Showing posts with label Beyoncé. Show all posts
Showing posts with label Beyoncé. Show all posts

Monday, February 23, 2015

Rubin Singer Reaches Opera Pinacle With Anna Netrebko Couture

Russian Forces: Rubin Singer (r), whose grandfather dressed 
Joseph Stalin, stands in the Saks Fifth Avenue showroom with 
Anna Netrebko to discuss a gown he will custom make for 
the soprano. (Photo: Instagram)
Rubin Singer is known in the popular music world for design clients such as Beyoncé, Shakira, Fergie, and Alicia Keys. He was introduced into the realm of opera by creating gowns for soprano Ailyn Pérez. She has worn his works for such high-profile events such as The Richard Tucker Gala and her most recent debut in Carmen at The Metropolitan Opera. Now he has reached the everest by designing a couture gown for Anna Netrebko. The two met on Friday, February 20, 2015, at the Saks Fifth Avenue in New York to discuss he creation for the world-famous singer. "Coming from a family of couturiers, Rubin Singer was exposed from a young age to refined technique and elegant design. Rubin is a third-generation couturier, his father Alik created costumes for the Bolshoi Ballet and Stanislavski Theater. His grandfather, for whom he is named, was one of the most celebrated designers in the Soviet Union, dressing Russian royalty, Soviet political figures, and the social
Singer Extravaganza: (left to right) Rubin Singer, Ailyn Pérez, Isabel Leonard, and Susan Graham,
at The Richard Tucker Gala at Avery Fisher Hall in New York City.
elite. His family heritage in fashion shaped who he is today, not only in having the genetic makeup of precise touch and creativity, but there is a certain sensibility and level of refinement necessary in order to make beautiful clothing that he was in tune with from a young age. Steeped in this heritage, Rubin saw a stark yet beautiful contrast between traditional craftsmanship and
Ailyn Pérez wearing one of Rubin Singer's gowns in concert
contemporary aesthetics. Rubin’s career reached new heights after moving to New York, as he became an Associate Designer at Oscar de la Renta. It was during his tenure at Oscar that brand identity became real and powerful to him, and he began to understand the integrity and unique character required to be the head of an iconic fashion brand. He would move on from Oscar to become Head Designer of three Bill Blass licensees, and later the Head Designer of Kai Milla, a company started by and named for Stevie Wonder’s wife Kai. All the while, the creative direction for his personal collection was blossoming. The

Monday, September 22, 2014

Operatic Pairing Of Beyoncé And Givenchy Director Riccardo Tisci

Stars and Stripes Forever: Beyoncé shows her patriotism
 in Paris, France, during the last concert on her "On the Run"
 tour with husband, and fellow musician, Jay-Z.
Not since Jessye Norman was draped in the French flag for the country's bicentennial celebration has fashion been so operatically inspired as when pop superstar Beyoncé closed her On the Run tour with husband Jay-Z by singing "Forever Young" wearing a bustle replica of the American flag designed by Riccardo Tisci for Givenchy in only black and white. The drama created by this flowing garment is simultaneously rebellious, patriotic, militant, and haute couture. This isn't Mr. Tisci's first operatic gesture with fashion, he previously collaborated with artist Marina Abramovic at the Opéra de Paris at the Palais Garnier in 2013: "For his first collaboration with the Paris Palais Garnier de l'Opéra National, Givenchy's creative director Riccardo Tisci has signed the costumes for Maurice Ravel's Le Boléro ballet. In a hostel in Spain, a gypsy traveler dances on a table surrounded by people. Her speed and rhythm gradually entrances the onlookers and carries them away in an intoxication of instinctive dance. Maurice Ravel's Le Boléro, written in 1928, comes to the Paris Opéra Garnier from May 2 until June 3 and Riccardo Tisci, creative director at French label Givenchy, has created dance costumes for the entire company. It is the first time the celebrated designer has worked with the Palais Garnier on a personal project of this scale and the resulting costumes combine obscurity and romanticism in equal measure. The white, billowing dresses and capes are spectacular when in flight on stage, while the fine, detailed embroidery on the transparent leotards reveals the human skeleton that moves gracefully underneath, breathing life into this theatrical interpretation. Choreographers Sidi Larbi
Andre Balaz, Riccardo Tisci, and Marina Abramovic at The
Metropolitan Museum of Art's Costume Institute Benefit
Celebrating "Punk: Chaos to Couture" in 2013.
Cherkaoui and Damien Jalet have entrusted Marina Abramovic with the show's production. The Art Corporel choreographer aims to give the human spirit a new sense of freedom, redefining limits through this unique interpretation of Maurice Ravel's masterpiece...." [
SourceDuring the time the duo was working together, Dazed Digital interviewed Marina Abramovic and Riccardo Tisci. Once question in particular stands out:


Can you remember your first experience of opera?
Marina Abramovic: My mother was very strict. The only thing I read was the literature she gave to me; I certainly wasn’t aware of the Beatles or the Rolling Stones. My education was Bach, Mozart, Vivaldi and Tchaikovsky and opera. I think the first opera I saw was La Traviata, in Belgrade.
Riccardo Tisci: My first opera was also La Traviata! I came from a poor family so we never had the money to go to (Milan opera house) La Scala. I remember having goosebumps; I remember wanting to cry. I remember thinking it would be my dream to design costumes for La Scala or l’Opéra (in Paris). [Source]

Perhaps one of the finer opera houses in the world will snap up Riccardo Tisci to create costumes for a new production. In the meantime, there might just be a diva somewhere wearing one of his couture designs. Stay tuned. Watch the full video of Beyoncé performing "Forever Young" in the gorgeous creation by Riccardo Tisci, as well as some beautiful still photos, after the jump.