Showing posts with label Paul Appleby. Show all posts
Showing posts with label Paul Appleby. Show all posts

Friday, August 16, 2013

Second Annual Richard Tucker Day Good News For Reuben Lovers

"Throughout the day, Junior's restaurant - a Brooklyn institution for more than 60 years - will offer an off-menu special sandwich, "The Richard Tucker Reuben," in a nod to the American tenor's given name, Rubin. The sandwich, a variation on the traditional Reuben, includes both pastrami and corned beef, which were two of Richard Tucker's favorite deli meats. Junior's is located at 386 Flatbush Avenue in Brooklyn." [Source]

Check out highlights of the festivities and opera stars performing for Richard Tucker Day, after the jump.

Tuesday, March 27, 2012

Video: Paul Appleby Debuts in "The Juillard Sessions"

(Photo: Dario Acosta)
Watch a video from EMI Classics, featuring Paul Appleby in performance excerpts from the new "Juilliard Sessions," after the jump.

Saturday, September 3, 2011

Paul Appleby Tries to Strike a Balance in Opera and Recital

The young tenor (Photo: Dario Acosta)
"Up to this point, I've spent more time onstage singing with a piano than with an orchestra in an opera," he says. "When you're a song singer, you've got a big responsibility to use every tool at your disposal to grab that audience and get them to engage with you and totally immerse themselves in the world of the song or piece you're singing at that moment. You know, that's why I obsess about my languages more and more as I get older. You think that all this grammar stuff is soooooooo unimportant during your first year at Juilliard — but now I'm grabbing out my old notebooks and textbooks and things from four years ago and really thinking about the language, trying to understand how a French person's brain works in relation to what he's saying. In opera, you need to do just as much work with text and with lines and phrases and consonants and understanding all those things you need to communicate something to an audience. The public deserves your best. You can't rely on sets or anything else to do it for you — you just have to reach inside yourself and not rely on any other thing. Not to diminish a great costume or a great set or a great director, but your responsibility as an artist is exactly the same, regardless of what stage you're standing on." [Source]

Check out the full interview in Opera News, which feature another Dario Costa portrait, by clicking here.