In Conversation: Lawrence Brownlee Interviews Denyce Graves

As part of his online interview series, Sit Down With LB, tenor Lawrence Brownlee has a Facebook LIVE conversation with the legendary mezzo-soprano Denyce Graves. From their homes in Florida and New York, the discussion covers the gamut from hearing Leontyne Price the first time and knowing she wanted to become an opera singer to when she gave Samuel Ramey his wake-up call as a clerk working at the Omni Parker House! We also get to hear about her experience singing with Zubin Mehta and Riccardo Muti; learning to become a better cook; being friends with Ruth Bader-Ginsburg; admiring singers like Kathleen Battle and Elly Ameling; coping during quarantine life with a family; nurturing her life outside opera by spending time on the farm with horses, dogs and alpacas; and how teaching young singers has brought her a renewed sense of appreciation for the art form. You can see the full interview here.  Watch Denyce Graves sing the "L'amour est un oiseau rebelle" (Carmen) and "Mon cœur s'ouvre à ta voix" (Samson et Dalila) after the jump.

Maria Luigia Borsi Interviewed During "La Bohème" At Atlanta Opera

A portrait of Maria Luigia Borsi by Brad Repp

"The masterpiece by Puccini introduces us to Mimì and Rodolfo, young lovers living in Paris in the nineteenth century. Their group of bohemians (poets, painters, philosophers) traverses the emotional landscapes of love, poverty and ultimately, loss. This production by General & Artistic Director Tomer Zvulun will bring a grand cinematic approach to one of the greatest operas of all time. Italian soprano Maria Luigia Borsi portrays Mimì. Tenor (and fellow Italy native) Gianluca Terranova plays her lover, Rodolfo. American soprano Leah Partridge sings the role of Musetta and baritone Trevor Scheunemann will portray Marcello. Theo Hoffman sings the role of Shaunard. Arthur Fagen, Carl & Sally Gable Music Director of the Atlanta Opera, will conduct." [Source] For ticket information, visit the Atlanta Opera website. Listen to the interview with Maria Luigia Borsi by clicking here. Hear the soprano sing "Donde lieta usci," from Act III of La Bohème, after the jump.

Baritone Jarrett Ott Profiled For Opera Philadelphia "La Traviata"

Baritone Jarrett Ott (bottom) in Philadelphia, with current boyfriend Adam Franklin (top) who is the Artistic Administrator at The Santa Fe Opera, for performances of Verdi's La Traviata. (Photo: Facebook)

"No sooner than Opera Philadelphia scored a huge success last month with its queer-centric Andy: A Popera, in collaboration with FringeArts and the Bearded Ladies, comes the beginning of its season, its sparkling annual gala and the Oct. 2 start of La Traviata, the Verdi opera in three acts about fallen women and the men who love them. The antiquated notion of salvaging reputations (remember when celebrities, politicians and royalty could be shamed — ah, the past) is where we find the heart of La Traviata. Set at the mouth of 18th-century Paris and based on La Dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, grand opera doesn’t come any grander or more traditional than this. 'The opera world is a gay man’s world,' Ott said, talking about the welcoming environment of the classical vocal stage. 'It’s never been frustrating, but rather comforting, to meet some of the warmest people.'.....'Getting to share the stage with this cast is pretty incredible,' Ott said. 'During this rehearsal process, I have had the wind knocked out of me several times listening to my colleagues. Philadelphia is in for an operatic treat with this gorgeous production all around.' When asked what is most testing about his role of Marchese, Ott was quick to joke, 'Going to the gym every day in order to be stripped down to shirtless in act two.'" [Source] Watch a video of rehearsal footage for La Traviata at Opera Philadelphia featuring Jarrett Ott, and a teaser clip for the production, after the jump.

Netrebko, Gelb, And Sher Discuss MET Season With New York Times

Former IMG Executive Bill Palant Launches Étude Arts LLC

Agent Man: Bill Palant launches venture
with exciting roster of opera singers

Now at the pinnacle of his career, artist manager Bill Palant has launched a new boutique company called Étude Arts LLC. We sat down with him to discuss his thoughts on the opera world and what it means to be independent in the opera industry: "Founder and Managing Director of Étude Arts, Bill Palant manages some of the world’s most acclaimed classical artists. His clients appear at the world’s greatest performing arts institutions and many have been recorded by the most distinguished media labels in the industry. Before establishing Étude Arts in 2015, Bill Palant was Senior Vice President at IMG Artists, where he served for nearly nineteen years. He also has worked for the Metropolitan Opera’s Rehearsal Department and for the Boston Symphony Orchestra at Tanglewood. He was graduated from Oberlin College with a degree in psychology."

