Opera Singers Important To "Christmas In Washington" History

Clamma Dale

Performing for Presidents of the United States has long been a duty and service that comes with great honor for classical musicians for more than a century. Particularly highlighted during the holiday season in December each year since 1981, opera singers have played an integral part of the concert Christmas in Washington. Standing alongside fellow musicians from virtually every genre of the music world to celebrate holiday favorites has brought the world of opera to larger audiences via television. Taking a look back over the years, the following singers have been fortunate enough to be part of this American tradition: Frederica von Stade (1984), Clamma Dale (1986), Kathleen Battle (1988), Barbara Hendricks (1990), Dawn Upshaw (1995) Ruth Ann Swenson (1996), Thomas Hampson (1997), Harolyn Blackwell (1998), Charlotte Church (2001), Renée Fleming (2003),  and Andrea Bocelli (2010). Take a look at some of the

Kathleen Battle

performances after the jump. "One of two annual holiday specials produced by George Stevens, Jr. (the other being the Kennedy Center Honors), the variety show first aired in 1981 on NBC before moving to its current home on TNT in 1998. Recorded in Washington, D.C. at the National Building Museum, on the second Sunday of each December before being re-edited for later broadcast, Christmas in Washington is a one-hour concert featuring artists from musical genres. Each guest perform at least one solo, but the marquee performer usually has one or two more songs. The show also has at least one guest from the world of opera. Each of the musical performances are backed by a full orchestra and chorus. The show's finale consists of a medley performed by all the musical guests before

Frederica von Stade

the attendees-of-honor, the President of the United States and the First Lady, make a closing statement. Recent events have benefited Children's National Medical Center. The show also has a host. For many years, the show was hosted by Dr. Phil and his wife, Robin. However, since 2009, the show has had a single host. The 2013 edition featured Hugh Jackman as host and The Backstreet Boys as marquee performers, marking the first time in six years that a group has been featured as marquee performers. The show airs live on pay-per-view internationally and in most major cities, after which a re-edited 42-minute version (with commercials in a one-hour slot) airs on the aforementioned TNT network." [Source, Source, Source, Source, Source]  

Renee Fleming performing during the Christmas in Washington at the National Building Museum in Washington, D.C., in 2003. | gettyimages.com

Breast Cancer Awareness Month Dedication To Opera Singers

October is Breast Cancer Awareness Month. Founded in 1985 as a partnership between the American Cancer Society and the pharmaceutical division of Imperial Chemical Industries, the goal has been to promote mammography as the most effective weapon in the fight against breast cancer. "In 1993 Evelyn Lauder, Senior Corporate Vice President of the Estée Lauder Companies founded The Breast Cancer Research Foundation and established the pink ribbon as its symbol, though this was not the first time the ribbon was used to symbolize breast cancer. In the fall of 1991, the Susan G. Komen Foundation had handed out pink ribbons to participants in its New York City race for breast cancer survivors." For information about early detection procedure, click here. As we near the final days of the 2014 campaign, let us take a moment to remember the many singers in the opera world who are survivors and those that have fallen to the tragic disease. Check out the list of heroines after the jump with features of their vocal contributions. [Source]

The Sydney Opera House is lit in pink lighting to bring attention to Breast Cancer Awareness Month.

Palm Beach Opera Displays Financial and Artistic Success

Founded in 1961 as the "Civic Opera of the Palm Beaches," the Palm Beach Opera is a professional opera company performing at the Kravits Center for the Performing Arts in West Palm Beach, Florida. For years the jet-set have been traveling from large cities across the country to reach this haven for the rich in an area known

Daniel Biaggi: Captain of the high C's

mostly for its golfing and yachting during the winter months. West Palm Beach is technically a municipality (the oldest in South Florida) with a population that inches toward 100,000 residents and its slightly more exclusive neighbor, Palm Beach, has only 30,000 residents during peak vacation season. Opera can be a tough sell in these parts, especially since Florida Grand Opera is operating a mere 67 miles south in Miami and the Metropolitan Opera broadcasts to movie theater as part of their "Live in HD" series. In the beginning, the company performed one production annually and by the mid-1990s four fully staged operas were taking place each season. Artistically, Palm Beach Opera hit its stride during the directorship of its Principal Conductor Anton Guadagno from 1984 to 2002. The new millennium brought corporate scandals and plummeting stock portfolios for many supporters of the opera. The company had no choice but to

James Valenti: Star tenor and
West Palm Beach resident.

make bold choices for leadership in order to succeed and flourish in the coming decade. After Maestro Guadagno passed away in August 2002, the company brought Bruno Aprea in as the Artistic Director & Principal Conductor beginning in 2005 and appointed Daniel Biaggi as the new General Director in 2008. As Palm Beach Opera celebrates its 50th Anniversary this season by opening with Madama Butterfly on December 16, 2011, it is clear the artistic and financial vision of the company is beginning to pay off. Although they reduced the budget from $6.5 million to $4.7 million, trimmed full-time staff to ten positions and now present three fully staged operas with one concert performance a season (Beethoven's Symphony #9 and Verdi's Requiem were recent choices), the quality of singing has skyrocketed. In addition to meeting the expectations of audiences aurally skilled in houses like the Metropolitan Opera, Lyric Opera of Chicago and San Francisco Opera, the company has to provide A-list singers alongside budding young talent that fits the budget. Recent seasons have seen veterans Ruth Ann Swenson and Dolora Zajick, as well as newcomers Angela Meade, Anthony Roth Costanzo, Nadine Sierra, James Valenti and Nicole Cabell.

