Susan Graham Sings For Pope Francis In New York Vespers Service

Mezzo-soprano Susan Graham sang "Laudate Dominum" from Mozart's Vesperae solennes de confessore for the Papal visit to St. Patrick's Cathedral in New York City. See two clips of her performance, after the jump.

How Partying In Paris And Singing R. Kelly Helped Lucas Meachem

Click here to watch an amusing anecdote from Lucas Meachem about how hanging out with Paul Groves and Susan Graham at Karaoke really paid off at the Lyric Opera of Chicago. The story begins at the 5:36 marker of the video. See photos of the infamous Iphigénie en Tauride production from 2006 by clicking here. And feel free to click on the above photo to enlarge it and get lost in the blue eyes of the star baritone. Watch Lucas Meachem perform "Soliloquy" from Carousel after the jump.

Opera Auction: Private Graham Concert; Meade Dinner X2; Signed Fleming Photo; And More!

"Welcome to the bidding site for the Metropolitan Opera Guild’s 10th Annual OPERA NEWS Awards Live and Silent Auction. We invite you to browse our auction catalog and forward it on to your friends and colleagues. The auction will close at the end of the event and winners need not be present to bid or win. Be sure to check back frequently as new items will be added as they are secured! We encourage you to bid generously, knowing all proceeds go directly to fund our community and school programs. The mission of the Metropolitan Opera Guild is to enrich lives through an awareness and deeper appreciation of opera, while supporting the Metropolitan Opera by expanding its reach to diverse communities and a wider audience. The Metropolitan Opera Guild is the world’s premier arts education organization dedicated to enriching people’s lives through the magic and artistry of opera. The Guild fosters collaboration, literacy skills, and self-confidence in children with customized education programs integrated into the curriculum of schools, and builds a deeper appreciation of opera in adults through workshops, community programs, and by publishing Opera News, the world’s leading opera magazine. Through its unique relationship with the Metropolitan Opera, the Guild offers newcomers to opera and its most ardent fans access to one of the world’s most renowned performing arts companies." [Source] Items up for bid include:

**Twenty-minute recital by Metropolitan Opera star Susan Graham at your next dinner party at a mutually agreeable date and time in either New York City or Los Angeles.

**Dinner for two with Met Opera star Angela Meade and the Editor-in-Chief of OPERA NEWS magazine, F. Paul Driscoll, at Loi Estiatorio (132 West 58th Street, New York, NY 10019).

**One autographed photo of Renée Fleming from the OPERA NEWS December 2014 cover shoot. Framed, 11” x 14”, archival quality print. Photo by Todd Rosenberg.

Browse many more of the items up for bid by clicking here!

Opera-Loving Catholic Cardinal Edward Egan Of NYC Dies At Age 82

Cardinal Edward Egan listens to opera tenor Bryan Hymel
at the Waldorf-Astoria in October 2014