"Étude Arts is an independent management agency built on experience, fuelled by integrity, and emboldened by the possibilities open to artists and the arts in the twenty-first century. Étude Arts offers flexible, personalized service underpinned by the authority, expertise, and vision of its founder, Bill Palant. Having guided the careers of some of the world’s most accomplished classical musicians, Bill Palant approaches the culture and industry of classical performance with skill and discernment, combining – like any great artist – distinguished technique with creative flair. Étude Arts embodies a commitment to the development of exceptional artistry at every level of the profession. Bill Palant is dedicated to the holistic success of both performer and presenter: to health and well-being, to dynamic growth and career longevity, to progressive business practice, and to outstanding performance on a global stage." For more information and a complete roster of artists, visit the official website by clicking here.

How did you come up with the name of the new company? I was inspired to name the company Étude Arts after attending a transformative performance of Philip Glass’ piano etudes at the Brooklyn Academy of Music. Not only was it a magnificent concert but also the experience prompted me to consider the meaning of an etude and its function as well as its practice. That the etude promotes the exploration and expression of a particular skill and the strengthening of technique resonated with me greatly and served as the perfect metaphor of what I am doing in this evolution of my professional career.

What got you interested in managing opera singers? After working for five years at the Metropolitan Opera, I wanted to spread my wings beyond the responsibilities of the Rehearsal Department. At the time, there weren’t positions available in New York City with other performing arts organizations of the same (or even near the same) caliber of the one I had at Met, so I looked beyond the stages of great artistic institutions like Lincoln Center, Carnegie Hall, etc. My introduction to the world of artist management, during my Met years, was less than

Tenor Plácido Domingo Thrills Chinese Audiences In Macau

A Tenor For All Time: Plácido Domingo performing in Macau, China, at age 74.

"Music keeps a man’s soul passionate and ageless, as evinced by tenor-baritone Placido Domingo, now well into his seventies. At an age where others are retiring, the opera Renaissance man continues to take to the stage around the globe, showing no signs of slowing down. Coming to Macau for the first time, the opera master was in admiration of the city’s 'phenomenal” growth and its early tradition of Western opera. In turn, he surprised a fully packed auditorium at the Macau Cultural Centre with a Chinese poem-song paying tribute to the city’s colonial history at the end of the concert staged Saturday evening. 'Certainly opera is our life, wherever I go, I enjoy very much to do [perform] concerts,' he told media before a rehearsal for Saturday’s concert. 'After singing for so, so, so many years, I think probably nobody in this hall was born before I started singing. You can imagine how many years I have been singing, but for me, it’s very important and exciting, really, to sing in a place for the first time.' 'I think the public has the

Kyle Ketelsen Keeps Low Profile Home Life In Sun Prairie, Wisconsin

Introverted-Extrovert: Kyle Ketelsen as Méphistophélès 
in a 2013 production of Faust at Opernhaus Zürich is a
 far cry from his quiet life in Wisconsin. 
(Photo: Tanja Dorendorf)

"He’s performed on stages across the world singing in iconic roles in Carmen and Don Giovanni but if you're a neighbor of Sun Prairie resident Kyle Ketelsen, you would never know. While living the life a suburban dad of two, he’s pretty low key. On a warm summer day when he needs to practice, the house windows remain shut and Ketelsen jokes that he sings into a pillow or into a clenched fist rather than disturb the peace of the suburbs. 'I mean who wants to hear my voice blaring through their windows, they might be taking a nap,' Ketelsen says. And yes, Ketelsen is an opera star. The American bass-baritone has hit some of the most famous stages in the world-the Metropolitan Opera, Carnegie Hall, and the Royal Opera House Covent Garden in London, among others. He’s flexed his vocal cord around roles as varied as Figaro in Le Nozze di Figaro and Escamillio in Carmen. So imagine Ketelsen’s 'work day'— the glamorous toreador, Escamillio, woos the gypsy temptress Carmen away from her naive soldier love, José. Unable to bring her back to his heart, Jose kills Carmen in a jealous rage. So for Ketelsen, work is not just another boring day at the office. For 16 years,

