(Photo: David Levene/The Guardian) |
York.' But opera was terra incognita until ENO came calling. What does Figgis remember of that first opera he saw in New York? 'It was Verdi, the one where she's dying. Actually, that could be any opera, couldn't it?' La Traviata, maybe? 'Yes, La Traviata! My mouth kept dropping open at the sheer audacity of the storytelling. It's unlike any other form I'd ever seen. In my films, I sweat blood to make big plot points and character arcs work, whereas in opera, the story is just a series of headlines. But then I found myself really drawn in by the music, and the unique relationship between the music and the story. You can have an incredibly elastic relationship between the drama and the score. I've written film music all my life, so I've always understood the power of music to manipulate an audience. So opera, in a way, has been my thing all along. I've just never gone into the official business before.'" [Source]