Metropolitan Opera soprano Ruth Ann Swenson
at a post-performance dinner 

Now that the company has found its footing, they hope to expand beyond the typical Italian and French repertoire into 20th-century works (especially American pieces) and Baroque. For more about the cast and performance dates of Madama Butterfly at the Palm Beach Opera, click here. And if you are in the neighborhood on January 20 and 22, the company will present two Golden Jubilee concerts featuring scenes from La Traviata, Die Fledermaus, La Bohème, Carmen, Aïda, among others and will be hosted by the baritone Sherrill Milnes. The concerts will be lead by conductors Julius Rudel and Bruno Aprea with singers Angela Brown, Ruth Ann Swenson, Denyce Graves-Montgomery, Brandon Jovanovich and many more.[Source, Source, Source]

Ruth Ann Swenson On Classmate Rosie O'Donnell's Show

Soprano Ruth Ann Swenson and comedian Rosie O'Donnell have the distinction of having been classmates at the Commack High School on Long Island. Here the singer performs "O mio babbino caro" from Gianni Schicchi during a 1997 taping of her fellow alumni's television show.

Does Competition and Foundation Prize Money Help Singers?

Angela Meade (l) with 1986 Richard
Tucker Award winner Dolora Zajick
(Photo: Ruth Fremson/NY Times)

Anthony Tommasini wrote in the New York Times: "Since 1975 the Richard Tucker Music Foundation, named for the great American tenor, has fostered the careers of emerging singers." The annual gala concert was held on Sunday (November 7) evening. "The evening’s main business was to honor this year’s Tucker Award winner, the young soprano Angela Meade, who receives a $30,000 prize, the foundation’s largest grant. Ms. Meade recently sang three performances of the title role in Donizetti’s Anna Bolena in the Met’s new production, and she returns to the company in February for Verdi’s seldom-heard Ernani. Her first offering here was a fiery aria from Verdi’s Attila. Her sound was enormous, rich and unforced; her coloratura runs and passagework were dispatched with aplomb and precision. Vocally, Ms. Meade was even better in the Act I finale of Bellini’s Norma, for which she was joined by the mezzo-soprano Dolora Zajick as Adalgisa and the sturdy tenor Frank Porretta (substituting for Mr. Giordani) as Pollione." But how much fostering does Ms. Meade's career need at this point? According to the Metropolitan Opera, a top-earner makes $16K/performance. Even a newcomer like Meade (who actually was a winner of the National Council Auditions in 2007 and made her debut at the MET in the 2008 production of Ernani) could easily pull in $9K/performance at the low-end estimate. So at this stage of the game, does a singer like Angela Meade need the help of the Richard Tucker Foundation? Looking back at past Tucker Award winners might show that most of these singers were well on their way and didn't need much "fostering." Check out examples, as well as video performances of these past winners at the Richard Tucker Gala, after the jump.

Stars to Come Out for Astoria Music Festival in Oregon

Swenson to sing Mozart's "Exsultate
Jubilate" and Mahler Symphony #4

"This year, in what may be the greatest musical event ever presented in Astoria, the festival brings to the stage one of the finest sopranos in American operatic history, Ruth Ann Swenson, in a concert of Mozart and Mahler. Opportunities like this are rare indeed, and there is no need to say more, other than this: Don't miss it. The 2011 festival's major opera production is Verdi's Il Trovatore. One of the most popular operas ever written, it has an evil count, a vengeful gypsy woman, a passionate troubadour, love, death and a mysterious power. The only thing missing is coffee. Enrico Caruso once said of Il Trovatore that a successful performance only required the four greatest singers in the world. The Astoria Music Festival has come close to Caruso's ideal, with a cast that stars the latest sensational Metropolitan

Meade stars as Verdi's Leonora

Opera diva, Angela Meade, who happens to almost be a local girl (she comes from Washington). Richard Zeller, he of the magnificent baritone and a perennial festival favorite, plays the evil Count Luna. Tenor Daniel Snyder, Canadian mezzo-soprano Rebecca Hass and local favorite Deac Guidi round out the cast. The 'mini opera' is Maxwell Davies' Eight Songs for a Mad King, starring John Duykers...as King George III. The North Coast Chorale and the Baroque Band will join soprano Amy Hansen and organist Julia Brown in a presentation of music by Handel, the mad king's favorite composer. The final opera is Mozart's The Marriage of Figaro. A comic opera that is one of the world's favorites, the festival has managed to make it a unique event – or two events. The first is a Master Class with Swenson and singers from the Vocal Artist Apprentice Program, who will perform the opera. This is a unique chance to see the making of singers and of a performance. The other reason this Figaro is unique is the ticket price: $5." [Source]

Learn more about the festival by going to their website.

Contact High: Ruth Ann Swenson

La Sonnambula - "Sovra il sen"
Ruth Ann Swenson
Christian Badea, NYC, 1994
Clip length (0:38)


con·tact high [kon-takt hahy]: when you feel the slight, brief sensation of being high just because you were close to somebody that was definitely high.