Maria Luigia Borsi Interviewed During "La Bohème" At Atlanta Opera

A portrait of Maria Luigia Borsi by Brad Repp

"The masterpiece by Puccini introduces us to Mimì and Rodolfo, young lovers living in Paris in the nineteenth century. Their group of bohemians (poets, painters, philosophers) traverses the emotional landscapes of love, poverty and ultimately, loss. This production by General & Artistic Director Tomer Zvulun will bring a grand cinematic approach to one of the greatest operas of all time. Italian soprano Maria Luigia Borsi portrays Mimì. Tenor (and fellow Italy native) Gianluca Terranova plays her lover, Rodolfo. American soprano Leah Partridge sings the role of Musetta and baritone Trevor Scheunemann will portray Marcello. Theo Hoffman sings the role of Shaunard. Arthur Fagen, Carl & Sally Gable Music Director of the Atlanta Opera, will conduct." [Source] For ticket information, visit the Atlanta Opera website. Listen to the interview with Maria Luigia Borsi by clicking here. Hear the soprano sing "Donde lieta usci," from Act III of La Bohème, after the jump.

Anna Netrebko And Yusif Eyvasov In Lebanon: The Full Concert

Diva Adorned: Kaftan and turban-clad (also covered in
Chopard jewels),  Anna Netrebko makes first appearance
in Lebanon. (Photo: Facebook)

On August 27, 2015, Anna Netrebko and Yusif Eyvasov took to the stage at the Beiteddine Art Festival in Lebanon to perform a concert full of arias and duets including works from Adriana Lecouvreur, Aida, Mefistofele, Otello, Madama Butterfly, La Traviata, Rusalka, La Bohème and more. Hear the full concert and see photos from the evening, after the jump. "The Beiteddine Festival is one of the leading festivals in the Middle East. It takes place in a large and magnificent 200-year old Palace in the Chouf Mountains, in Lebanon. The Palace is a jewel of Lebanese architecture with its many courtyards, monumental gates, elegant arcades and leveled galleries. Each year, in the months of July and August, the Festival presents outstanding performances by world famous stars and Lebanese artists. Concurrent with the performances, the Palace houses one or more international art exhibits. The Festival's first edition was launched in the summer of 1985 amidst the war. It came as an act of faith in Lebanon's cultural role and power of creativity, a call for normality amidst the chaos and madness of war. It was born and has grown in very difficult times and made it against all odds. As of 1987, when Nora Joumblat and an Executive Committee took over the organization of the Festival, it gradually gained regional and international recognition. Since 1997, a new step forward is recorded: the external courtyard of the Palace is fitted to host 5,000 persons. On the creative level, the Festival started producing its own performances, particularly Lebanese plays. The variety and the quality of the Festival's activities attract an ever-increasing audience (51,000 persons in 2003) in which the young generation is worthily represented The Festival is a non-profit organization." [Source]

Anna Netrebko Answers The Guardian's Probing Questions

Anna Netrebko wears a Zac Posen gown in this
Dario Acosta portrait from 2013.

While in London for performances of La Bohème and in honor of her upcoming engagement at the Royal Albert Hall in Tchaikovsky's Iolanta, Anna Netrebko answered some musical questions posed by The Guardian in their "Facing the Music" series. Find out what music she listens to when traveling the world; why she recently purchased several Aida recordings; her thoughts on concert etiquette when it comes to applause; why the organ is an intriguing instrument to her; that time she enjoyed Elton John and Lady Gaga; the most recent Broadway musical she's seen (and loved...); whether a collaboration with Justin Bieber is in her future; and what she sings in the shower. Read the full questionnaire here.

Anna Netrebko Ushers Out John Copley "La Bohème" At ROH

Living on Love: Rodolfo (Joseph Calleja) and Mimì (Anna Netrebko) struggle to make ends meet,
but they still have each other until death do them part at Covent Garden.

"So now we bid farewell to another dear old friend, as John Copley’s venerable production of Puccini’s weepie, rich in period detail and devoid of interpretative tricks, is being laid to rest after four decades in service, embracing twenty-six revivals and well over two hundred sold-out performances. To be honest, this loyal carthorse of a show does seem a trifle sclerotic nowadays. I’ve seen stagings recently that feel more youthfully raw and emotionally urgent; aspects of its 'realism' look dated; and the second interval slows the pace down unhelpfully. But the tableaux for the snowy Barrière d’Enfer and bustling Café Momus remain wonderfully atmospheric, and the straightforward characterisations never inhibit the singers. Richard Jones, rumoured to be

Herr Direktor: Read more about 
John Copley by clicking here.