Ketelsen has been forging a path in the operatic world but it came to him as an unlikely profession. The Clinton, Iowa native grew up in a home where his mother found creative ways to expose her children to music—they all played instruments and the record player was often spinning the Beatles, Beach Boys and Neil Diamond. The young man had aspirations of flying

Katia Ricciarelli Claims Gambling Keeps Her Calm & Serene

Opera Zenith: Katia Ricciarelli with Plácido Domingo in 1972 when they recorded duets together for RCA.

In a recent telephone interview, soprano Katia Ricciarelli admitted that going to the casino keeps her in a wonderful state, unless she gets asked for an autograph: "'Spero ancora nell'amore e non chiedetemi autografi mentre sono al video poker.' La cantante, ospite del programma radiofonico I Radioattivi, rinnega di avere il vizio del gioco e specifica che è solo un divertimento, perché 'mi dà adrenalina come il gioco ai bambini ma non sono malata, non lo pratico per mesi. Tra tutti i giochi mi diverto solo con il video poker, mi dà calma e serenità ma purtroppo ti vengono a chiedere gli autografi e in quel caso guardo tutti con occhi cerulei.'" [Source] Listen to the full interview, and hear a recording of the soprano's professional debut from 1969, after the jump. 

Learn more about the diva's journey from poverty
to performing on the great opera stages of the
world by purchasing her book here.

"Born at Rovigo, Veneto, to a very poor family; she struggled during her younger years when she studied music. She studied at the Benedetto Marcello Conservatory in Venice, won several vocal competitions in 1968, and made her professional debut as Mimì in La bohème in Mantua in 1969, followed by a 1970 appearance in Il trovatore in Parma. In the following year, she won RAI's 'Voci Verdiane' award. Between 1972 and 1975, engagements followed in the major European and American opera houses, including Lyric Opera of Chicago (1972); Teatro alla Scala (1973); Royal Opera House, Covent Garden (1974); and the Metropolitan Opera in 1975. In 1981, she began a decade-long association with the Rossini Opera Festival in Pesaro, thus broadening her repertoire of Rossini's operas. Beside her many opera performances, she also appeared as Desdemona in Franco Zeffirelli's film version of Verdi's Otello in 1986, alongside Plácido Domingo. In 2005 she won the best actress prize Nastro d'Argento, awarded by the Italian film journalists, for her role in Pupi Avati's La seconda notte di nozze. In 1991 she founded Accademia Lirica di Katia Ricciarelli, and, since 2003, she has been Artistic Director of the annual summer Macerata Opera Festival. In 2006 she participated in the reality show La fattoria (Italian version of The Farm) on Canale 5. In 1986 on her 40th birthday, she married Pippo Baudo, a television personality, and filed for divorce in the summer of 2004." [Source]

Anna Netrebko Answers The Guardian's Probing Questions

Anna Netrebko wears a Zac Posen gown in this
Dario Acosta portrait from 2013.

While in London for performances of La Bohème and in honor of her upcoming engagement at the Royal Albert Hall in Tchaikovsky's Iolanta, Anna Netrebko answered some musical questions posed by The Guardian in their "Facing the Music" series. Find out what music she listens to when traveling the world; why she recently purchased several Aida recordings; her thoughts on concert etiquette when it comes to applause; why the organ is an intriguing instrument to her; that time she enjoyed Elton John and Lady Gaga; the most recent Broadway musical she's seen (and loved...); whether a collaboration with Justin Bieber is in her future; and what she sings in the shower. Read the full questionnaire here.