"Cardinal Edward M. Egan, a stern defender of Roman Catholic orthodoxy who presided over the New York Archdiocese for nine years in an era of troubled finances and changing demographics, died on Thursday in Manhattan. He was 82. Joseph Zwilling, a spokesman for the Archdiocese of New York, said Cardinal Egan died of cardiac arrest at NYU Langone Medical Center. As archbishop of New York from 2000 to 2009 — the spiritual head of a realm of 2.5 million parishioners, an archipelago of 400 churches and a majestic seat at St. Patrick’s Cathedral in Manhattan — the cardinal was one of America’s most visible Catholic leaders, invoking prayers for justice when terrorists struck on Sept. 11, 2001, and escorting Pope Benedict XVI on his historic visit to the city in April 2008. In February of 2009, the pope announced that Archbishop Timothy M. Dolan of Milwaukee had been selected to replace Cardinal Egan in New York on April 15, concluding a reign that had not been popular with many Catholics but had come to grips with hard decisions on church finances and had walked the line of Catholic doctrine against winds of change. But a month before retiring, Cardinal Egan seemed to soften his stance on the centuries-old requirement of priestly celibacy by suggesting the church would someday have to consider allowing priests to marry. 'I think that it’s going to be discussed; it’s a perfectly legitimate discussion,' he said on the Albany radio station Talk 1300. He added: 'I think it has to be looked at. And I am not so sure it wouldn’t be a good idea to decide on the basis of geography and culture not to make an across-the-board determination.'" New York residents know that Cardinal Edward Egan was known for his strong Catholic faith, but few had the knowledge that it was his love of opera that carried on a tradition of bringing operatic talent of the highest level to St. Patrick's Cathedral. Annually at services for Christmas Eve Midnight Mass visitors can hear the likes of Susan Graham, Renée Fleming, Hei-Kyung Hong, James Valenti, Danielle de Niese, Carl Tanner, Joyce DiDonato, Stephen Costello, Ramón Vargas, Maureen O'Flynn, Marcello Giordani, and Michael Fabiano. In 2007/2008, the Archdiocese of New York celebrated its Bicentennial with many celebratory Masses and events. Edward Cardinal Egan hosted a much-heralded concert featuring various choirs and stars from the Metropolitan Opera. [Source, Source, Source] Read more biographical information about Cardinal Egan here.

Rubin Singer Reaches Opera Pinacle With Anna Netrebko Couture

Russian Forces: Rubin Singer (r), whose grandfather dressed 
Joseph Stalin, stands in the Saks Fifth Avenue showroom with 
Anna Netrebko to discuss a gown he will custom make for 
the soprano. (Photo: Instagram)

Rubin Singer is known in the popular music world for design clients such as Beyoncé, Shakira, Fergie, and Alicia Keys. He was introduced into the realm of opera by creating gowns for soprano Ailyn Pérez. She has worn his works for such high-profile events such as The Richard Tucker Gala and her most recent debut in Carmen at The Metropolitan Opera. Now he has reached the everest by designing a couture gown for Anna Netrebko. The two met on Friday, February 20, 2015, at the Saks Fifth Avenue in New York to discuss he creation for the world-famous singer. "Coming from a family of couturiers, Rubin Singer was exposed from a young age to refined technique and elegant design. Rubin is a third-generation couturier, his father Alik created costumes for the Bolshoi Ballet and Stanislavski Theater. His grandfather, for whom he is named, was one of the most celebrated designers in the Soviet Union, dressing Russian royalty, Soviet political figures, and the social

Singer Extravaganza: (left to right) Rubin Singer, Ailyn Pérez, Isabel Leonard, and Susan Graham,
at The Richard Tucker Gala at Avery Fisher Hall in New York City.

elite. His family heritage in fashion shaped who he is today, not only in having the genetic makeup of precise touch and creativity, but there is a certain sensibility and level of refinement necessary in order to make beautiful clothing that he was in tune with from a young age. Steeped in this heritage, Rubin saw a stark yet beautiful contrast between traditional craftsmanship and

Ailyn Pérez wearing one of Rubin Singer's gowns in concert

contemporary aesthetics. Rubin’s career reached new heights after moving to New York, as he became an Associate Designer at Oscar de la Renta. It was during his tenure at Oscar that brand identity became real and powerful to him, and he began to understand the integrity and unique character required to be the head of an iconic fashion brand. He would move on from Oscar to become Head Designer of three Bill Blass licensees, and later the Head Designer of Kai Milla, a company started by and named for Stevie Wonder’s wife Kai. All the while, the creative direction for his personal collection was blossoming. The

Operatic Selfie For The Ages At Opera News Awards

Luca Pisaroni posted the operatic equivalent of the infamous Ellen Degeneres selfie from the Academy Awards. Some pretty big names in this photo, including: Stephen Costello, Susan Graham, Kristīne Opolais, Ailyn Perez and Joyce DiDonato. (Photo: Facebook)

Olympics Of Singing To Air January 11 On PBS

"Tune in to PBS on Jan. 11 to watch Stephanie Blythe, Stephen Costello, Joyce DiDonato, Renée Fleming, Christine Goerke, Susan Graham, Gregg Grimsley, Angela Meade, Eric Owens, Ailyn Pérez, Matthew Polenzani, and 2013 Richard Tucker Award Winner Isabel Leonard perform at the highly anticipated opera event. Check local listings: http://to.pbs.org/12CzT1B"

Susan Graham Receives Prestigious Maria Callas Award in Dallas

The winning mezzo-soprano striking
a very Maria Callas-esque pose.

