Karlheinz Böhm, Son Of Karl Böhm And Thea Linhard, Passes Away

Karlheinz Böhm (center) with his wife Almaz (left) and daughter Aida (right).

Böhm played opposite Romy Schneider in Sissi.

"Karlheinz Böhm (March 16, 1928 – May 29, 2014), sometimes referred to as Carl Boehm or Karl Boehm, was an Austrian actor. He took part in 45 films and became well known in Austria and Germany for his role as Emperor Franz Joseph I of Austria in the Sissi trilogy and internationally for his role as Mark, the psychopathic protagonist of Peeping Tom, directed by Michael Powell. He was the founder of the trust 'Menschen für Menschen,' which helps people in need in Ethiopia. He also received honorary Ethiopian citizenship in 2003. Having two citizenships, he saw himself as a world citizen: His father was the Austrian conductor Karl Böhm, his mother the German-born soprano Thea Linhard. He was an only child, and spent his youth in Darmstadt, Hamburg and Dresden. In Hamburg he attended elementary school and the Kepler-Gymnasium (a grammar school). A faked medical certificate enabled him to

His father, Karl Böhm, stands at right while
composer Richard Strauss plays the piano

emigrate to Switzerland in 1939, where he attended the Lyceum Alpinum Zuoz, a boarding school. In 1946, he moved to Graz with his parents, where he graduated from high school the same year. He originally intended to become a pianist but received poor feedback when he auditioned. His father urged him to study English and German language and literary studies, followed by studies of history of arts for one semester in Rome after which he quit and returned to Vienna to take acting lessons with Prof. Helmut Krauss. From 1948 to 1976 he acted in about 45 films and also in theater. With Romy Schneider, he starred in the Sissi trilogy as the Emperor Franz Joseph,

Fun Insider Secret Onstage At The Metropolitan Opera

(Photo: Jonathan Tichler/MET Opera)

"Another small insider homage could be found on the stage of the Metropolitan Opera this month, in its lavish production of Der Rosenkavalier, by Richard Strauss. In the third act, after the boorish Baron Ochs’s attempted assignation at a tavern goes disastrously and hilariously wrong, he is besieged with bills from the innkeeper and a host of others. Invisible to the audience — whether sitting in the back of the Family Circle or the front of the orchestra — is what the long paper bills thrust at him actually say. In flowing cursive writing, the bills list the cast from the current production’s 1969 premiere, starting with the conductor, Karl Böhm, and naming everyone from Leonie Rysanek, who sang the Marschallin, to Christa Ludwig, who sang Octavian, to Charles Anthony, who was the innkeeper that night (and who sang some 2,928 mostly small roles at the Met during his long career). The tradition of these kinds of in jokes goes back centuries. Mozart’s Don Giovanni has an allusion in the last act to his own Le Nozze di Figaro." [Source]