Renée Fleming Previews The Set Of "Bel Canto" For LOC

Soprano Renée Fleming was the inspiration for
Ann Patchett's diva in her novel Bel Canto.

"In this interview with Chicago Tonight's Eddie Arruza, Renée Fleming visits the set of Bel Canto, a new opera by composer Jimmy López and librettist Nilo Cruz, that she has curated for the Lyric Opera of Chicago, and which will be premiered on December 7, 2015." Watch the video interview, the LOC announcing the world premiere of the opera, and a behind-the-scenes photo, after the jump. "Ann Patchett's best-selling novel Bel Canto took the literary world by storm — now, in a new work curated by Lyric's creative consultant, Renée Fleming, this riveting story inspired by a real-life event becomes a powerful opera. Superstar American diva Roxane Coss has flown to Peru to sing at the vice president's home for a visiting Japanese mogul who is an opera buff. Dignitaries of every nationality are there — but an international crisis explodes when terrorists storm the mansion and take everyone hostage. Isolated for months, unlikely alliances form between captors and captives as fear and anger mingle uneasily with desire and even love. Music is the one universal language — but can it draw forth the humanity that exists in us all? An extraordinary international cast is led by Danielle de Niese, who caused a sensation as Lyric's Cleopatra in 2007. Sir Andrew Davis teams up with Kevin Newbury (Anna Bolena) for this world premiere with a libretto by Pulitzer Prize winner Nilo Cruz and music by Jimmy López, a native of Peru and 'one of the most interesting young composers anywhere today.' Chicago Sun-Times" [Source] For more information about the opera, click here.

The Team Behind Bel Canto: (back row left to right) LOC General Director Anthony Freud; Curator, Creative Consultant, and Soprano Renée Fleming; Conductor Sir Andrew Davis; (front row left to right) Director Kevin Newbury; Composer Jimmy López

Laura Claycomb Tries To Forget Sutherland And Callas "Lucia"

Creative Coloratura: Laura Claycomb wrote her
Lucia cadenzas with conductor Patrick Summers
(Photo: Sergio Valente)

"Laura Claycomb dies in the New Orleans Opera production of Lucia di Lammermoor. It happens every time a soprano sings the title role -- and most of the world's great sopranos have done it since Donizetti penned this hyper-romantic, bel canto masterpiece in 1835. So how does Claycomb plan to match Maria Callas, Joan Sutherland and other legends who dwell only in memory or the scratchy recordings prized by opera nuts? 'I had to clean the slate to sing Lucia,' Claycomb said. 'So my first job was trying to forget Callas and Sutherland -- all the great stars on old recordings whose singing has gotten stuck in everyone's ears. People sometimes think that's the only approach, but it's really just the style of the 1950s, the style that emerged more than a century after Donizetti wrote the piece.'... 'If you look at the early performance history of bel canto operas, you can see that the originators chose roles very differently, and that audiences expected lighter, more flexible voices -- my kind of voice -- not the big, inflexible Mack Truck singers that sometimes rumble through this repertoire today,' Claycomb said. Claycomb is thrilled with the New Orleans cast, which includes New Orleanian Casey Candebat, Michael Chioldi and William Burden, among others. She also had praise for stage director E. Loren Meeker, who has helped to set the New Orleans production in the era of Downton Abbey." [Source]