commissioned for a replacement, will have his work cut out to provide anything sturdier. Copley, a spry octogenarian, returned to rehearse this final outing and made a lively job of it. Sharp cameos from Ryland Davies (Alcindoro) and Donald Maxwell (Benoit) sprinkled light relief. Marco Vinco’s Colline mourned his pawned coat in style, Lucas Meachem presented an exuberant jock of a Marcello, and Jennifer Rowley was a brassy Musetta, with a touch of Ethel Merman about her gusto....His Mimi was the mercurial Anna Netrebko, in lustrous voice. She is not a subtle artist, and having adjusted her focus to more dramatic repertory, her resinous soprano can’t convey the fragility of the consumptive flower-girl. She also failed to float the rapturous 'ball of light' note at the end of Act I. But she never just phones it in or holds back à la Gheorghiu, and here she gave of herself unstintingly, most notably in an affecting account of the third act - one of Puccini’s most masterly inspirations." [Source]

Andris Nelsons Innaugural Concert With Kaufmann & Opolais To Air

"Andris Nelsons’s first season as music director of the Boston Symphony Orchestra has come and gone — but in case you missed it entirely, you wanted more, or you just wondered what all the buzz was about, you can now catch a glimpse of the new partnership from the comfort of your living room. On Friday at 9 p.m., PBS will broadcast the young Latvian conductor’s inaugural concert with the orchestra, recorded live in Symphony Hall last September....Among the highlights on the night itself were the contributions of the two star vocal soloists, especially tenor Jonas Kaufmann’s outstanding performance of 'In Fernem Land' from Act III of Lohengrin, an account whose intensity and poetry is conveyed here. The Latvian soprano Kristine Opolais, Nelsons’s wife, sings a vivid 'Un Bel Di' from Madama Butterfly as well as a smoldering duet with Kaufmann: 'Tu, Tu, amore? Tu?' from Puccini’s Manon Lescaut, a work this pair is slated to perform together next season in a new Met production directed by Richard Eyre. For an additional opening night souvenir, the two singers also offered as an encore a melting, sweet-toned account of 'O Soave Fanciulla' from the Act I finale of La Bohème." [Source]

(Photo: Chris Lee)

Sonya Yoncheva Heralded As Mimì At MET By New York Times

Ms. Yoncheva in rehearsal (Photo:
Jonathan Tichler/MET Opera)

"In the third act of Puccini’s La Bohème, Mimì, the tubercular seamstress, says goodbye. 'Addio,' she tells Rodolfo, her poet lover, at the end of the aria 'Donde lieta usci,' and then repeats it for emphasis: 'Addio, senza rancor.' Many Mimìs keep this moment simple, singing both iterations of 'addio' roughly the same. But at the Metropolitan Opera on Friday, the Bulgarian soprano Sonya Yoncheva first sang the word in a voice straightforward and resolute, trying desperately to project strength. The second time, she sounded wispy and vulnerable: a poignant revelation of her true feelings. Subtle, thoughtful and heart-rending, the passage seemed like the work of a veteran artist. But astonishingly, this was Ms. Yoncheva’s first staged performance of the role. Her delicate, dreamy, detailed Mimì has arrived more or less fully formed — and, for good measure, with less than two weeks’ notice and just a month after she gave birth to a son....Her voice is not huge, but her precise articulation of the text and the slightest metallic glisten in her warm tone allow it to penetrate. Her first-act aria built to a gently riveting reverie, and she grew in tragic stature as the opera went on, with her soft-grain echo of Rodolfo’s earlier melody a textbook lesson in tender nostalgia near the end. The rest of the performance was not at her level." [Source] Her debut recording, "Paris, Mon Amour," will be released on Sony Classics in January 2015.

As the delicate Puccini character Mimì in La Bohème, Sonya Yoncheva receives a triumphant review.

Alyson Cambridge Sings At 2014 Soul Train Awards In Las Vegas

Fresh from performances as Musetta in Puccini's La bohème at Washington National Opera, soprano Alyson Cambridge was in Las Vegas last night to sing at the 2014 Soul Train Awards along such luminaries as Chris Brown, Missy Elliot, Lil' Kim, Bobby Brown, and more. The singer announced the news yesterday on Facebook stating: "Trying to duo [sic] the opera world proud! Bringing legit opera to primetime and then fusing it with hip hop too!" Press release "Chris Brown is set to kick off the 2014 Soul Train Awards, The Hollywood Reporter has learned exclusively. The musician, who leads this year's nominees list with seven nods, will take the Orleans Arena stage in Las Vegas on Nov. 7. Also slated to sing at the annual ceremony are Aloe Blacc, Nico & Vinz, Lisa Stansfield, Kem, Jeremih and Liv Warfield. Jodeci are also set to

Alyson Cambridge on the red carpet

reunite for a medley of their hits. Wendy Williams will host the event, airing Nov. 30 at 8 p.m. on Centric and BET networks. The 2014 show will celebrate the history of dance with choreographer Fatima Robinson and her seasoned troupe, as well as producers 1500 or Nothin’ on board as music directors. 'This slate of performances is another example that Soul Train Awards 2014 is the only place where soul music lovers can find the diverse combination of current chart-topping performers and reunions from their favorite hit-making groups,' said Paxton Baker, general manager and executive vp, Centric, in a statement. 'We are pulling out all the stops this year and are thrilled to have Chris Brown and Jodeci lead the big surprises we have in store.' The 2014 Soul Train Awards is directed by Tony McCuin and produced by BET Event Productions and Sunseeker Media. Executive producers include Centric's Baker, Tami Arasli and Derek Lewis; Sunseeker's Bart Phillips; Soul Train Holdings' David Koff and Jerry Letter; Doug E. Fresh and Wendy Williams Productions' Williams and Kevin Hunter." [Source] Read more about the singer on the event's website by clicking here. A photo of Alyson Cambridge in rehearsal for the event is after the jump.

