Showing posts with label Joseph Lim. Show all posts
Showing posts with label Joseph Lim. Show all posts

Tuesday, May 8, 2012

Lyric Opera of Chicago Young Artists Leave Crowd Wanting More

Joseph Lim, Tracy Cantin and Kiri Deonarine in Act 2
from Mozart's Le Nozze di Figaro" (Photo: Todd Rosenberg)
"There can be no higher praise for a concert performance of an isolated opera scene than that it leaves you disappointed not to be hearing the remaining two acts. Such was the case Monday night at Symphony Center, when the Civic Orchestra collaborated with Lyric Opera music director Sir Andrew Davis and singers from the Lyric’s Patrick G. and Shirley W. Ryan Opera Center in a pair of Mozart and Puccini scenes. And while the final act of La boheme had its moments, it was Act 2 of Le nozze di Figaro that was the clear highlight of the evening, and left one wanting more. Indeed, it’s no exaggeration to say that so stellar was the vocalism and spirited portrayals of the principals that any regional American opera house would be lucky to field this group of gifted young singers for their next Figaro production." [Source]

Monday, March 14, 2011

Five Winners Chosen in MET National Council Auditions

Finalists pre-concert (left to right): Joseph Lim, Joseph Barron, Deanna Breiwick, Ryan Speedo
Green, Philippe Sly, Sasha Djihanian, Michelle Johnson and Nicholas Masters (Photo: Gothamist)
Of the eight singers selected from 1,500 that participated in the Metropolitan Opera's National Council Auditions, five were each named winners of a $15,000 prize yesterday. Curiously no mezzo-soprano or tenor voices were represented, except the emcee Joyce DiDonato and the entertainment for the day Lawrence Brownlee. The winners included Michelle Johnson, Joseph Barron, Ryan Speedo Green, Joseph Lim, Philippe Sly. The Sunday concert was conducted by Patrick Summers and the audience nearly filled the cavernous Metropolitan Opera.

How ever you want to describe it, not politically correct, tasteless or even uncouth, the writer Mike Silverman of the Associate Press ends his review thusly: "Brownlee is probably the closest thing there is to a black American superstar in opera these days, so it was especially heartening that two of the winners, Johnson and Green, also are black." [Source, Source]