"The Dallas Opera has announced the result of this year's balloting for the 2013 'Maria Callas Debut Artist of the Year Award': American mezzo-soprano Susan Graham, who made an unforgettable Dallas Opera stage debut in the Winspear just a few short weeks ago. This prestigious award is given to a single performer each season to honor a particularly memorable and outstanding company debut. The selection of Miss Graham, who amazed audiences with her exceptional vocal qualities and powerfully moving portrayal of the inexperienced Tina in Dominick Argento's The Aspern Papers, was announced earlier this evening at the annual Board and Trustee Appreciation Dinner, sponsored by Sentient Jet and held in the Crescent Ballroom of the Rosewood Crescent Hotel." [Source]

Successful "Xerxes" Production Thrives at San Francisco Opera

Susan Graham (l) in the title role and Lisette Oropesa as Romilda in San Francisco (Photo: Cory Weaver)

"This seems to be San Francisco Opera’s season for premiering major operas of earlier centuries that it has heretofore overlooked. On the heels of its first mounting of Donizetti’s 1834 opera, Lucrezia Borgia, comes the first production of Handel’s 1738 opera Xerxes. Company General Manager David Gockley could not have assembled a finer cast, nor chosen a more consistently delightful production for an opera that SFO’s superb Principal Guest Conductor Patrick Summers considers one of Handel’s 'thorough masterpieces.' Director Michael Walling’s revival of Nicholas Hytner’s marvelous production, which won England’s Laurence Olivier Award in

David Daniels as Arsamenes (Photo: Cory Weaver)

1985 for 'Outstanding New Opera Production of the Year,' assigns Handel’s male castrato role of Xerxes to mezzo-soprano Susan Graham, and the female soprano role of Arsamenes (Xerxes’ brother) to countertenor David Daniels. It also brings to the fore the many camp elements of the convoluted plot, which seem right at home in David Fielding’s whimsical setting. The results seem ideal for Handel’s one and only operatic comedy....The cast and conducting are extraordinary. Graham, as gifted in Baroque coloratura as she is in Romantic lyricism, tosses off her many interpolated embellishments with the warm, seductive sound for which she is prized. Her instrument may not be ideally suited to Xerxes most furious outpourings — her smooth phrasing would ideally be more biting and brilliant — but her voice and artistic commitment sweep all before them. Daniels has an equally smooth, astoundingly fluent voice whose size is a fine match for Graham. As with many members of the cast, his embellishments bring out the craziness of the crazy libretto. Both stars invest their long-breathed, roller coaster lines with the surfeit of emotion essential to conveying their characters’ inner feelings." [Source]

Kenneth Lonergan's Film "Margaret" Will Feature Opera

"Eleven years after his heralded first film, You Can Count on Me, director Kenneth Lonergan’s sophomore effort is finally going to be released. Margaret, the story of 'a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman’s life,' will receive a limited-platform release on Sept. 30, according to Fox Searchlight. Filmed in 2005 with an eclectic cast that includes Matt Damon, Anna Paquin, Mark Ruffalo, Allison Janney, and Matthew Broderick, the movie has been stuck in limbo after Lonergan initially submitted a three-plus hour cut that was deemed unreleasable by the studio. Dueling lawsuits were filed in 2009, and several high-profile Hollywood powerbrokers were recruited to mediate the dispute and persuade the director to deliver a shorter, more commercial film. Fans of the actors and Lonergan, who has also cowritten films such as Gangs of New York, will be eager to see on Sept. 30 what ultimately made the released version — so they can then speculate about what did not." [Source]

The film is rumored to have lots of opera, but only one clip is confirmed: "Belle nuit, ô nuit d'amour" from Offenbach's Les contes d'Hoffmann sung by Renée Fleming and Susan Graham. There is one scene when mother Joan (J. Smith-Cameron) and daughter Lisa (Anna Paquin) attend the opera and the event becomes quite emotional. No word on whether this is where Offenbach fits in the film.