Bryan Hymel On Family, Santa Fe Opera, High Notes, "Les Troyens"

Shaken, Not Stirred: Bryan Hymel brings cool to opera with his heroic high notes. (Photo: Dario Acosta)

"French grand opera makes great demands on singers, with performances clocking in at times that rival Wagner and orchestras crowding the pit. New Orleans native, Bryan Hymel (pronounced ee-mel) will continue to embrace that repertoire in performances of epic works like Les Troyens in San Francisco next month and Les[sic] Damnation de Faust in Paris this coming December. In between, he’ll sing the roles of the Duke in Rigoletto and Don Jose in Carmen at Santa Fe and Washington National Opera respectively. His bow as Rodolfo at the Met last year earned him continued praise from the New York press, which had welcomed his triumph on short notice in 2012, stepping in for a save-the-day kind of performance in Les Troyens appropriate for someone whose voice type is most often described as heroic. His list of awards is long, and illustrious, and includes the Metropolitan Opera’s Beverly Sills Artist Award and first

Renée Fleming Gives Revealing Gotham Interview To Vera Wang

RF: You know what’s interesting for me—I don’t know if you feel this way—but I have this need to keep things fresh. My inspiration, in a way, is Joni Mitchell, because she would do these albums that were different; she went to jazz, to rock, and she would completely reinvent herself. I loved it. I know she would complain that she lost audience who only wanted the same thing, but I’m an artistic person, and I recognized her search. You have to do that every time you do a show. When I see your shows, I always wonder how you keep coming up with new ideas.
VW: Well, it’s very difficult; I can’t say it isn’t. Some seasons are better than others, but it’s an excruciating process! Bringing up some insane audiences that you have sung for—you have performed at Buckingham Palace for the Queen’s Diamond Jubilee in 2012 and also for President Obama’s inauguration in 2009. I just wonder: Do you feel extra pressure at these events?

RF: I really love doing these events because it is so exciting to be a part of history. In a way, it’s much more satisfying than having to sing in front of a core opera audience that is super critical—I find that much harder. In our field, we are criticized in the paper every time we perform, but there is also the blogger world now….
VW: Same thing in fashion today. Anyone can write anything they want about you, whether they are qualified or not.

RF: I think there is a tremendous misogyny towards women, especially with those of us who have public lives. One year, I saw two weeks of tabloid articles about Madonna’s hands. I just thought, What is this world we are living in?

VW: Do you run into a lot of good and bad things about being high-profile in New York?
RF: New York is no problem for me, unless I’m around Lincoln Center; people are so respectful and wonderful about what I do. You probably have a lot, though.

VW: I had dinner with you once at Sant Ambroeus, and I remember a very big patron of The Met came over and bowed in front of you at the table [Laughs]. I believe it was Bruce Wasserstein, and he wasn’t a man to bow in front of anyone. So I was very impressed that night.
RF: That’s not an every-evening event, I have to say. Maybe I should pay someone to follow me into restaurants and bow. That’s something Raquel, my character [in the play], would do.

VW: With all the accolades you have received, does it ever get old?
RF: Accolades never get old [Laughs]. It’s never enough, because those of us who are hugely self-critical, and I know you are as well, are always thinking things are not good enough and that you have to be better. It’s part of our nature to always be searching for something better, and no accolade from outside can change that.  [Source]

Read the full interview by clicking here. Watch a video of the photo shoot, complete with narration from Renée Fleming, after the jump.

Watch The Entire Maestro James Levine "60 Minutes" Interview

Looking Back: Maestro James Levine conducts Marilyn
Horne (left) and Leontyne Price (center) as featured
 in the 60 Minutes interview with Bob Simon.

Hopefully with the reminder last week about Maestro James Levine's interview on 60 Minutes it was on everyone's calendar. But in case you missed it, you can watch the full interview below, as well as two web exclusive clips after the jump. Although not Bob Simon's final interview before his death, it was one of the last and the opera world can be happy that it was finished in its entirety. Read more about the interview by clicking here. There are also a few photos after the jump featuring highlights from the interview.

When Sopranos Inspire Young Singers Like Catriona Murray

Brunette Ambition: Catriona Murray is on the rise
(Photo: Snooty Fox Images)

In a new interview, young soprano Catriona Murray talks about those she looks up to:

Who, in the contemporary market, do you look to for inspiration?
I think that Angela Gheorghui is gorgeous and amazing. Barbara Bonney, Felicity Lott, Yvonne Kenny, Lesley Garrett - too many, I think each has inspired me in some way at some stage having listened to their recordings and interpretations of the songs I've been trying to sing myself! Katherine Jenkins is stunning - love her style but she's totally opposite to me... I'm a brunette! Ha!

She also discusses her decision not to take the reality singing competition route; why she loves her gay friends; what her ideal recording would be comprised; thoughts on what would make opera appeal to the mainstream; and what inspired her to pursue opera. [Source] Hear Catriona Murray sing "Vissi, d'arte" after the jump.

