Ojai Music Festival To Debut New Opera For 68th Season

"It's not unusual for the spirits of Haydn, Mozart and Beethoven to hover over an outdoor concert. At this year's 68th Ojai Music Festival, though, they will be appearing in corporeal form as characters in The Classical Style, an eagerly anticipated comic opera that is making its debut. It should make a fitting centrepiece, as innovation, creativity and new music have long been hallmarks of the four-day event, which takes place about 80 miles north-west of Los Angeles. Ojai is known for its setting among the citrus groves and the mountains, and for a strong spiritual tradition dating back to the 1920s when the community became a centre for Jiddu Krishnamurti, a philosopher, and his followers. Thomas Morris has been the artistic director of the festival for the past decade. Each year he chooses a different music director, and together they shape the programme. This year he turned to Jeremy Denk, a MacArthur Award-winning pianist and writer who also wrote the libretto for The Classical Style. (The score is the work of Steven Stucky, a Pulitzer Prize-winning composer.) Mr Morris says the festival has 'a history of eclectic choices' when it comes to musical directors.

Historical Music Man: Aaron Copland served as
one of the many music directors for the festival.

Contemporary music was already its focus by the 1950s, and in those early years directors included Igor Stravinsky, Aaron Copland and Lukas Foss. More recently Mr Morris has tapped Mark Morris, a choreographer, Dawn Upshaw, a soprano, and eighth blackbird, a chamber-music ensemble. At the same time, composers like Steve Reich, John Cage, John Adams and Thomas Adès have found Ojai a congenial place for American or West Coast premieres of their work. The common element, notes Mr Morris, is that 'the artists who come to Ojai are not only performers but also thinkers and innovators.' The theme behind this 68th festival had its roots in a conversation between Mr Denk and Mr Morris a few years ago. Mr Denk had an idea for a chamber opera based, rather curiously, on an award-winning book of criticism by Charles