[Source, Source]

Three Strauss Ladies Reviewed in HGO's "Ariadne"

"As The Prima Donna in the prologue and Ariadne in The Opera, Christine Goerke was confident and insistent, magnificent in every respect and clearly at the top of her game. Funny and dramatic, she seemed entirely natural in these roles, as if they had been written expressly for her. As well, her commanding voice was the only one that prevailed over a largely dominant orchestra. She has a powerful, fully resonant quality that would make her an ideal Wagnerian singer, and one can only imagine what her recent interpretation of Kundry in Parsifal at Turin’s Teatro Regio was like. I’d safely bet that it was incredible. Standing on her lonely rock and beckoning to what she believes is Hermes ready to escort her towards death, a spine-tingling moment, she was one of the most extraordinary artists on HGO’s stage this season."

"Just a month ago at Dallas Opera, Laura Claycomb gave an exacting, emotional performance as Gilda in Verdi’s popular Rigoletto. Her voice was rich and confident, clear in the high notes, her phrasing smooth and inventive. Thrilling to hear, she was also a very convincing actor, vulnerable and endearing as the hunchbacked jester’s beautiful daughter. This being the only other role I’ve seen her perform, however, it appears that she is much more attuned to Verdi’s flowing Italian than Strauss’ dense Austrian-flavored German. Her interpretation of Zerbinetta on Friday was largely unremarkable. It seemed she was protecting her voice in order to make it through the thing. Her high notes were raspy, sometimes thin. She struggled with the coloratura flourishes in the lengthy second-scene 'Opera' aria. She looked tired. This might have been unnoticeable if she had exuded more charisma. Zerbinetta is an 'all or nothing' role, and Claycomb stayed safely in the middle."

"In the prologue it is Zerbinetta, I believe, who refers to The Composer with contempt, saying, 'his endless top notes are irritating.' Funny when mentioned within the opera, unfortunately this was exactly the case with Susan Graham, who didn’t seem in good voice on Friday night. It was as if she couldn’t hear herself. She seemed even out of breath at times. Most of her top notes were distinctly sharp or flat, and vocally she wandered throughout the scene, giving us far too many sudden fortissimos. Strauss gave some of his most glorious phrases to this character, and I kept waiting for Graham to settle in and dazzle, but she didn’t. There is also the matter of her acting. Yes, The Composer has a stormy persona, but that doesn’t mean the part is one-dimensional. 'He' has to do more than stamp his foot time and again."

[Source]

MET Sirius XM Radio Tonight: "Roméo et Juliette"

Listen to the Metropolitan Opera perform Gounod's Roméo et Juliette live tonight at 8:00 PM EST on Sirius XM radio. Intermission guest: Susan Graham.

Don't Send Susan Graham A Friend Request on Facebook

"Susan Graham doesn't want to be your friend. 'Everyone asks me, 'Are you on Facebook? Do you have a thousand friends?'' the eminent mezzo-soprano said recently in her apartment near Lincoln Center. 'I do not. I'm not interested in being friends with people I don't know in real life. I've gotten criticism for it. I got a comment on my Web site, someone saying, 'You're so ungrateful.' But I'm not your friend; I'm an artist. I'm grateful for your support, but just because you came to see me sing does not give you a window into my private life.'" [Source]

Plácido Domingo: Birthday Gala For A Titan

Domingo with Queen Sofía and musical guests Conlon, Berganza, Terfel,  Arteta and Martínez 

A gala blowout beyond compare took place at the Teatro Real for tenor Plácido Domingo's 70th birthday. The program, performers and guest list are after the jump.