Showing posts with label Nellie Melba. Show all posts
Showing posts with label Nellie Melba. Show all posts

Wednesday, October 1, 2014

How Facebook Versus Drag Queens Will Affect Opera Singers

UPDATE (10/02/14): Chris Cox of Facebook has responded to the controversy and says that drag queens will be allowed to use their stage names on their accounts. No word on sopranos. Read more about it here.
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If this Facebook debate were happening 40 years ago, this
 opera singer wouldn't even be able to go by Bubbles on
 her personal page, but rather Belle Silverman.
"Years ago, Lil Miss Hot Mess created a Facebook profile. 'The way that I move through the world as a drag queen is different than how I move through the world every day,' she says. With her stage name, she has a different social circle, a different way of being online. Her page was shut down early last week, and she wasn't the only one whose account was deactivated. Facebook also closed the pages of other queens after they were reported for not using their 'real' names on Facebook. Now, drag queens around the U.S. are gaining allies in a fight against Facebook's real name policy. Activists argue that 'real' is a complicated term, and that for some, using birth names on profiles can actually put them at risk instead of keep them safe. But Facebook contends this protocol prevents anonymous bullying. In an emailed statement, a Facebook spokesperson said: 'Having people use their real names on Facebook makes them more accountable, and also helps us root out accounts created for malicious purposes, like harassment, fraud, impersonation and hate speech. While real names help keep Facebook safe, we also recognize that a person's real identity is not necessarily the
Bianca Del Rio is one of the drag queens in danger of
 having to change her profile name to Roy Haylock.
(Photo: Santiago Felipe)
name that appears on their legal documentation, and that is why we accept other forms of identification that verifies the name a person uses in everyday life.' The policy isn't new, so why is it getting attention now? Within the last couple weeks, dozens of drag queens' Facebook profiles were reported as not having 'real' names (Facebook says it does not seek out fake profiles). Those flagged accounts were deactivated. Drag queens started organizing and, along with San Francisco City Supervisor David Campos, met with Facebook on Sept. 17. Facebook said it would reactivate approximately 200 accounts and that at the end of two weeks, queens would have to either change their names or lose their profiles. Next week, there's another meeting scheduled at Facebook — and a protest planned in San Francisco. In the midst of the back-and-forth, a number of questions about identity and safety online have come up. Here are a few of them. Facebook has said that drag queens can use their stage names if they switch over to pages in place of profiles. The way people engage is similar — except we're talking about 'fans' rather than 'friends.' Facebook also says it offered to help anyone who was interested in turning a friend list into fans. Here comes the issue: Pages are intended for 'businesses, brands and organizations.' As Lil Miss Hot Mess puts it, 'We're not Lady Gaga; we're not Coca-Cola.' For her, inviting people to a show is 'much closer to inviting people to a dinner party.' She adds, 'These names are not just marketing tools.' She says her name is another part of her identity — not a separate persona." [Source] What does this mean in terms of the opera world? If you log onto Facebook and try searching for one of your favorite singers, chances are you will get a fan page or Wikipedia produced page. Many opera singers don't want to deal with people they are not truly connected with in the offstage world sending friend requests to their private accounts. The solution? Make a variation on your name or truncate it so that no one searching actually could find it. But once they become friends with another singer,
Citizen Leah Joanne may have to become
 public figure Leah Crocetto if Facebook
 has their way. (Photo: Facebook)
for example, their identity becomes pretty obvious. For example, mezzo-soprano Jamie Barton goes by the moniker Jam Barto; soprano Sondra Radvanovsky goes by her married name Sondra Lear; soprano Alyson Cambridge goes by Aly Cam (which might soon change, since she is recently engaged); soprano Leah Crocetto has taken the name Leah Joanne for her personal page (possibly her middle name as the surname?); and Deborah Voigt created two pages using her casual nickname Debbie Voigt. Will Facebook take these singers to task, along with the drag queens, and force them to either change their personal pages to the names reported on government issued IDs? Luckily Facebook wasn't around for the entire last century or we would have to search Facebook for the real names of famous singers like Alice Pons, Roberta Peterman, Mary Price, Belle Silverman, Helen Porter Mitchell, and Sophia Kalos.


Monday, December 2, 2013

Maria Callas Google Doodle Continues Celebration Of Opera Singers


"Doodles are the fun, surprising, and sometimes spontaneous changes that are made to the Google logo to celebrate holidays, anniversaries, and the lives of famous artists, pioneers, and scientists." [Source] Today the web portal celebrates the birth of soprano Maria Callas by featuring her front and center above the search box. Other opera singers that have been honored in the past include:


Feodor Chaliapin

Leyla Gencer

Luciano Pavarotti

Dame Nellie Melba

Solomiya Krushelnytska
Even the Sydney Opera House has been featured!

We didn't forget about the composers, they can be found after the jump.

Wednesday, February 23, 2011

Commemorating Dame Nellie Melba

Portrait by Rupert Bunny (1902)
Soprano Dame Nellie Melba GBE died on February 23, 1931. As we look back at some of the highlights from her life and career, it's easy to see how this opera singer is still part of popular culture 80 years later. Just this week a porridge bowl given by the diva to her godson Simon Birch went on auction and was expected to receive bids of £300 - 500 and the Australian winery De Bortoli released a new wine called the Melba ‘Mimi' 2008 is a blend of Cabernet Sauvignon, Syrah and Nebbiolo. Born in 1861 as Helen Porter Mitchell in Melbourne, Australia, her parents were of Scottish descent. She married Charles Armstrong in 1882, with whom she had a son named George. She has an affair with Philippe, Duke of Orleans, that eventually led to scandal and in 1900 her

"Depuis le jour" Louise by Charpentier (rec. 1913)
husband divorced her in Texas. She studied with Pietro Cecchi and Mathilde Marchesi. Soon she was introduced to and studied with several composers including Gounod, Massenet, Délibes, Debussy, Duparc, Chausson, Verdi, Saint-Saëns, Thomas and Puccini, as well as changing her name to a variation on her hometown. She debuted at the Théâtre Royal de la Monnaie in Brussels (October 13, 1887), Royal Opera House in London (May 24, 1888), Opéra de Paris (May 8, 1889), La Scala in Milan (1893), The Metropolitan Opera in New York (December 4, 1893) and Opéra de Monte-Carlo (1904). Throughout her career, her major roles in the opera house were Gilda, Marguerite, Juliette, Ophélie, Lucia and Gilda. She sang the world premiere of Camille Saint-Saëns's Hélène, the first to sing the role of Nedda in Pagliacci for London (1892) and New York (1893), as well as the first to sing Mimi in Puccini's La bohème in New York. In 1909, she bought property at Coldstream (East of Melbourne) and around