French Bass-Baritone Sévag Tachdjian Presents Recital In Pakistan

Sévag Tachdjian performed works of Dvořák,
Ravel, Mahler, and Tosti, during the concert
in Islamabad. (Photo: Frédéric Broyer)

"An opera concert titled A musical journey through Europe was held at the German embassy auditorium on Monday evening. The concert, hosted by German Ambassador Dr Cyrill Nunn, featured performances by Sévag Tachdjian and Yukiko Tidten-Yoshikawa. The ambassador complimented the audience for braving the inclement weather, saying he had an advantage of living only a few metres away from the auditorium. Introducing the musicians, he said both are internationally active and had played in many operas. 'I hope you enjoy the music from different parts of Europe,' he added. 'The musical journey through Europe is a wonderful opportunity to show the range of poetical inspiration from where this music comes,' said Tachdjian, who is a French bass-baritone and vocalist of Armenian descent. He was accompanied Yukiko Tidten-Yoshikawa, who has been internationally-active as a concert pianist in Japan and Europe....'It is absolutely fabulous that we had the opportunity to listen to any form of opera in Pakistan and generally, I don’t like Mahler, but even that was an experience,' said Saira Khan, an audience member at the event. [Source] Watch a video of Sévag Tachdjian, singing Massenet's "Le Jongleur de Notre Dame," after the jump. Click here to learn more about Sévag Tachdjian.

Mahler Gets Appearance In "Birdman" Scene Featuring Naomi Watts

The new film Birdman, directed by Alejandro González Iñárritu, has original music composed by Antonio Sanchez playing throughout the film. Additional classical music is added to several scenes including works by Tchaikovsky, Ravel, Rachmaninoff and John Adams. The real standout scene comes when Lesley (Naomi Watts) is emotionally thanking Riggan (Michael Keaton) for the opportunity of making her Broadway debut in his new play. At this point, the character of Riggan is starting to unravel and things seem as though they are imploding. The vocal line that starts under the scene is "Ich bin der Welt abhanden gekommen" (I am lost to the world) from Gustav Mahler's Rückert-Lieder. A full translation of the piece can be found here and a performance by Violeta Urmana (the artist used in the film) is after the jump. "Riggan Thomas, once known quite well to movie theater goers as an iconic super hero called 'The Birdman' had recently turned down a third installment of the franchise. Now washed up, he attempts to reinvent himself as a director by staging a new retelling of a classic Broadway dramatic play called What We Talk About When We Talk About Love. The events leading up to the Saturday night premiere prove to be one disaster after another as the original lead actor is injured while on set and Riggan scrambles to find a replacement, but the replacement proves to be exactly who he needs - a method actor who takes the job way too seriously. But Riggan has a hard time juggling between the set, his replacement actor, his equally washed up daughter, and a host of other disasters that prevent a proper staging of the play. Meanwhile, a New York Times critic who Riggan has to woo threatens to shut down production of the play before it even starts with a scathing review of the dress rehearsal. Does Riggan have a hit on his hands or will he even make it to opening night?" [Source]

Marie-Nicole Lemieux Sings Berlioz, Wagner, and Mahler

Click image to purchase the recording

"As one of the cruel realities of competition, the winners switch from glory to complete oblivion after a few ephemerous mediatic sparks. When Marie-Nicole Lemieux won the Queen Elisabeth Singing Competition in 1998, nobody knew she would become the contralto of her generation, and nobody knew - even if many guessed at it - that she would become one of the most versatile singers imaginable as well as a first-class tragedian. In August 2000 the producers of Cypres were the first to offer her a recital with the pianist Daniel Blumenthal. Programmed was nothing less than Les Nuits d'été, the Wesendonck and the Rückert-lieder - three cycles of lieder counted among the most intense of the repertory. The calm trembling of the contralto in Berlioz, its poignant dignity in Mahler and its heightened expression in Wagner made this record into an undeniable commercial and artistic success. More than ten years have passed since; Marie-Nicole Lemieux today appears on the biggest stages in the world, and this "historic" record reminds us that even at the beginning of her career, the singer from Quebec was already the genius performer we know today." [Source]