James Levine Interviewed On "60 Minutes" By Late Bob Simon

"60 Minutes pays tribute to Bob Simon's love of opera by broadcasting his profile of James Levine, music director of New York's Metropolitan Opera. Watch Simon's report on Sunday, March 8 at 7 p.m. ET/PT." [Source] Watch a preview after the jump. Also read more about Bob Simon's adoration of the MET by clicking here.

Anna Netrebko Visits PBS Studios During Three Tenors Fundraiser

Soprano Anna Netrebko stopped by the PBS studios during her performances of Iolanta at The Metropolitan Opera to talk about the three tenors: Plácido Domingo, José Carreras, and Luciano Pavarotti. She also discussed her thoughts on open-air stadium concerts; being a child of the theater; what helps her create characters; and advice that she is definitely not sharing with young singers. Watch the video after the jump.

Sondra Radvanovsky & Jamie Barton: Opera Rivalry And Friendship

Donizetti Darlings: Jamie Barton (left) and Sondra Radvanovsky take on historical figures at the Lyric Opera of Chicago starting December 6, 2014. (Photo: Zbigniew Bzdak/Chicago Tribune)

"On a recent afternoon backstage at Lyric Opera, Sondra Radvanovsky and Jamie Barton were behaving like the gal pals they are, hugging each other and singing each other's praises. Quite the contrast to the emotional sparring partners the singers are playing in Lyric's new production of Gaetano Donizetti's Anna Bolena — the castoff consort Anne Boleyn and Jane Seymour, Anne's lady-in-waiting and rival for the affections of the cruel King Henry VIII. Indeed, in conversation, neither the Berwyn-born soprano nor the Georgia-native mezzo-soprano came across as your standard-issue diva, however imperious they behave in the long-awaited Lyric return of Donizetti's bel canto masterpiece, which opens Saturday night at the Civic Opera House. 'It's fun

Sondra Radvanovsky as Anna Bolena
(Photo: Todd Rosenberg/Lyric Opera of Chicago)

and exciting when we put our voices together,' said Radvanovsky, who's familiar to Lyric audiences for her portrayals of the big Verdi soprano roles, and who's lately been enhancing her star status in the bel canto repertory as well. 'Yes, it's fascinating how well our voices blend,' agreed Barton, a singer whose stellar promise Lyric has nurtured in various supporting roles since her company debut in 2011. The sublime beauty of classically trained voices intertwining in soaring melodic arcs is one of the hallmarks of bel canto opera, of which Anna Bolena (1830), Donizetti's first big international success, is a shining example." Read the full interview and see lots of rehearsal photos by clicking here. Lyric Opera's production of Donizetti's Anna Bolena opens at 7:30 p.m. Saturday and continues through Jan. 16 at the Civic Opera House, 20 N. Wacker Drive; $34-$244; $20-$40 children; 312-827-5600, lyricopera.org. [Source] One more production photo after the jump.

Renata Scotto Chats About Being One Of Opera's Chosen

Madame Scotto explains to the audience the major differences between opera 50 years ago and today.

Last night, WQXR hosted a live webcast featuring performances and interviews centering around tenor Michael Fabiano: "Tonight at 7 pm, join us for a live webcast of Italian opera excerpts and songs in The Greene Space, headlined by American tenor Michael Fabiano. Fabiano, the recipient of the 2014 Richard Tucker Award and the 2014 Beverly Sills Artist Award, has performed at opera houses around the world, and is noted for his vocal style, physical dash and star power. Operavore blogger Fred Plotkin recently named him one of his '40 under 40' opera singers. The evening also features performances by Richard Tucker Grant winners Jennifer Johnson Cano, mezzo-soprano, and Brandon Cedel, bass-baritone. Legendary soprano Renata Scotto makes a guest appearance in conversation with WQXR’s Naomi Lewin, discussing her collaborations with Richard Tucker and her role as a master teacher imparting the traditions of Italian opera to a new generation of American opera singers." The highlight was when Renata Scotto took the chair to be interviewed about her career and thoughts about opera now. Some of her responses included the difference in how today's singers study and prepare roles; are they singing for themselves or for the audience?; with many singers in the world, only

