Natalie Dessay Claims No Opera Roles Left For Her To Sing Onstage

Dynamic Duo: Dessay (left) with recital and recording partner
Philippe Cassard in a photo from their most recent release.

"French soprano Natalie Dessay gave a recent recital in London that one critic called 'sublime' and her latest CD of French art songs has been well received, but she says her fans will never see her again on the opera stage that made her famous. Dessay, the petite gamine of the French opera world, soared to fame as the mechanical doll Olympia in Offenbach's Tales of Hoffmann and scared the living daylights out of her male counterparts as the mad, knife-wielding Lucia in Donizetti's Lucia di Lammermoor. But at age 50, she says the opera is no longer for her. 'I have no roles anymore, I've done everything I could do and I don't want to repeat myself over and over,' Dessay told Reuters in an interview at London's Barbican....With opera behind her, Dessay is alternating song recitals, with piano accompanist Philippe Cassard, and tours with the French pop song and film composer Michel Legrand, but her real passion is for live theater. She recently starred in a French revival of the British playwright Howard Barker's dark, one-woman play Und, about a Jewish woman whose guest is overdue for tea, and who will not accept that the reason her house comes under a series of escalating malicious attacks is because the visitor is a German camp officer. She is looking for more such roles, but in the meantime she hopes her opera audiences will look out for her in the different venues where she will still be performing. 'It turns all the time around the same thing,' she said. 'How to make people travel with me, how to tell them stories in different ways.'" [Source]

Natalie Dessay Rejoins Philippe Cassard For "Fiançailles pour rire"

The Happy Couple: Natalie Dessay and Philippe Cassard
make a musical "marriage" made in heaven for Erato. 
Pre-order the disc by clicking here.

"For their second Warner Classics album of French song - a follow-up to the Debussy CD they released in 2011 - soprano Natalie Dessay and pianist Philippe Cassard have adopted the title of Francis Poulenc's song cycle Fiançailles pour rire (A betrothal for fun). Poulenc's compact, charming and touching cycle, composed in 1939 to poems by Louise de Vilmorin, is programmed with some of the best-loved mélodies in the repertoire, such as Fauré's 'Après un rêve', 'Mandoline', and 'En sourdine', Duparc's 'Invitation au voyage' and 'Au pays où se fait la guerre', and Chausson's 'Le temps des lilas' and 'Chanson perpetuelle'. In 2013, Natalie Dessay announced that she was leaving the opera stage, but since then her inimitable vocal and dramatic talents have been showcased in the music of Michel Legrand - in concerts of his songs (and the Warner Classics CD 'Entre elle et lui') and in a semi-staged version of Les parapluies de Cherbourg (available on a Warner Classics DVD) - and in further live recitals with Philippe Cassard....On this new disc she can also enjoy the company of some old friends: in Chausson's 'Chanson perpetuelle' she is joined by the Quatuor Ebène (who welcomed her as a guest artist on their best-selling Fiction album back in 2010) and by the bass-baritone Laurent Naouri - who is, as it happens, her husband. Naouri also duets with her on the final track of the album, Poulenc's haunting 'Colloque', a setting of words by Paul Valéry. 'There can be no doubt as to Natalie Dessay's intelligence as an interpreter and her finesse as a musician,' wrote the French magazine Diapason when the Debussy album was released, also praising Philippe Cassard for playing that was 'warm and eloquent, and not prone to the

Single Lady: Dessay last month in a monologue of Howard Barker
 directed by Jacques Vincey with sets by Mathieu Lorry-Dupuy.
 She will reprise the character at the Festival Paris Quartier
d'été starting July 21, 2015.

mistiness of would-be Impressionism or to outbursts of sentiment.' 'Dessay has a real relationship with Cassard,' wrote the American magazine Opera News, 'He is the rare pianist, in Debussy's songs or in his piano music, who understands that Debussy wrote genuine contrapuntal lines that are not meant to be negated by washes of pedal.' The magic of the Dessay-Cassard partnership was captured by The Telegraph after they gave a recital at Wigmore Hall in London in 2012: 'The second half began with Chabrier's hesitantly beautiful 'Chanson pour Jeanne' [also on the new CD] and Chausson's rapturous 'Le temps de lilas'. But the highlight was Dessay's veiled and shimmering account of Duparc's masterpiece 'L'Invitation au voyage', in which her vision of Baudelaire's 'luxe, calme et volupté' dissolved into the deep velvet cushioning of Philippe Cassard's wonderfully soft-textured pianism ... Like Shakespeare's Cleopatra, Dessay makes hungry where most she satisfies. Her singing never moves straight forward; it avoids the obvious, the clear-cut, it treats words as if they were paint. And in her throat, these mélodies remain a mystery, a realm in which shadow counts for more than light.'" [Source, Source] The complete track list is after the jump.