Dirty Man Mike Rowe Breaks Out Puccini For CNN Newsroom

Hard at Work: Dirty Mike Rowe

Back in 2011, we told you the story about Mike Rowe and his opera-singing background. Now you can witness for yourself, as he breaks out in "Vecchia zimarra senti" from Puccini's La Bohème. He visits the anchor room to wake up some unsuspecting workers with his booming voice when asked if he remembers the aria. He came prepared and everyone took notice. Watch the sensational spectacle for yourself in the video posted below:

San Diego Opera Announces 2014-15 Season After Rescue

Seats at San Diego Civic Theatre
wait to be filled with opera fans.

"San Diego Opera’s Board of Directors voted today to rescind the decision to close the Company after nearly two months of careful analysis, deliberation and fundraising. The Company originally announced its closure and the sale of its assets on March 19, 2014. The original closure date was scheduled to occur on April 14, 2014, the day after the Company’s final sold-out performance of Don Quixote. A vote by the Board on March 31, 2014, delayed that closure by two weeks until April 29, 2014. Another vote by the Board on April 18, 2014, extended that closure date to at least May 19, 2014. Today’s vote on May 16, 2014, overturns the original decision to close. 'The public spoke, we listened, and we’re open for business,' shares Board President Carol Lazier, 'and do we have some great news to share with you!' In light of this news, San Diego Opera is announcing its 2015 season, the Company’s 50th. La bohème, Don Giovanni, and Nixon in China are the three operas being performed at the San Diego Civic Theatre. The Company will also celebrate its 50th anniversary with special Gala Concerts of favorite arias, duets, ensembles and choruses with the San Diego Symphony at Copley Symphony Hall. Additional events and performances are in the works, and will be announced shortly. The Company has also announced that the ongoing crowd funding effort has resulted in a total of $2,116,376 in donations from 2461 of donors as of midnight Sunday, May 18, 2014. 48% of these donors have never given before and represent gifts from six countries – Austria, Australia, Canada, England, Italy, Mexico & 36 States. The gifts range from $10 – $50,000 with a median gift of $100. Now that the $1 million goal has been reached, and the Company has announced a 2015 season, both triggers of the escrow account have been met and donations will be moved from the escrow account into the Company’s 2015 fund to be used for the just-announced season." [Source] See details of the season, including artists performing, after the jump.

Mimi Introduces the Fully Lie-Flat Seats on American Airlines

Can We Expect a Little Puccini From Lady Gaga in the Future?

"Asked which three classics she would like to cover, Gaga replies, 'I would cover John Lennon's ‘Now and then'.' There's a long pause where she smiles at the photographers as one wonders if she's done replying. 'I would cover an opera song [from La Bohème]. I would cover Bruce Springsteen's ‘Thunder Road'. AC/DC maybe." [Source] An artist known for being unpredictable, it's hard to tell if she would do "Quando m'en vo" or "Si, mi chiamano Mimi." Watch a video clip of the full interview (the opera bit starts at 2:59) from India, after the jump.

Gale Edwards Stages "La Bohème" For Opera Australia

"Berlin in the 1930s. The Spiegeltent’s fairy lights are twinkling and the music is playing but, in reality, people are hungry and cold. Rodolfo meets Mimi and hardship melts in a blaze of passion. Musetta sings and she is the most beautiful woman in the world. But the world is changing, and love won’t pay the rent. A new production of Puccini’s La bohème is always a big event. In 2011 Opera Australia is thrilled to present a bold reworking of Puccini’s romance from director Gale Edwards and starring Takesha Meshé Kizart as Mimi. La bohème is a young person’s opera, about falling in love, and losing the love of your life. Get ready to have your heart stolen by some of the finest young singers in Australia and beyond." [Source]

Also a warning to Australian audiences: there will be partial nudity in Act 2! Full cast listing after the jump.

The Rent Was Too Damn High, Especially For Bohemians in 1896

The world premiere performance of Puccini's La bohème was in Turin on February 1, 1896, at the Teatro Regio and was conducted by 29-year old Arturo Toscanini. 

Although everyone has a favorite singer or conductor for this classic, this particular clip is interesting because there is something very bohemian about these young singers at what was the blossoming of their singing careers. Enjoy!