and make her first European appearance in the leading soprano role in Schulhoff's Die Flammen at Amsterdam's Concertgebouw conducted by Edo de Waart. In the 2003/2004 season, Jennifer made a short-notice debut at Houston’s Grand Opera, again as Turandot, which led The Houston Chronicle to declare her "A star in the making." In the 2005/2006 season at the Paris Chatelet, she made her European operatic debut in Bob Wilson’s production of Die Walküre, conducted by Christoph Eschenbach. In addition to further successful productions of Turandot for the Santa Fe Opera, Opera

"In questa reggia"
Turandot (Puccini)

Australia and at the Thessaloniki Concert Hall in Greece, Jennifer Wilson enjoyed a huge personal success with her first Brünnhilde/Die Götterdämmerung at the Lyric Opera of Chicago, also performing Helmwige, Gutrune and the Third Norn in their 2005 Ring Cycles. A house and role debut as Senta at the artist’s home house – Washington National Opera – followed, and last season saw successful further house debuts at Covent Garden (Turandot with Nicola Luisotti) and at Hamburg’s State Opera (Die Walküre with Simone Young). In the 2006/2007 season, Jennifer Wilson began a multi-season collaboration with Zubin Mehta, the Palau de les Arts, Valencia and the Teatro del Maggio Musicale in Florence as she embarked on new productions of Die Walküre, Siegfried and Götterdämmerung which culminated last season with her highly-acclaimed first complete Ring Cycle performances. “She sings with great sensitivity and tenderness. Wagner would have loved her." Also a versatile concert artist, Jennifer Wilson's extensive repertoire includes R Strauss’ Four Last Songs, Beethoven's Symphony No 9 and Verdi’s Requiem alongside less frequently performed works by composers such as Durufle', Haydn, Saint-Saëns and Vaughan-Williams. Last season saw her debut with the Montreal Symphony Orchestra/Kent Nagano firstly as Elisabeth in concert performances of Wagner’s Tannhäuser, returning for performances of Mahler’s Symphony No 8. A native of Fairfax, Virginia, Jennifer Wilson is the recipient of a major grant from the Olga Forrai

Scenes from the Valencia production of
Der Ring des Nibelungen (Wagner).

Foundation, as well as the 2003 Robert Lauch Memorial Grant from the Wagner Society of New York and the Liederkranz Foundation's Ethel Bleakley Daniels Award for Wagnerian Voices. She is the recipient of the Evelyn Lear and Thomas Stewart Emerging Singers Career Grant from the Wagner Society of Washington, with whom she has sung a number of concerts including major scenes from Lohengrin and the final scene from Siegfried. The current season includes Jennifer’s debut as Aida for Opera Australia, a role which she will repeat at Valencia’s Palau de les Arts under Lorin Maazel, Gutrune in the Los Angeles Opera’s new Ring Cycle with James Conlon, as well as concerts in New Orleans, Montreal and Tel Aviv. Future projects include Isolde with the Leipzig Opera and at the Hong Kong Festival, as well as debuts at the opera houses in Berlin, Munich, Vienna and Tokyo." [Source]

Read two wonderful interviews with the soprano here and here. Watch excerpts from Der Fliegende Holländer (Wagner) at Washington National Opera after the jump.

Lise Lindstrom Likes to Wear High Heels to Feel Dominant

Check out the interview Lise Lindstrom gives to Italy's Grazia magazine while she is at La Scala singing the title role of Turandot:

Ci sono molto produzioni razionali di quest’opera, ma secondo alcuni registi dall’approccio più moderno Turandot è un archetipo di donna con la sciabola, un’assassina sul genere di Uma Thurman in “Kill Bill”. Tu come affronti questo personaggio?
Sta tutto nella transizione tra vita vera e teatro, essere un’attrice oltre che una cantante, e abbracciare il ruolo scritto perfettamente da Puccini. La qualità della musica è così alta che l’aggressività della protagonista sta già tutta nella musica, nelle parole. E’ come indossare un bellissimo costume già confezionato.

Sei molto alta: questo a volte diventa un ostacolo sulla scena, accanto agli altri cantanti?
E’ una scelta del costumista, di solito, ma essendo quasi sempre la più alta di tutti in scena cerco di indossare scarpe basse. A Berlino però ho cantato coi tacchi, bellissimo! Mi sentivo molto dominatrice.

Turandot non canta fino a metà del secondo atto: che cosa fai sulla scena fino ad allora?
Certi registi vogliono Turandot in scena fin dal primo atto, ma se non è così cerco di arrivare in teatro appena prima dell’inizio dell’opera così mi resta un’ora per il trucco e il costume e la parrucca. Ho anche bisogno di tempo per scaldare la voce, quindi più tempo c’è, meglio è.

E’ il tuo debutto a Milano: cosa ti piace della città?
La gente qui è davvero elegante, e ho notato che questo ha un effetto sulla mia presenza in teatro, in scena: è una cosa che adoro. Mi permette di dare ancora più potere a Turandot.
[Source]