"'Leontyne Price: Voice of a Century' is also a gorgeous creation, Carole Boston Weatherford’s folksy yet lyrical narration combining with Raul Colón’s distinctive yellow-toned etched watercolors to give a sense of indelible grandeur to the life story of the pioneering soprano. Weatherford sets the scene of Price’s childhood cinematically, evoking the “misery” awaiting most black children on the Delta: '1927. Laurel, Mississippi. The line between black and white was as wide as the Mississippi River was long.' But inside Price’s home we see a dignified scene, with her conservatively dressed parents looking on at their only child adoringly and making sure little Leontyne 'knew she was as good as anyone — black or white.' It’s a musical home, with opera on the radio Sundays and money saved up for a real piano and lessons, as well as a chance for Leontyne to see the great Marian Anderson perform, which 'sparked a light' in her. We follow Leontyne to college, where she expects to become a teacher, 'the concert stage out of reach for a black singer then.' But her vocal talent and drive is
recognized and encouraged, until she’s studying opera at Juilliard, then singing on a world tour that took her to La Scala and, finally, the Met, where she was among the very first African-American performers and received a famous 42-minute standing ovation, a detail sure to delight child readers. Colón’s illustrations of Leontyne on stage are especially breathtaking, with his rendition of her as Cleopatra almost powerful enough to supplant any reflexive mental image of Elizabeth Taylor as the Egyptian queen. On the last page, Weatherford reminds readers that even at the height of her international fame, Price was still 'just Leontyne, twisting all night long,' but I’m not sure that was necessary, since we’ve heard nothing so far about Price as a secret pop fan. I suppose one wouldn’t want children to get the impression that Price, who has been known to rock fur coats, pearls and turbans, is a snob, but isn’t there room in our pantheon of heroines for an actual diva?" [Source]
together since the late 19th century. The expansion of Black History Week to Black History Month was first proposed by the leaders of the Black United Students at Kent State University in February 1969. The first celebration of the Black History Month took place at Kent State one year later, in February 1970. In 1976 as part of the United States Bicentennial, the informal expansion of Negro History Week to Black History Month was officially recognized by the U.S. government. President Gerald Ford spoke in regards to this, urging Americans to 'seize the opportunity to honor the too-often neglected accomplishments of black Americans in every area of endeavor throughout our history.'" [Source]