Hard Worker: Michael Fabiano prides himself
 on having the American work ethic. 

a few are "elected" or "chosen" to become successful; discussing performing for television cameras in La Bohème and that sparked her to lose weight; singers today shouldn't worry about looking good for the HD cameras, that is the job of the costumer, make-up artists, director, and television staff; listening for the first time to an excerpt from Rigoletto with Richard Tucker at the Teatro Cologne in 1967; talking about her American debut in 1960 with Richard Tucker in La Bohème while on her honeymoon; getting cookies on the doorstep of her Park Avenue apartment from Richard Tucker's wife; what responsibility she feels to opera being an Italian; why she thinks Felice Romani is the greatest librettist to ever live; and finally whether she prefers sfogliatelle or cannoli*. Watch the video of the evening, after the jump.
[Source]

*Spoiler: Michael Fabiano claims "you can stuff cannoli down my throat all day."

Tavis Smiley Interviews Renée Fleming About Her Singing

Renée Fleming sat down with Tavis Smiley in Los Angeles to discuss a variety of topics including what it's like to have André Previn write a piece specifically for the soprano; getting boxed into specific singing genres by critics; the "valleys" of her career; how her voice is holding up to the demands of time; singing the national anthem; singing with honesty; the usefulness of critics; what is going to help the arts survive in the future; among other topics discussed. Watch the video of the interview after the jump, as well as a bonus of an earlier

episode of Tavis Smiley interviewing soprano Jessye Norman from 2011. And in case you missed the Kennedy Center Honors tribute to André Previn in 1998 at which Ms. Fleming sang "I Want Magic!" from the composer's operatic rendition of A Streetcar Named Desire, click the image on the right to launch the video of the performance. For more information about Tavis Smiley and to see more of his interviews, go to PBS online by clicking here.

Tim McGraw Claims Not To Be A Legendary Italian Opera Singer

CrossFit McGraw: Tim also does not have
the stature of the late opera tenor.

In the most recent issue of Men's Health magazine, country singer Tim McGraw discuss his multi-million dollar vocal cords: “It’s not like polishin’ silver. I’m not Pavarotti. My voice training comes with two hours of shows every night. I mean, I can warm up all I want–I don’t–and it’s not gonna make a hill’a beans’ difference. I’m a storyteller, not a singer.” The Louisiana-native has a net worth of $65 million. He and Luciano Pavarotti performed on the same stage in Washington, D.C. on October 11, 2004. The duo were among the honorees at the National Italian American Foundation's 29th Anniversary Award Gala. Samuel Timothy 'Tim' McGraw (born May 1, 1967) is an American country music singer, songwriter and actor. Many of his albums and singles have topped the country music charts with total album sales in excess of 40 million units in the US, making him the eighth best-selling artist, and the third best-selling country singer, in the Soundscan era. He is married to country singer Faith Hill and is the son of the late baseball player Tug McGraw. Photos from the Men's Health magazine spread can be seen by clicking here. Check out Tim McGraw singing on stage, after the jump. [Source, Source, Source, Source]

Soprano Claire Rutter Does House Chores And Likes Country Music

Western Girl: Rutter will sing the role of Minnie in
La Fanciulla del West with the Minnesota Opera
next month. Details here.

"For one of the world’s most in-demand opera stars, the image conjured up for me was, well, less than glamorous. The truth is, admitted Winchester’s Claire Rutter, I really enjoy finding the time to do the ironing while listening to country rock music. I pointed out this was hardly the diva-ish image fans might expect of the star who is currently wowing audiences as Violetta in La Traviata being staged at Hampshire’s Park Grange Opera. 'Having children certainly helps to keep you grounded. If we start singing around the house they tell us to shut up quite quickly,' confessed Claire, as we spoke prior to her appearance in a special concert this weekend to help raise funds for St John the Baptist Church in Alresford. And how does she relax when not doing the ironing? What music does an international opera star listen to when off duty? 'Certainly not opera. It’s like any job really. When you sing opera all the time it’s the last thing you want to listen to. In fact, the only time I will listen to opera is when I’m learning a piece or someone has sent me something for an opinion. Otherwise I enjoy country rock and jazz.' At that our telephone interview came to an end. The builders had arrived and a delivery of gravel was threatening to block the family’s drive. A diva’s life indeed." [Source]