Showing posts with label Kathleen Kim. Show all posts
Showing posts with label Kathleen Kim. Show all posts

Thursday, January 23, 2014

Diana Damrau Live At Le Poisson Rouge March 27 In NYC

Following on the heels of a night of Russian exoticism featuring Anna Netrebko, soprano Diana Damrau will perform at Le Poisson Rouge on March 24, 2014 at 7:30 PM. No word on whether the theme will be Bavarian. Purchase tickets by clicking here. During March, the coloratura is in town singing La Sonnambula at the Metropolitan Opera and a concert at Carnegie Hall with Zubin Mehta. The little New York City village hot spot Le Poisson Rouge is becoming a regular hangout for stars of the MET. In addition to the most recent concert that also featured Ildar Abdrazakov and Anita Rachvelishvili, past performers have included Iestyn Davies, Joseph Kaiser, Kathleen Kim, and Patricia Racette. To learn more about Diana Damrau, visit her website by clicking here.

Tuesday, May 3, 2011

MET Sirius XM Radio Tonight: "Rigoletto"

Listen to the Metropolitan Opera perform Verdi's Rigoletto live tonight at 8:00 PM EST on Sirius XM radio. Intermission guests: Kathleen Kim and Eva-Maria Westbroek.

Monday, March 14, 2011

Boston Lyric Opera Scores with Händel's "Agripinna"

Caroline Worra in the title role with Christian Van Horn
as the Roman emperor Claudio
"The aria [“Voi che udite il mio lamento"] was particularly moving on Friday, thanks to the pure-voiced and uncommonly sensitive singing of the young countertenor Anthony Roth Costanzo as Ottone. He was well-matched by his Poppea, the impressive Kathleen Kim, who acted vividly and sang with a nimble, clear, gleaming soprano. David Trudgen sang well as Nerone, even if one could imagine additional dimensions to his man-boy conception of the role. Christian Van Horn was a vibrant Claudio, by turns a chest-baring lothario and moralizing sovereign. Jose Alvarez, David McFerrin, and David M. Cushing rounded out this cast. And in the title role, Caroline Worra was vocally and dramatically commanding as a freewheeling Agrippina, crazed with blind ambition for her son yet not without her own sympathetic vulnerabilities." [Source]