LIVE: Renée Fleming "Ich bin der Welt abhanden gekommen"

Fleming will sing Mahler in New York
this January (Photo: Jonathan Tichler)

In 2001 Paramount Classics released Bruce Beresford's Bride of the Wind, a film celebrating Alma Schindler Mahler: "Vienna, 1902: Alma Schindler meets Gustav Mahler. She beautiful, young, plays, and composes: music is her life. She becomes Mahler's lover, then he marries her, asking that she give up composing. She has two children, works as his assistant, does his books, saves him from debt, and feels stifled. In 1910, after the death of a child, she retreats to a spa where she falls in love with Walter Gropius. Will she go with him or stay with Mahler? She conducts an affair with the tempestuous Oskar Kokoschka and is stifled in another way. Then, she marries Gropius, who proves imperious. She leaves him for Franz Werfel: he finds her compositions and insists the public hear them." The soundtrack featured three songs by Alma Mahler ("Bei dir ist es traut," "In meines Vaters Garten," and "Laue Sommernacht") written in 1910. The works are performed by Renée Fleming and pianist Jean-Yves Thibaudet joins on

Fleming as Alda in 2001

two of the pieces. They even got into costume and performed one of the numbers at the end of the film with Fleming portraying soprano Frances Alda singing for an audience that includes the character of Alma Mahler. Another piece on the soundtrack was "Ich bin der Welt abhanden gekommen" from Gustav Mahler's Rückert Lieder. It featured Fleming singing the famous song (which in the film was arranged by the film's composer Stephen Endelman) and is heard only in excerpt*.

Now is your chance to hear Fleming sing the song in its entirety from a live concert at Amsterdam's Concertgebouw on October 25, 2010:


Renée Fleming will perform Mahler's Rückert Lieder at Carnegie Hall in New York on January 15, 2012 with the Metropolitan Opera Orchestra. James Levine is scheduled to conduct. Watch a trailer from the film Bride of the Wind after the jump. [Source, Source, Source]
*This is how it was recorded for the soundtrack and film.

9/11 Commemorated with Mahler "Resurrection" Symphony

Click on the photo to watch the finale of Mahler's Symphony #2 "Resurrection" with
soloists Florence Quivar  and Kathleen Battle under the direction of Seiji Ozawa.

O glaube Du wardst nicht umsonst geboren! Hast nicht umsonst gelebt, gelitten! Was entstanden ist Das muß vergehen! Was vergangen, auferstehen! Hör' auf zu beben! Bereite dich zu leben! O Schmerz! Du Alldurchdringer! Dir bin ich entrungen! O Tod! Du Allbezwinger! Nun bist du bezwungen! Mit Flügeln, die ich mir errungen, In heißem Liebesstreben, Werd'ich entschweben Zum Licht, zu dem kein Aug'gedrungen! Mit Flügeln, die ich mir errungen Werde ich entschweben. Sterben werd'ich, um zu leben! Aufersteh'n, ja aufersteh'n wirst du, mein Herz, in einem Nu! Was du geschlagen zu Gott wird es dich tragen!

O believe, You were not born for nothing! Have not for nothing, lived, suffered! What was created Must perish, What perished, rise again! Cease from trembling! Prepare yourself to live! O Pain, You piercer of all things, From you, I have been wrested! O Death, You masterer of all things, Now, are you conquered! With wings which I have won for myself, In love's fierce striving, I shall soar upwards To the light which no eye has penetrated! Its wing that I won is expanded, and I fly up. Die shall I in order to live. Rise again, yes, rise again, Will you, my heart, in an instant! That for which you suffered, To God will it lead you!

Watch alternate clips, featuring Janet Baker and Sheila Armstrong with conductor Leonard Bernstein as well as Karin Ott and Brigitte Fassbaender with conductor Giuseppe Sinopoli, after the jump.