Scottish Opera Wins Cultural Award For Architectural Expansion

The exterior of the award-winning structure in Glasgow.
(click on image to enlarge)

"Scottish Opera's recently transformed performance home, Theatre Royal Glasgow, has won Cultural Building of the Year at the RIAS (Royal Incorporation of Architects in Scotland) Awards 2015. From 65 submissions across Scotland and a shortlist of 24, 12 winners were announced last night at an awards ceremony in The Balmoral Hotel, Edinburgh. The judging panel of industry specialists praised Page\Park Architects’ innovative design of the building: ‘Creating a welcoming entrance foyer and embracing a dramatic, sinuous stair, this new structure boldly signposts Scottish Opera’s HQ. 'Street to seat' was the ethos, with the client wanting to literally 'open up' theatre and opera as art forms. By providing a welcoming entrance, addressing the street corner, the theatre experience has been 'democratised'.’ All the RIAS Award-winning buildings - including a nursery, a distillery and a cancer care centre - will now go forward to be considered for Britain’s richest architectural prize, the £25,000 Andrew Doolan Best Building in Scotland Award, to be announced in November. RIAS was founded almost 100 years ago in 1916, and the awards, though only in their fourth year, have already become the most important recognition of architectural achievement in Scotland."

A winding staircase makes for a dramatic centerpiece.
(click on image to enlarge)

"The Theatre Royal Glasgow's stunning new foyers have won Best Leisure/Culture Building at the Scottish Design Awards 2015. Organised by The Drum magazine, the Scottish Design Awards are now in their 18th year and are Scotland’s most prestigious awards for architecture firms and design agencies. The awards aim to recognise creativity within Scotland’s design industry, with the judging panel of specialists looking for innovative pieces of work and concepts that stand out from the crowd. The awards ceremony took place on 21 May in the Grand Central Hotel, Glasgow. Lynn Lester, Managing Director of Drum Events said ‘It was an incredible night for the industry and all those involved should be proud of what they have brought to design in Scotland’." [Source]

Read the architect's concept for the expansion, and see more photos, after the jump.

Isobel Buchanan Will Return To The Stage In Scotland On June 20

Soprano Isobel Buchanan with husband and
actor Jonathan Hyde. (Photo: Dan Wooller)

Soprano Isobel Buchanan is wagging a finger at me intently from across the kitchen table. 'I don't care how much anyone tells you about technique,' she says. 'Singing is all about the mind. The minute your confidence goes, everything else starts to fall apart too.' Buchanan has experienced it both ways. Hers was a stratospheric early career: in the 1970s she was Scotland's golden operatic talent, swept off to Australia by no less a figure than Joan Sutherland and catapulted into star roles and a staggeringly young international career. But an undiagnosed physical conduction left her confidence dented and she withdrew from the limelight. Now 61, she has recently returned to the stage thanks to proper medical care and recital formats in which she feels comfortable again. When she sings at the St Magnus Festival in Orkney this summer, it will be her first appearance in Scotland for decades. Buchanan was always a natural singer. Raised in Cumbernauld in a house 'where nobody watched the telly; people came round for a sing-song,' she says she used to 'fall out of bed singing.''Don't try this at home, kids,' she laughs, 'but I didn't even have to warm up. I would blast through things like Rejoice greatly' - a high, sprightly solo from Handel's Messiah, not your average warm-up of careful long notes and scales. At 17 she was offered a scholarship to the Royal Conservatoire of Scotland; barely three years later, she was spotted by Sutherland and the director Richard Bonynge, and invited to join their Opera Australia ensemble in Sydney. 'I was totally clueless,' Buchanan says, shaking her head at the memory. But the atmosphere in Australia was warm and supportive, like a family.' She was graced with the kind of light, instinctive voice that seemed to be able to handle anything: she was a 'happy-go-lucky' performer, she says, and recalls a typical request from Bonynge to learn the role of the Countess in Mozart's The Marriage Of Figaro in a week. 'Really I should have been singing Susannah first,' she laughs, referring to the opera's younger, airier female lead. 'But back then I just gave everything a go. People were saying, 'Gawd, this girl can sing anything'. Youth is a wonderful thing. I mean, I sang Strauss's Four Last Songs at the age of 19!'" [Source] Read the rest of the interview by clicking here. Isobel Buchanan and Jonathan Hyde are at Stromness Town Hall on June 20, part of the St Magnus Festival: www.stmagnusfestival.com. Be sure to see a video of her singing "Je dis que rien ne m'épouvante," from Bizet's Carmen, in 1978 under conductor Carlos Kleiber.